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Shortlisted for the 2014 Folio Prize. Old Filth and The Man in the Wooden Hat told with bristling tenderness and black humour the stories of that titan of the Hong Kong law courts, Old Filth QC, and his clever, misunderstood wife, Betty. Last Friends, the final volume of this trilogy, picks up with Terence Veneering, Filth's great rival in work and - though it was never spoken of - in love.

This delightful novel describes the post-war summer of 1946 - and follows the growing-up of three young women in the months between leaving school and taking up their scholarships at university. Una Vane, whose widowed mother runs a hairdressing salon in her front room, goes bicycling with Ray, the boy who delivers the fish and milk. Hetty Fallowes struggles to become independent of her possessive, loving, tactless mother. And Lieselotte Klein, uncovers tragedy in the past and magic in the present.

'I ought to tell you at the beginning that I am not quite normal having had a violent experience at the age of nine'. Jessica Vye's 'violent experience' colours her schooldays and her reaction to the world around her - a confining world of wartime restrictions, Viyella dresses, nicely-restrained essays and dusty tea shops. For Jessica has been told that she is 'beyond all possible doubt', a born writer.

Throughout her career prize-winning novelist Jane Gardam has been writing glorious short stories, each one hallmarked with all the originality, poignancy, wry comedy, and narrative brilliance of her longer fiction. Passion and longing, metamorphosis and enchantment are Gardam's themes, and like a magician she plucks them from the quietest of corners: from Wimbledon gardens and cold churches, from London buses and industrial backstreets.

Long ago, Old Filth was a Raj orphan - one of the many young children sent 'home' from the East to be fostered and educated in England. Jane Gardam's novel tells his story, from his birth in what was then Malaya to the extremities of his old age. In so doing, she not only encapsulates a whole period from the glory days of British Empire, through the Second World War, to the present and beyond, but also illuminates the complexities of the character known variously as Eddie, the Judge, Fevvers, Filth, Master of the Inner Temple, Teddy and Sir Edward Feathers.

Acclaimed as Jane Gardams masterpiece, Old Filth is a lyrical series that recalls the fully lived life of Sir Edward Feathers. The Man in the Wooden Hat is the history of his marriage told from the perspective of his wife, Betty, a character as vivid and enchanting as Filth himself. They met in Hong Kong after the war. Betty had spent the duration in a Japanese internment camp. Filth was already a successful barrister, handsome, fast becoming rich, in need of a wife but unaccustomed to romance. A perfect English couple of the late 1940s.

Sir Edward Feathers has had a brilliant career, from his early days as a lawyer in Southeast Asia, where he earned the nickname Old Filth (FILTH being an acronym for Failed In London Try Hong Kong) to his final working days as a respected judge at the English bar. Yet through it all he has carried with him the wounds of a difficult and emotionally hollow childhood. Now an 80-year-old widower living in comfortable seclusion in Dorset, Feathers is finally free from the regimen of work and the sentimental scaffolding that has sustained him throughout his life.

Marigold Green calls herself ‘hideous, quaint and barmy’. Other people call her Bilgewater, a corruption of Bill’s daughter. Growing up in a boys’ school where her father is housemaster, she is convinced of her own plainness and peculiarity. Groomed by the wise and loving Paula, upstaged by bad, beautiful Grace and ripe for seduction by entirely the wrong sort of boy, she suffers extravagantly and comically in her pilgrimage through the turbulent, twilight world of alarming adolescence.

It is a wet day in Dorset, and walking to a luncheon party is Sir Edward Feathers QC, followed by two elderly friends: his scruffy neighbour and sparring partner, Veneering, and Fiscal-Smith, the meanest lawyer ever to make a fortune at the Bar. Fans of Jane Gardam's bestselling novel, Old Filth, will be delighted to encounter Filth, now almost ninety, making his immaculate way to Privilege Hill.

In 1904, when she was six, Polly Flint went to live with her two holy aunts at the yellow house by the marsh - so close to the sea that it seemed to toss like a ship, so isolated that she might have been marooned on an island. And there she stayed for 81 years, while the century raged around her, while lamplight and Victorian order became chaos and nuclear dread. Crusoe's Daughter, ambitious, moving and wholly original, is her story.

The barren, beautiful Cumbrian fells provide the bewitching setting for the adventures of Bell and Harry, two children who find enchanting wonder at every turn as they explore the hollow land. Everyday challenges give a daring edge to this rural work and play. There are ancient mysteries to explore and uncover, like the case of the Egg Witch, and everyone is curious about the Household Name, a wildly famous Londoner moving in to the jewel of the territory, Light Trees Farm.

