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Jennifer Thorne skewers all-too-familiar family dynamics in this sly, wickedly funny vacation-Gothic. Beautifully unhinged and deeply satisfying, Diavola is a sharp twist on the classic haunted house story, exploring loneliness, belonging, and the seemingly inescapable bonds of family mythology.

On the idyllic island of Lute, every seventh summer, seven people die. No more, no less. Lute and its inhabitants are blessed, year after year, with good weather, good health, and good fortune. So it’s only fair that every seven years, on the day of the tithe, the island’s gift is honored. Nina Treadway is new to The Day. A Florida girl by birth, she became a Lady through her marriage to Lord Treadway, whose family has long protected the island. Nina’s heard about The Day, of course. It's all superstitious nonsense. Then The Day begins. And it's a day of nightmares.

1907: The dawn of Egyptology is a time of imperialism and plunder, opulence and unrest, and Dr. Warren Ford, esteemed archaeologist, is the man of the hour. His daughters—intellectual Lila, on the eve of her debut as a Manhattan socialite, and nonconformist Tess, who dreams of following in his footsteps—have always lived in his shadow, and their lives couldn’t feel more different. But when a secretive organization seeks to find a lost relic legendary for its dangerous power, it isn’t Dr. Ford they turn to—it’s his two remarkable daughters.

In the 1980s, women were not supposed to be funny. But when a group of college improv comedians gets the chance to join a new late-night show, it’s Lillian Martin who stands out. The new show was called The Midnight Show and it would air every Friday night, live from New York, and change the landscape of TV and comedy forever. But first it would change Lillian’s and her friends’ lives. When the show becomes a runaway hit, the cast is thrown into the spotlight. Suddenly, they’re skipping the line at the city’s hottest clubs and posing on the cover of Rolling Stone.

The Grand Duchess Marie Charlotte Antonie of Linsbourg--a war-torn country known for its wealth of emeralds--has taken Gilded Age high society by storm. Little does the upper crust know that this "deposed duchess" is actually con artist Alice, a vengeful young woman with her sights set on the five ruthless robber barons who destroyed her father and left her family in shambles.

Summer, 1958. Vivienne Rhodes thinks she’s finally landed her break playing Helen of Troy in Apex Pictures’ big-budget epic, A Thousand Ships, an anticipated blockbuster meant to resurrect the failing studio. Naturally, she’s devastated when she arrives on the remote Italian island of Tavalli and finds herself cast as the secondary character, Cassandra—while her nemesis, the fiancé-stealing Lottie Lawrence, America’s supposed “sweetheart,” is playing the lead role instead.