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In this volume we gather together those 17th Century poets and their poems which took poetry in a different but very revealing direction, with their artistry and verse.

John Donne, Andrew Marvell, George Herbert, Thomas Carew, and Henry Vaughan: these were some of the 17th-century writers who devised a new form of poetry full of wit, intellect and grace, which we now call Metaphysical poetry. They wrote about their deepest religious feelings and their carnal pleasures in a way that was radically new and challenging to their readers. Their work was largely misunderstood or ignored for two centuries, until 20th-century critics rediscovered it, finding in it a deep originality and a willingness to experiment.

Whilst this given name and the poets included can seem at first glance broad and unmanageable, the name both historically and artistically is a near perfect fit. Those poets that pledged support to Charles I, a connoisseur and patron of fine arts, were in the main courtiers or closely aligned. Among their number were Robert Herrick, Richard Lovelace, Thomas Carew and Sir John Suckling. These poets shied away from verse on religion or philosophy but mused instead on love, joy and simpler things, very much living for the ‘now’.