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Fyodor Dostoyevsky is a titanic figure among the world's great authors, and The Brothers Karamazov is often hailed as his finest novel. A masterpiece on many levels, it transcends the boundaries of a gripping murder mystery to become a moving account of the battle between love and hate, faith and despair, compassion and cruelty, good and evil.

Fyodor Dostoevsky's Crime and Punishment is universally regarded as one of literature's finest achievements, as the great Russian novelist explores the inner workings of a troubled intellectual. Raskolnikov, a nihilistic young man in the midst of a spiritual crisis, makes the fateful decision to murder a cruel pawnbroker, justifying his actions by relying on science and reason, and creating his own morality system. Dehumanized yet sympathetic, exhausted yet hopeful, Raskolnikov represents the best and worst elements of modern intellectualism. The aftermath of his crime and Petrovich's murder investigation result in an utterly compelling, truly unforgettable cat-and-mouse game. This stunning dramatization of Dostoevsky's magnum opus brings the slums of St. Petersburg and the demons of Raskolnikov's tortured mind vividly to life.

With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Richard Pevear and Larissa Volokhonsky offer a brilliant translation of Crime and Punishment, Dostoevsky's astounding psychological thriller, newly revised for his bicentennial.

In The Idiot, Prince Myshkin possesses a childlike innocence and trusting nature that leave him vulnerable to abuse by those around him. Returning to St. Petersburg to collect an inheritance, Myshkin realizes he is a stranger in a society obsessed with wealth, manipulation and power.

Exiled to four years in Siberia, but hailed by the end of his life as a saint, prophet, and genius, Fyodor Dostoevsky holds an exalted place among the best of the great Russian authors. One of Dostoevsky’s five major novels, Devils follows the travails of a small provincial town beset by a band of modish radicals - and in so doing presents a devastating depiction of life and politics in late 19th-century Imperial Russia.

Imagine immersing yourself in the most powerful, thought-provoking, and psychologically complex stories ever written-now curated into a single, comprehensive volume that brings Dostoevsky's brilliance to life like never before. The Complete Fyodor Dostoevsky Collection offers his most celebrated novels, novellas, and short stories, designed to captivate your mind and soul with timeless themes of guilt, redemption, madness, morality, and the human condition.

In this intense detective thriller instilled with philosophical, religious, and social commentary, Dostoevsky studies the psychological impact upon a desperate and impoverished student when he murders a despicable pawnbroker, transgressing moral law to ultimately "benefit humanity".

The Brothers Karamazov tells the stirring tale of four brothers: the pleasure-seeking, impatient Dmitri; the brilliant and morose Ivan; the gentle, loving, and honest Alyosha; and the illegitimate Smerdyakov: shy, silent, and cruel. The four unite in the murder of one of literature's most despicable characters - their father. This was Dostoevsky's final and best work.

“White Nights” tells the story of a lonely man who wanders the streets of St. Petersburg over the course of four nights, searching for an escape from his isolation.

David Fishelson has transformed Dostoyevsky’s The Idiot into a spellbinding drama that illuminates the titanic novel. In The Idiot, meet the kindly, childlike Prince Myshkin, as he returns to the decadent social whirl of 1860s St. Petersburg. The two most beautiful, sought-after women in the town compete for his affections, in a duel that grows increasingly dangerous.

Prince Myshkin, is thrust into the heart of a society more concerned with wealth, power, and sexual conquest than the ideals of Christianity. Myshkin soon finds himself at the center of a violent love triangle in which a notorious woman and a beautiful young girl become rivals for his affections. Extortion, scandal, and murder follow, testing the wreckage left by human misery to find "man in man."

The Brothers Karamazov is a murder mystery, a courtroom drama, and an exploration of erotic rivalry in a series of triangular love affairs involving the “wicked and sentimental” Fyodor Pavlovich Karamazov and his three sons—the impulsive and sensual Dmitri; the coldly rational Ivan; and the healthy, red-cheeked young novice Alyosha. Through the gripping events of their story, Dostoevsky portrays the whole of Russian life, is social and spiritual striving, in what was both the golden age and a tragic turning point in Russian culture.

From renowned translators Richard Pevear and Lindsay Volokhonsky comes a new translation - certain to become the definitive version - of the first great prison memoir, a fictionalized account of Fyodor Dostoevsky's life-changing penal servitude in Siberia.

The Brothers Karamazov is the final novel by the Russian author Fyodor Dostoevsky and is generally considered the culmination of his life's work. Published in November 1880, Dostoevsky spent nearly two years writing the novel set in 19th-century Russia. Fydor Karamazov, a mean and disreputable landowner, has three sons, Dmitry, a profligate army officer; Ivan, a writer with revolutionary ideas; and Alexey, a religious novice.

Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original. This audio edition of Notes from Underground is the only recording of Pevear and Volokhonsky's translation of Dostoevsky’s classic work.

The passionate Karamazov brothers spring to life, led by their lecherous father, who entertains himself by drinking, womanizing, and pitting his three sons against each other. The men have plenty to fight over, including the alluring Grushenka.

"I am a sick man...I am a spiteful man", a nameless voice cries out. And so, from underground, emerge the passionate confessions of a suffering man; the painful self-examination of a tormented soul; the bristling scorn of a lonely individual who has become one of the greatest anti-heroes in all literature.

Considered one of the first existentialist novels, Notes from Underground contains one of the most unsettling characters in 19th-century fiction. Resentful, cruel, entitled, and pitiful, Dostoyevsky's Underground Man is a disturbing human being bent on humiliating others for his own amusement. The Gambler is perhaps the most personal of Dostoyevsky's novels. Written to pay off the author's own gambling debts, the book follows the obsessions and anxieties of Alexey Ivanovitch, a sympathetic character who has given in to the forces of addiction.

Dostoevsky is primarily known for his monumental works like Crime and Punishment and The Brothers Karamazov. However, he also wrote many excellent shorter works that embody the same exploration of human psychology on a smaller scale. The Dream of a Ridiculous Man is one of his best short pieces. No less a writer than Virginia Woolf says of Dostoevsky, "Out of Shakespeare there is no more exciting reading."

Dostoevsky's last and greatest novel, The Brothers Karamazov (1880) is both a brilliantly told crime story and a passionate philosophical debate. The dissolute landowner Fyodor Pavlovich Karamazov is murdered; his sons—the atheist intellectual Ivan, the hot-blooded Dmitry, and the saintly novice Alyosha—are all at some level involved. Bound up with this intense family drama is Dostoevsky's exploration of many deeply felt ideas about the existence of God, the question of human freedom, the collective nature of guilt, the disastrous consequences of rationalism.