Résultats lu par "Gabrielle Baker" dans Toutes les catégories

She is a shy spinster by day and a celebrated opera singer by night. He is an earl in dire need of a wife—and desperately in love with this season's opera star. Can love blossom out of this tangled web of deception? This is a sweet, cheeky Regency romp where spinsters are merry, rogues are charming, and nothing is at it seems.

Lady Avery Heywood has never been kissed. She's never had a Season, danced the waltz at a ball, or been in love. The staunch spinster has resigned herself to a loveless existence, where she dutifully raises her brother's four children and cares for an ageing aunt. But Avery yearns to break free from the shackles of her humdrum existence. Determined to check off each item on her list of unfulfilled dreams, she turns to her butler for assistance. Little does she know that beneath her butler's unassuming demeanor lies a secret that could forever alter their destinies.

Lady Melody Lockwood deciphers enemy codes from the safety of her home. It is safe and predictable, allowing her to feel as though she is doing more than what is expected of a lady in High Society. However, when a leak at the agency suggests her cover may have been blown, she faces a danger she never expected.

Driven into exile years earlier, due to family scandal, Declan Sinclair is called home, devastated to discover his brother has been murdered and he's the new Duke of Darington. When clues point to the man he blames for both his exile and his brother's death, Declan resolves to ruin the culprit. If only the daughter of the man's business partner, lovely Lady Alethea Swinton, didn't tempt his resolve.

In the sixth novel in the Nevermore Bookshop Mysteries, Mina, Heathcliff, Morrie, and Quoth face off against their ultimate enemy. Add meddling villagers, an army of fictional characters to wrangle, Mina's mother's latest get-rich-quick scheme, and a curious dog into the mix, and Mina's got her hands full. But Nevermore Bookshop still has secrets to reveal. Mina and her men are ready for an epic showdown worthy of a Homeric poem . . . if they survive.

Mina, Heathcliff, Morrie, and Quoth are tying the knot in an extravagant ceremony. But when someone sabotages the decorations and Heathcliff receives a threatening note, they realize that a saboteur in the village doesn't want them to have their happily-ever-after. Their wedding misadventures turn deadly when the wedding saboteur murders the celebrant. Add in a duck-napping, disastrous dance lessons, absent book reviewers, Mina's mother's newest business venture, and visits from old friends . . . and enemies, and Mina has a matrimonial catastrophe on her hands.

Being the spider in the center of a vast criminal web has left Morrie in hot water. His list of enemies is long . . . too long for Mina and her men to unravel. Mina doesn't have a clue to stand on when a shadow from Morrie's past shows up and threatens to destroy everything she's fought for. If Morrie's ex solves the murder before them, it could mean the end of Nevermore Bookshop. But is Mina ready to pit her sleuthing skills against literature's foremost consulting detective?

The expectation used to be that men would be masculine and women would be feminine, and this was assumed to come naturally to them in virtue of their biology. On this view, sex is gender and gender is sex. A new view of gender has emerged in recent years, a view on which gender is an "identity," a way that people feel about themselves in terms of masculinity or femininity, regardless of their sex. On this view, sex is dismissed as unimportant, and gender is made paramount.

Carla, Tiffany, Nina, and J. P. have already gotten major play on the Channel, a secret, women-only interactive cable network. Now they'll carry out even more fantasies with a collection of seductive characters they would only meet in their dreams. The women entangle themselves with pirates, sultans, regency rakes, and even movie stars. And then there's Maureen Flynn, new to the Channel. She's an au pair from Ireland whose fantasy of choice is with a brawny Celtic warrior. Will he turn her on to the Channel like those that came before her?

Welcome to 1990s Norway. White picket fences run in neat rows, and Christian conservatism runs deep. But as the Artist considers her work, things start stirring themselves up. In a corner of Oslo, a coven of witches begin cooking up some curses. A time-traveling Edvard Munch arrives in town to join a death-metal band, closely pursued by the teenaged subject of his painting Puberty, who has murder on her mind. Meanwhile, out deep in the forest, a group of school girls get very lost and things get very strange. And awful things happen in aspic.

It's summer when Elm Hill lido opens, having stood empty for years. For Natalie Steele, it offers freedom and leads her to Lara Channing, a charismatic former actress who seems all too happy to invite Natalie into her elite circle. Soon Natalie is spending long days at the pool, basking in popularity. But is it too good to be true? Why are dark memories of a summer long ago now threatening to surface? Could Natalie have been swept dangerously out of her depth?

The "Step Up, Step Back" approach suggests leaders need to step up and do more than they typically do in the early stages of the change - in specific ways and at specific times; and then step back and do less than they typically do in the later stages of the change - again, in specific ways, at specific times. The result is not only change that sticks, but empowered, motivated managers who can get on with delivering change, without needing ongoing input or cover from leaders.

Rewriting the Rules is a friendly guide through the complicated—and often contradictory—advice that's given about sex and gender, monogamy and conflict, break-up and commitment. It asks questions about the rules of love, such as which to choose from all the rules on offer? Do we stick to the old rules we learnt growing up, or do we try something new and risk being out on our own? And what about the times when the rules we love by seem to make things worse?

One corpse. Several bizarre looking attackers. Some very strange magical powers. And a severe bout of amnesia. Madrona is not having a great week. It's going to be okay, though. All she has to do is find out who she really is, protect a soap star from being attacked by a stalker, and work out why so many people seem so afraid of her. Because surely she's a good person. Right?

When I arrive in Oakleaf Glade to claim an inheritance, I imagine it'll run to a few hundred in a savings account. Instead, I receive an entire house! I'd thank my lucky stars except for the experiences that come part and parcel with the arrangement. Things like my hair turning bright pink and trending skywards, or a kitten who I swear can understand me when I talk. But when a ghost shrieks me awake at night, warning that if I stay I'll die just like my great aunt Esmerelda, I'm ready to put my boots on.

This plain and simple guide to tarot offers: profiles for each of the 78 cards that comprise the major and minor arcana; upright and reversed meanings; tips on giving readings to others; the most common spreads including a heavy focus on the Celtic Cross; correspondences for the major arcana and astrology signs; key points for each card to help give a reading with confidence; and exercises to increase reading the cards spontaneously.

Lady Selina Bellamy is much more than a pretty face. And it's about time everyone realized it. Being the sweet, biddable, pretty sister isn't as easy as one might think. Selina knows this all too well. Love? That was never a possibility for her. Not when she was expected to marry a wealthy man and save her entire family from financial ruin.

Lady Edwina Lockwood grapples with the loss of her father when her cousin extends an invitation to Lord Hilgrove to visit Brockhall Manor. She intends to avoid this houseguest, but he quickly becomes a constant presence, much to her annoyance. Despite her initial reluctance, Edwina discovers she can offer support to Lord Hilgrove as he copes with his own grief.

What really drives our decisions? Where do language and memory come from? Why do our minds sometimes seem to work against us? Psychologists have long attempted to answer these questions, seeking to understand human behavior, feelings, and thoughts. But how to explore something so elusive?

Lord Roland Crewe wants nothing to do with love or romance. He's already proven he's a terrible husband-twice!-and has no interest in doing it again. But for some reason, he struggles to remember that when he's with Aurelia. He knows a scarred, hardened man like him has nothing to offer a beautiful young idealist like her. So, why can't he stay away?