Résultats lu par "David Parker" dans Toutes les catégories

In this volume we gather together verse from lesbian poets that is deeply personal and at times overwhelming. It is not just a search for physical love but a journey through the spiritual to completeness, to becoming whole. However we recognise that the label lesbian might be anachronistic and so also include those who stand by their sides or who have a view in verse that helps us to revel in their love. For in the end that is all our journey is about.

Nature took on a new importance for thousands of people when the coronavirus pandemic arrived in Britain, providing solace in a time of great anxiety - not least because the crisis struck at the beginning of spring, the season of hope and renewal, and furthermore, in an extraordinary conjunction, the spring of 2020 turned out to be the loveliest spring ever recorded in Britain. Three nature writers, living like everyone else under lockdown, but walking out each day to exercise, resolved to record their experiences of the coronavirus spring, in widely contrasting parts of the country.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. In the vast Empire of the Russians literature was a way to exchange ideas, values and cultures. Yet each author, each story, each character is an individual example of a journey that, story by story, has transformed the glimmering arc of its literature.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. The plains of the American Mid-West are home to some very fine exponents of the literary craft. Throughout this vast landscape stories seem to be everywhere offering their experiences as works just awaiting the final touches and flourishes of these famed authors. They deliver in very talented ways.

The name H H Munro is obscured beneath the literary mantle of his nom de plume; Saki. A writer of his times, the stories perfectly portray society’s whims and tastes in a delicate yet at times, barbed humour. A divine wit who conjured words into quite extraordinary works. Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. The zenith of Empire is bookended by two catastrophic wars that slaughter vast swathes of humanity. And yet authors manage to record and create fragile libraries of humanity, its talents, its dreams and increasingly its nightmares.

The Russian novel has a reputation that is immense, both in narrative and in length. Unquestionably though the ideas, themes and characters make many novels rightly revered as world class, as icons of literature. Whilst Tolstoy, Gogol, Dostoevsky, Pushkin and Chekhov are a given in any Russian collection we also explore and include Andreyev, Korolenko, Turgenev, Blavatsky and many others to create a world rich and dense across a sprawling landscape of diverse people, riddled with the class and unfairness in perhaps some of the most turbulent times that Russia has ever experienced.

These six stories are, for the most part taken from the writer's experience as a professional actor (A Different Money, You Cannot Be My Hands and The Reputation Preceding Jack Vitalis) but there are others which include an oneiric distraction featuring the brittle but precise discipline of the fictional Japanese terpsichorean art form Littledance, a curious tale of revenge upon the cruel attack of a titled aristocrat upon an otherwise genial and hard-working interior decorator (The Tradesman's Entrance).

At the end of our days we will most likely lie for eternity in the cemetery or graveyard. Many of these, now wreathed in time, have a romance and overgrown beauty as nature keeps and shelters the dead. For our varied and talented authors, a major theme, or indeed character of the stories in this volume is that very location, and how they weave it into their narratives is both fascinating, enlightening and a wonderfully distinct way of telling classic short stories.

Netta Syrett was born Janet Syrett on 17th March 1865 in Ramsgate, Kent, one of 13 children. Her debut novel, Nobody's Fault (1896) was the beginning of a long and prolific output. For the next several years her writing and teaching careers ran alongside each other.

During the Victorian era the publishing of magazines and periodicals accelerated at a phenomenal rate. This really was mass market publishing to a hungry audience eager for literary sustenance. Many of our greatest authors contributed and expanded their reach whilst many fledging authors also found a ready source for their nascent works and careers. Amongst the very many was ‘The Yellow Book’.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. The Russian Literary Tradition has justly earned a magnificent reputation. The Russian Empire of the Czars was a huge and disparate patchwork of peoples ruled by an overbearing elite that employed a middle-class bureaucracy to keep the working class firmly underfoot. Within its vaulted ranks are a role call of many of the greatest literary talents of the ages.

Richard Thomas Gallienne was born in Liverpool on 20th January, 1866. His first job was in an accountant's office, but this was quickly abandoned to pursue his first love as a professional writer. His first work, My Ladies’ Sonnets, was published in 1887. In 1889 he became, for a brief time, literary secretary to Wilson Barrett the manager, actor, and playwright. Barrett enjoyed immense success with the staging of melodramas, which would later reach a peak with the historical tragedy The Sign of the Cross (1895).

Montague Rhodes James is cited as perhaps the greatest English writer of ghost stories, an opinion few would disagree with. Many of his elegant yet terrifying tales were created by discarding the prevailing gothic clichés and placing his characters and narrative in a realistic setting. Thereby the stories gained atmosphere and menace on a grand scale and he was famed as the originator of the antiquarian ghost story. Although story-telling and writing these 30 or so tales was a hobby, when published their effect transformed the genre and still chill the bones in our more modern times.

Oscar Fingal O'Flahertie Wills Wilde was born on the 16th October 1854, in Dublin, Ireland. The son of Dublin intellectuals Oscar proved himself an outstanding classicist at Trinity College and then at Oxford. His only novel, ‘The Picture of Dorian Gray’, was published in 1890 and he then moved on to writing for the stage with ‘Salome’ in 1891. His society comedies were enormous hits and turned him into one of the most successful writers of late Victorian London. This collection of light-hearted and witty stories was written by Oscar Wilde in 1891.

In this collection of short stories some of our most popular and well-known authors are grouped together with an unfortunate tag: dead at 44. These authors are not run-of-the-mill or ten a penny; they are literary leviathans who left enduring works of literature and sadly may have left us many more had they lived. We will never know.

Montague Rhodes James is cited as perhaps the greatest English writer of ghost stories, an opinion few would disagree with. His classic story ‘Whistle and I’ll Come to You My Lad’ exquisitely reveals how a young professor on holiday chances on a buried whistle and folklore becomes terrifying fact.

Sir Anthony Hope Hawkins was born on 9th February 1863 in Clapton, London. He was educated at St John's School, Leatherhead, Marlborough College and Balliol College, Oxford. Hope trained as a lawyer and barrister and was called to the Bar by the Middle Temple in 1887. Despite what was thought to be a promising legal career, he had literary ambitions and wrote in his spare time. His early works appeared in various periodicals of the day but for his first book, ‘A Man of Mark’ (1890), with no publisher interested, he published with his own resources.

Anton Pavlovich Chekhov was born on 29th January 1860, in Taganrog, on the south coast of Russia. Chekhov wrote over 500 short stories, which included many, many classics, including ‘The Kiss’ and ‘The Lady with a Dog’. His collection ‘At Dusk’ won him the coveted Pushkin Prize when was only 26. He was also a major playwright beginning with the huge success of ‘Ivanov’ in 1887.

Occasionally an author appears who, in a short career, emblazons a legacy so bright and so distinct, as well as popular, that it is difficult to believe it is the output of only one man. Robert Louis Balfour Stevenson was such a talent. Over the course of his prolific career, Stevenson had not only given his audience many classic novels but beautiful poetry such as ‘A Child’s Garden of Verses’ and many short stories as with his dark classic of Christmas Day ‘Markheim’ (1884).