Filth ( Failed in London, Try Hong Kong) is a successful lawyer when he marries Elisabeth in Hong Kong soon after the war. Reserved, immaculate, and courteous, Filth finds it hard to demonstrate his emotions.

But Elisabeth is different - a free spirit. She was brought up in the Japanese internment camps, which killed both her parents but left her with a lust for survival and an affinity with the Far East. No wonder she is attracted to Filth's hated rival at the bar - the brash, forceful Veneering.

The barren, beautiful Cumbrian fells provide the bewitching setting for the adventures of Bill and Harry, two children who find wonder at every turn as they experience the Hollow Land. Everyday challenges give a daring edge to this rural work and play. There are mysteries to explore and uncover, like the case of the Egg Witch, and everyone is curious about the Household Name, a visitor from London, moving into the jewel of the territory, Light Farm.

During one glorious summer between the wars, the realities of life and the sexual ritual dance of the adult world creep into the life of young Margaret Marsh. Her father, preaching the doctrine of the unsavoury Primal Saints; her mother, bitterly nostalgic for what might have been; Charles and Binkie, anchored in the past and a game of words; dying Mrs Frayling and Lydia the maid, given to the vulgar enjoyment of life - all contribute to Margaret's shattering moment of truth.

Ein flirrender Sommerroman an der englischen Küste von der großen Erzählerin Jane Gardamy. Es ist Sommer, und Margaret ist acht und schwer genervt: Der frischgeborene Bruder ist hässlich und schreit, die Mutter hat sich in ein träge stillendes Wesen verwandelt, der Vater predigt gegen die Verderbtheit der Welt. Einmal in der Woche kann Margaret der Langeweile zu Hause entfliehen: Mittwoch ist Ausflugstag mit Lydia, dem neuen Hausmädchen, die mit ihrer selbstbewussten Körperlichkeit und handfesten Sprache in diese Familie platzt und als einzige Erwachsene wirklich zu wissen scheint, was sie will − Spaß.

Ein wundervoller Sommerroman - die Geschichte einer bedingungslosen Freundschaft London ist laut und anstrengend, die Batemans sehnen sich nach Ruhe und haben sich für den Sommer auf dem Land in Yorkshire eingemietet. Vor allem der Vater, ein nervöser Journalist, hofft auf Entspannung in der bäuerlichen Umgebung. Hier trifft sein kleiner Sohn Harry auf Bell, den jüngsten Sohn der Vermieter, und eine tiefe Jungenfreundschaft beginnt.

The three-day Folio Prize Fiction Festival 2014 brought together some great writers and audiences and gave them a real opportunitey to talk in depth about their work and similar subjects. The festival included interviews and discussions with top writers, novelists, poets, critics and publishers, including Eimear McBride, Paul Baggaley, Sergio De La Pava, Rachel Kushner, Sarah Hall, Pankaj Mishra, Stephanie Merritt, Jane Gardam and Mark Haddon.

Jessica sagt bedingungslos und in den unmöglichsten Momenten die Wahrheit. Ihr Widerwille gegen Anpassung bringt sie in dem kleinen englischen Badeort ständig in verquere Situationen. Sie hat genau eine Freundin - der Rest ihrer kleinen kriegsüberschatteten Welt begegnet ihr mit einer Mischung aus Faszination und Abscheu. Aber das ist ihr egal, denn eigentlich braucht sie all ihre explosive Kraft, um Schriftstellerin zu werden. Oder ist sie das schon? "Weit weg von Verona" ist Jane Gardams erster Roman. Doch er enthält bereits all das, wofür sie bewundert wird - die atmosphärische Stärke, den Mut zum Geheimnis und ihren besonderen Witz.

Dass Jane Gardam hinreißende Romane schreibt, war eine der wunderbaren Entdeckungen der letzten Jahre. Nun gibt es einen weiteren Schatz zu heben, Gardams Erzählungen: Hetty, die Familienmutter, die bei der Begegnung mit ihrem ehemaligen Liebhaber in einen somnambulen Zustand gerät. Der verstummte chinesische Junge, der einen vom Himmel gestürzten Schwan rettet und zur Sprache zurückfindet. Sie alle berühren uns und entwickeln ein Eigenleben, das über den Kosmos der Geschichten hinausgeht.

When sweet, healthy, hearty Holly Fox dies suddenly in childbirth, the Surrey village reverberates with shock. She leaves behind a helpless, silent husband and a tiny daughter, Faith. Everyone assumes Holly's loving and capable mother will look after Faith, but when she unaccountably deserts her newborn grandchild, the baby must be packed off to her father's peculiar family in the North...