Résultats de "Hugh Howey" dans Toutes les catégories

Dans un futur postapocalyptique indéterminé, une communauté d’hommes et de femmes a organisé sa survie dans un silo souterrain géant. Du monde extérieur, devenu hostile, personne ne sait rien, sinon que l’atmosphère y est désormais irrespirable. Les images de mauvaise qualité relayées par d’antiques caméras, montrant un paysage de ruines et de dévastation balayé de vents violents et de noirs nuages, ne semblent laisser aucune place à l’illusion. Pourtant, certains continuent d’espérer. Ces individus, dont l’optimisme pourrait s’avérer contagieux, représentent un danger potentiel.

In this barren home, siblings Conner, Rob, Palmer and Violet daily carve out a future. They live in the shadow of their father and oldest sister, Vic, two of the greatest sand divers ever to comb the desert’s depths. But these branches of their family tree are long gone, disappeared into the wastes beyond, leaving the younger siblings scratching in the dust, hopeful for a better life. On the other side of No Man’s Land, Anya was born beside the abundant mines knowing her prospects would be to marry, have a family, and work in ore, in service to the Empire of the East.

Hugh Howey is known for crafting riveting and immersive tales of boundless imagination. Now comes Machine Learning, an impressive collection of Howey's science fiction and fantasy short fiction, including three stories set in the world of Wool, two never-before-published tales written exclusively for this volume, and 15 additional stories collected here for the first time. These stories explore everything from artificial intelligence to parallel universes to video games, and each story is accompanied by an author's note.

In 2007, the Center for Automation in Nanobiotech (CAN) outlined the hardware and software platforms that would one day allow robots smaller than human cells to make medical diagnoses, conduct repairs, and even self-propagate. In the same year, the CBS network re-aired a program about the effects of propranolol on sufferers of extreme trauma. A simple pill, it had been discovered, could wipe out the memory of any traumatic event. At almost the same moment in humanity’s broad history, mankind discovered the means for bringing about its utter downfall. And the ability to forget it ever happened.

The world outside has grown toxic, the view of it limited, talk of it forbidden. The remnants of humanity live underground in a single silo. But there are always those who hope, who dream. These are the dangerous people, the residents who infect others with their optimism. Their punishment is simple. They are given the very thing they want: They are allowed to go outside.

Juliette, now mayor of Silo 18, doesn’t trust Silo 1, especially its leader, Donald. But in the world of the Silos, there is no black and white—everything is shades of gray. Donald may not be the monster Juliette thinks he is, and may in fact be key to humanity’s continued survival. But can they work together long enough to succeed?

The old world is buried. A new one has been forged atop the shifting dunes. Here in this land of howling wind and infernal sand, four siblings find themselves scattered and lost. Their father was a sand diver, one of the elite few who could travel deep beneath the desert floor and bring up the relics and scraps that keep their people alive. But their father is gone. And the world he left behind might be next.

En 2049, le monde est encore tel que nous le connaissons, mais le temps est compté. Seuls quelques potentats savent ce que l’avenir réserve... Deuxième volet, en forme de prequel, de la trilogie culte Silo, qui confère à l’univers imaginé par Hugh Howey une ampleur et une complexité saisissantes.

Donald a pris la place de Thurman. Juliette, quant à elle, est maire du silo 18, et compte en découdre avec les dirigeants du silo 1. Le compte à rebours commence. Donald parviendra-t-il à déjouer la logique macabre du silo 1 ? Juliette réussira-t-elle à s’échapper du silo 18 ? La vie sur Terre pourra-t-elle reprendre, ou s’agit-il d’un ultime leurre ? Avec "Silo Générations", Hugh Howey apporte la touche finale à un cycle déjà culte.

Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the end of the world. In science fiction the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm.

“These are dangerous stories. The kind that warp reality and threaten to change the world” warns guest editor Hugh Howey in his introduction. The Best American Science Fiction and Fantasy 2024 promises a treasure trove of audacious characters, daring worldbuilding, and twisted realties. A sibling duo of supernatural hitmen. A traveling spellbreaker and his trusty alligator mount. Superheroes registering for work. Sentient spaceships with an AI-human interface grow up together with their human pilots.

Less than 60 kids awaken on a distant planet. The colony ship they arrived on is aflame. The rest of their contingent is dead. They've only received half their training, and they are being asked to conquer an entire planet. Before they can, however, they must first survive each other.

For centuries, men and women have manned lighthouses to ensure the safe passage of ships. It is a lonely job and a thankless one for the most part. Until something goes wrong. Until a ship is in distress. In the twenty-third century, this job has moved into outer space. A network of beacons allows ships to travel across the Milky Way at many times the speed of light. These beacons are built to be robust. They never break down. They never fail. At least, they aren’t supposed to.

Un groupe de cinq cents personnes a été envoyé dans l'espace pour coloniser une autre planète. Dans un état de semi-conscience, elles suivent une éducation qui leur est dispensée par une intelligence artificielle. À trente ans, elles seront parfaitement formées pour appréhender leur nouveau monde. Mais après quinze ans seulement, une explosion à bord du vaisseau tue la majorité d'entre elles et détruit la plus grande partie de leurs vivres. Pire, les soixante jeunes rescapés qui se réveillent ne possèdent encore que les connaissances les moins utiles à leur survie.

Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm. But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild. "The Apocalypse Triptych" will tell their stories.

Dans un futur postapocalyptique indéterminé, une communauté d'hommes et de femmes a organisé sa survie dans un silo souterrain géant. Du monde extérieur, devenu hostile, personne ne sait rien, sinon que l'atmosphère y est désormais irrespirable. Les images de mauvaise qualité relayées par d'antiques caméras, montrant un paysage de ruines et de dévastation balayé de vents violents et de noirs nuages, ne semblent laisser aucune place à l'illusion. Pourtant, certains continuent d'espérer. Ces individus, dont l'optimisme pourrait s'avérer contagieux, représentent un danger potentiel.

This book contains foul language and fouler descriptions of life as a zombie. It will offend most anyone, so proceed with caution or not at all. And be forewarned: This is not a zombie book. This is a different sort of tale. It is a story about the unfortunate, about those who did not get away. It is a human story at its rotten heart. It is the reason we can't stop obsessing about these creatures, in whom we see all too much of ourselves.

When a robot defies his programming, is he broken? Or is he something else?

The ocean is dying. The sea is growing warmer and is gradually rising. Seashells have become so rare that collecting them is now a national obsession. Flawless specimens sell like priceless works of art. Families hunt the tideline in the dark of night with flashlights. Crowds gather on beaches at the lowest of tides, hoping to get lucky.

Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm. But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild. THE APOCALYPSE TRIPTYCH will tell their stories. Edited by acclaimed anthologist John Joseph Adams and bestselling author Hugh Howey, THE APOCALYPSE TRIPTYCH is a series of three anthologies of apocalyptic fiction. THE END IS NIGH focuses on life before the apocalypse. THE END IS NOW turns its attention to life during the apocalypse. And THE END HAS COME focuses on life after the apocalypse.