Résultats lu par "Bronwen Price" dans Toutes les catégories

Heartbreak has forced Millie to make a new start, and when she arrives at the old bakery in the village of Honeybourne, her imagination has been captured by the tumbledown bakery. But with no running water and dust everywhere, her cosy dream quickly crumbles. Luckily the locals are a friendly bunch and step in to help. One in particular, Dylan, a laid-back lothario, soon captures her attention. But just as Millie is beginning to settle in, an unexpected visitor from her past suddenly turns up determined to ruin everything for her.

A female passenger travelling in a by rail is intrigued and increasingly frightened by one of her companions in the compartment. Entirely covered by a cloak, are their intentions nefarious, supernatural or entirely innocent?

Few ghost stories are as chilling as the ones written by Victorian writers. Featuring work by Jerome K. Jerome, Rhoda Broughton, R.L. Stevenson and Violet Hunt, this second collection of eight enduring horror stories, some well-known, others less familiar, transports you to a candlelit fireside to hear tales of cursed paintings, mysterious locked chests and the consequences of promises broken....

Anna Francis lives in a tall old house with her father and her doll Penelope. She is a refugee, a piece of flotsam washed up in England by the tides of the Great War. Once upon a time, she had a mother and a brother, and they all lived together in the most beautiful city in the world. But that is all gone now, and only to her doll does she ever speak of it. And then one winter day, she finds an interloper in the attic. A boy named Luca with yellow eyes, who is as alone as she is. That day, she’ll lose everything in her life, and find the only real friend she may ever know.

Mara Sitwell was only 11 when she went missing. Nineteen years later, she’s been found wandering through remote woodland, alone and confused. She says she’s been kept in an underground cell for all these years - but refuses to reveal anything about the man who snatched her. What does she have to hide? And who’s she protecting? Her brother-in-law, Damian, certainly doubts she’s telling the whole truth and fears she might even be a danger to his young children, especially when his wife insists on moving Mara into their home.

A murder in Venice, Italy, and within a few days, a second murder in Abinger Hammer, England. The victims are not connected, and yet both had to die. Five years later, the Friday Street Murder Mystery Team receive a letter seeking their help. Can Cedric and Ambrose, Charlie and Verity crack the codes, solve the clues, and unravel the complex cold case to prevent the murderer from killing a third time?

Esme Quentin is reminded of a painful past when Max Rainsford, a journalist colleague of her late husband Tim, turns up unannounced asking about a story Tim reported on thirty-five years ago—the murder of an old soldier. Esme, wary of Max's motives, declines to get involved.

The discovery of a 100-year-old murder in a client's family history leaves Esme Quentin bewildered by her client's curious reaction. But with no instruction to find out more, Esme instead turns her attention to clearing the dilapidated outbuilding at her new cottage. Amongst the junk she finds a seventeenth-century map associated with the name Chalacombe, a local family with an intriguing and mysterious history.

When Esme Quentin is engaged to research the history of an ancient mill owned by her client, Anna Brannock, she stumbles upon a bitter family feud, tales of witchcraft and a century-old allegation of murder. As Esme digs deeper, the past begins to converge on the present, when Anna becomes the target of a disturbing campaign, echoing menacing events from many years before. Can a nineteenth century curse still wield its formidable power? What connects Anna with the twenty-four-year-old mystery concerning the whereabouts of the charismatic Ellen Tucker?

When Alice starts a conversation with an attractive stranger, the last thing she expects is to be kidnapped. The handsome stranger pulls a knife on her and drives Alice away in his car. Then she hears a sound coming from the boot. Her abductor has a connection to her past—and soon Alice finds herself face-to-face with her former fiancé, imprisoned in an isolated warehouse. The truth about their breakup is about to be revealed—and it’s not going to be what anyone expected.

Following the gentle curve of the cliff through soft tussock grass, the old farmhouse lies ahead of her like a beacon. Drawing near, she sees cracks in the sash windows and buddleia seedlings sprouting from chips in the rendering. Years have passed since she visited the house as a child–and yet here it is, still standing, waiting for her…

Two-year-old Abigail is fast asleep in the back of the car, clutching her little red lion. Tony, her father, steps out onto the pavement. The man he’s meeting punches him in the face, knocking him to the ground. Before it all goes black, Tony sees his car speed away—with his little girl inside. When he finally gets home after the worst day of his life, the house is empty. His wife is gone too. The place is ransacked and the kitchen is streaked with blood. Someone out there has Tony’s little girl. And his wife may already be dead.

Two-year-old Abigail is fast asleep in the back of the car, clutching her little red lion. Tony, her father, steps out onto the pavement. The man he’s meeting punches him in the face, knocking him to the ground. Before it all goes black, Tony sees his car speed away—with his little girl inside. When he finally gets home after the worst day of his life, the house is empty. His wife is gone too. The place is ransacked and the kitchen is streaked with blood.

Esme Quentin's arrival in north Devon is marred by the gruesome discovery of a fatally injured woman at the foot of Warren Cliff. Esme is troubled by the woman's final words and curious about the old photograph clutched in her hand. The police, however, dismiss Bella Shaw's death as accidental. But Bella's daughter, Neave, has her own questions and approaches Esme for help. The subsequent trail leads Esme back to the brutal penal history of nineteenth century England and the mystery of a Devon convict girl transported to Australia for her crime.

Andrée Griotteray was nineteen when the Germans invaded France and occupied Paris, where she worked as a clerk in the passport office. When her younger brother, Alain, created a resistance network named Orion, Andrée joined his efforts, secretly typing up and printing copies of an underground newspaper, and stealing ID cards which allowed scores of Jewish citizens to escape persecution. Charming and pretty, Andrée nimbly avoided the unwanted attentions of German officers, even as she secretly began working as an undercover courier.

Anwen Sedge, a young Meadow Witch apprentice, lives in a rural village that hasn't seen giants since the Great Beanstalk War. So it's quite a surprise when one drops from the sky and squishes the village flat. It's an even bigger surprise when Anwen discovers that he was dead BEFORE he hit the ground. This is a murder! The only solution is for Anwen and her arch nemesis, Cerys (who's the best at High Magic and won't let anyone forget it) to send a plea for help to the giants' kingdom, using a magic beanstalk.

For decades Emma Bowen has hoped she and her mother, Margaret, might find a way back into each other’s lives. Even as a child, her strongest connection to her mother was a painting Margaret created before Emma was born, of a little girl lost in a maze. So when Margaret dies, gifting the painting to a total stranger, Emma is consumed by grief—for her mother, the little girl, and the relationship they never had.

Included in THE TIMES Best Historical Fiction Books of 2025: 'A lively new perspective on a grimly familiar tale'

Audiobook included in THE SUNDAY POST 'Books of the Week'

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Worn down by postwar London life, forty-something Lucy Cottrell finds herself accepting a surprise invitation to spend the summer at a Swiss chalet, accompanied by the very practical and undemonstrative Freda Blandish, whom she barely knows. The two are charged with inventorying the contents of the chalet, but distractions soon abound, first from Freda's slightly woebegone daughter Astra and her hoity-toity friend Kay, then from Lucy's godson Bertram and his friend Peter.

Hayley is furious that her beloved cat, Judy Garland, keeps sneaking off to the garden of the weird old lady across the street. Lillian, or Boo, as Hayley calls her, hasn’t left her house for years, not since the council came up with their plan to knock down the row of houses to make way for a new development. Everyone in the street dismisses Lillian as an eccentric old woman, but when Hayley is forced to get to know her, an unlikely bond develops between them and Hayley learns the real reason behind Lillian’s reluctance to move.