Showing results by author "Nalo Hopkinson" in All Categories

The sky is not the limit. From an alley in New York to an interstellar wormhole, the path to the future looks different for everyone. These cosmic short stories from some of today’s most influential Black authors reveal a universe of possibilities.

It's Carnival time and the Caribbean-colonized planet of Toussaint is celebrating with music, dance, and pageantry. Masked "Midnight Robbers" waylay revelers with brandished weapons and spellbinding words. To young Tan-Tan, the Robber Queen is simply a favorite costume to wear at the festival - until her power-corrupted father commits an unforgiveable crime. Suddenly, both father and daughter are thrust into the brutal world of New Half-Way Tree....

It is the late 21st century, and due to the economic breakdown and rising crime rate, nearly every citizen has fled Toronto. The city is a slum, populated by the homeless, the poor, and criminals like Rudy, who uses the power of voodoo to help him control the booming drug market. But also left behind are people like Ti-Jeanne, who hope to use voodoo to help rebuild the city, even as Canada's privileged population turns to Toronto to begin harvesting human organs.

"We'd had to be cut free of our mother's womb. Abby and I were fused, you see. But here's the real kicker; Abby had the magic, I didn't." Now adults, Makeda and Abby still share their childhood home. The surgery to separate the two girls left Makeda with what feels like an even worse deformity: no mojo. The daughters of a celestial demigod and a human woman, Makeda and Abby were raised by their magical father. Today, Makeda has decided it's high time to move out and make her own life.

In Skin Folk, with works ranging from science fiction to Caribbean folklore, passionate love to chilling horror, Nalo Hopkinson is at her award-winning best spinning tales like "Precious", in which the narrator spews valuable coins and gems from her mouth whenever she attempts to talk or sing. In "A Habit of Waste", a self-conscious woman undergoes elective surgery to alter her appearance; days later she's shocked to see her former body climbing onto a public bus. 

In this long-awaited collection, Hopkinson continues to expand the boundaries of culture and imagination. Whether she is retelling The Tempest as a new Caribbean myth, filling a shopping mall with unfulfilled ghosts, or herding chickens that occasionally breathe fire, Hopkinson continues to create bold fiction that transcends boundaries and borders.

In 1804, shortly before the Caribbean island of Saint Domingue is renamed Haiti, a group of women gather to bury a stillborn baby. Led by a lesbian healer and midwife named Mer, the women's lamentations inadvertently release the dead infant's "unused vitality" to draw Ezili - the Afro-Caribbean goddess of sexual desire and love - into the physical world.  As Ezili explores her newfound powers, she travels across time and space to inhabit the midwife's body - as well as those of Jeanne, a mixed-race dancer and the mistress of Charles Baudelaire living in 1880s Paris, and Meritet.

Burri is a fashion designer and icon with a biochemistry background. Her latest pieces are African inspired and crafted to touch the heart. They enable wearers to absorb nanorobotic memories and recount the stories of Black lives and forgiveness. Wenda doesn’t buy it. A protest performance artist, Wenda knows exploitation when she sees it. What she’s going to do with Burri’s breakthrough technology could, in the right hands, change race relations forever. 

Calamity is confronting two big transitions: the death of her beloved father and the beginning of menopause, a physical shift that has rekindled her gift for finding lost things. Suddenly, she is getting hot flashes that seem to forge objects out of thin air, most notably a four-year old boy. As Calamity takes the child into her care, she discovers that all is not as it seems. Then, Calamity must reawaken to the mysteries surrounding her own childhood and the early disappearance of her mother.