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“Reading Roberto Bolaño is like . . . watching the tracks of art and life merge at the horizon and linger there like a dream from which we awake inspired to look more attentively at the world.” —Francine Prose, The New York Times “We savor all he has written, as every offering is a...

Last Evenings on Earth by Roberto Bolaño is a forthcoming title from Farrar, Straus and Giroux...

The Wind That Lays Waste begins in the great pause before a storm. Reverend Pearson is evangelizing across the Argentinian countryside with Leni, his teenage daughter, when their car breaks down. This act of God or fate leads them to the workshop and home of an aging mechanic called Gringo Brauer and a young boy named Tapioca. As a long day passes, curiosity and intrigue transform into an unexpected intimacy between four people.

Alberto Ruiz-Tagle was once a quiet, unknowable, unpromising member of Chile’s young poetry scene. But the military coup of 1973 sees Alberto reborn as the new regime’s leading poet, Carlos Wieder. Known for his daring sky poems, penned in smoke high above the cities, Weider’s dazzling trajectory is a cause for astonishment and speculation among his old poetry friends. Where did this monstrous talent suddenly spring from? And how is it connected to the disappearance of the beautiful Garmendia twins?

A tour de force, Amulet is a highly charged first-person, semi-hallucinatory novel that embodies in one woman's voice the melancholy and violent recent history of Latin America. Amulet is a monologue, like Bolaño's acclaimed debut in English, By Night in Chile. The speaker is Auxilio Lacouture, a Uruguayan woman who moved to Mexico in the 1960s, becoming the "Mother of Mexican Poetry", hanging out with the young poets in the cafés and bars of the University.

“The greatest writer to have appeared in Latin America since the so-called ‘boom’ . . . I’m tempted to call Bolaño the love child of David Lynch and Jorge Luis Borges—he’s that visceral and erudite—but this wouldn’t do justice to his ambition.” —John Powers, NPR’s Fresh...

“One of the greatest and most influential modern writers.” —James Wood, The New York Times Book Review “Bolaño is the real thing.” —n+1 In the quiet Spanish seaside town of Z, a horrific crime has been committed: a coldblooded murder on a secret ice rink in the abandoned Palacio...

Mass-murdering authors. Writers at the head of a football-hooligan ring. A pilot who crafts his poetry in the sky. A tour de force of black humor and imaginary erudition, Nazi Literature in the Americas presents itself as a biographical dictionary of pan-American writers who espoused extreme right-wing ideologies in the twentieth and twenty-first centuries. Terrifyingly witty and remarkably inventive, Nazi Literature in the Americas is the virtuosic, one-of-a-kind masterpiece that brought Bolaño fame throughout the Spanish-speaking world.

“Extraordinary . . . [Bolaño’s] greatest work.” —James Wood, The New York Times Book Review “A marvelous river of feeling, a brilliant meditation, an enthralling fantasy—By Night in Chile is the real thing, and the rarest: a contemporary novel destined to have a permanent place in...

“Roberto Bolaño’s oeuvre is among the great, blistering literary achievements of the twentieth century.” —Lauren Groff, author of The Vaster Wilds “[Latin America’s] most vibrant expositor: an acid-tongued, truth-telling, peripatetic genius, who lived all too briefly, wrote in a...

“One of the most respected and influential writers of [his] generation.” —John Banville, The Nation “A genius . . . Bolaño had the courage to look at the world anew.” —Ilan Stavans, The Washington Post Composed of thirteen indelible stories, Roberto Bolaño’s The Return is...

“One of the more colorful gods in the pantheon of international literary myth . . . [Bolaño] follows his restless talent down every available rabbit hole.” —Sam Anderson, New York “When I read Roberto Bolaño, I think: Everything is possible again.” —Nicole Krauss, author of To Be a...