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In It's Only a Movie, the incomparable Mark Kermode took us into the weird world of a film critic's life lived in widescreen. Now, The Good, The Bad and the Multiplex takes us into the belly of the beast to ask: 'What’s wrong with the modern movie business – and how can we make it right?'

For decades, the backbone of film criticism has been the hatchet job - the entertaining trashing of a film by professional reviewers, seen by many as cynical snobs. But with the arrival of the internet, have the critics finally fallen under the axe? With movie posters now just as likely to be adorned by Twitter quotes as fusty reviewer recommendations, has the rise of enthusiastic amateurism sounded the death knell of a profession? Are the democratic opportunities of the internet any more reliable than the old gripes and prejudices of the establishment?

To avoid fainting, keep repeating It's only a move ..only a movie ..only a movie ..only a movie If you grew up believing that Planet of the Apes told you all you needed to know about politics, that Slade in Flame was a savage exposé of the pop world, and that The Exorcist revealed the meaning of life, then you probably spent far too many of your formative years at the cinema. Just as likely, you soon would have realised that there was only one career open to you - you'd have to become a film critic.

Mark Kermode - the UK's pre-eminent film critic and cultural observer - delivers opinion, analysis and his trademark rants on all things cinematic. Presented with intelligence, humour and unrivalled depths of knowledge, Mark delivers a series of high profile interviews, compelling lists and must listen to reviews from the movieverse.

How Does It Feel? follows a lifetime of musical misadventures which have seen Mark striking rock star poses in the Sixth Form Common Room, striding around a string of TV shows dressed from head to foot in black leather, getting heckled off stage by a bunch of angry septuagenarians on a boat on the Mersey, showing Timmy Mallet how to build a tea-chest bass - and winning the International Street Entertainers of the Year award as part of a new wave of skiffle. Really.

From Paris to Prague, from the past to the present, authors and artists say farewell in this unique collection. In this audiobook you'll find personal letters, reminiscences, poetry, art and brand new fiction from some of the most talented and important voices at work today, including Jessie Burton, Alain de Botton, Matt Haig, Richard Herring, Owen Jones, Mark Kermode, Robert Macfarlane, Kate Mosse, Chris Riddell, Lionel Shriver and many others.

How can a film score make you cheer, shiver, cry or punch the air in exhilaration? How do directors communicate their musical vision to composers? And when does a soundtrack take on a life of its own? Award-winning film critic Mark Kermode and radio producer Jenny Nelson embark on a full-throttle trip down the glorious rabbit hole of film composition to answer these questions and more.

Mark Kermode’s compelling study of this horror classic was originally published in 1997, and then extensively updated and expanded in 2003 to incorporate the discovery of new material. This revised edition documents the deletion and reinstatement of key scenes that have now been integrated into the film to create The Exorcist: The Version You’ve Never Seen. Candid interviews with director William Friedkin and writer/producer William Peter Blatty reveal the behind the-scenes battles which took place during the production.

This weekly podcast with film critic Mark Kermode is a podcast version of MK3D - the live show he does every month at BFI Southbank which includes movie guests and questions from the audience.Produced by HLA Agency Hosted on Acast. See acast.com/privacy for more information.