Showing results by author "Tom Holland" in All Categories

Crucifixion, the Romans believed, was the worst fate imaginable, a punishment reserved for slaves. How astonishing it was, then, that people should have come to believe that one particular victim of crucifixion - an obscure provincial by the name of Jesus - was to be worshipped as a god. Dominion explores the implications of this shocking conviction as they have reverberated throughout history.

In the 6th century AD, the Near East was divided between two venerable empires: the Persian and the Roman. A hundred years on and one had vanished forever, while the other seemed almost finished. Ruling in their place were the Arabs: an upheaval so profound that it spelt, in effect, the end of the ancient world. In The Shadow of the Sword, Tom Holland explores how this came about.

Dynasty tells the story of Rome's first dynasty of emperors, from its establishment by Augustus Caesar in the last decades of the first century BC to its final, florid extinction less than a century later. The line of autocrats known to historians as the 'Julio-Claudians' remains to this day a byword for depravity. The brilliance of its allure and the blood-steeped shadows cast by its crimes still haunt the public imagination.

Of all the civilisations existing in the year 1000, that of Western Europe seemed the unlikeliest candidate for future greatness. Compared to the glittering empires of Byzantium or Islam, the splintered kingdoms on the edge of the Atlantic appeared impoverished, fearful and backward. But the anarchy of these years proved to be, not the portents of the end of the world, as many Christians had dreaded, but rather the birthpangs of a radically new order.

Millennium is a stunning panoramic account of the two centuries on either side of the apocalyptic year 1000. This was the age of Canute, William the Conqueror and Pope Gregory VII, of Vikings, monks and serfs, of the earliest castles and the invention of knighthood, and of the primal conflict between church and state. The story of how the distinctive culture of Europe - restless, creative and dynamic - was forged from out of the convulsions of these extraordinary times is as fascinating and as momentous as any in history. 

In 480 BC, Xerxes, the King of Persia, led an invasion of mainland Greece. Its success should have been a formality. For 70 years, victory had seemed the birthright of the Persian Empire. In the space of a single generation, they had swept across the Near East, shattering ancient kingdoms, storming famous cities, putting together an empire which stretched from India to the shores of the Aegean. Yet somehow, astonishingly, against the largest expeditionary force ever assembled, the Greeks of the mainland managed to hold out.

Tom Holland's brilliant new book describes the very first "clash of Empires" between East and West. Once again he has found extraordinary parallels between the ancient world and our own. There is no competing popular book describing these events.

10 gennaio, anno 705 dalla fondazione di Roma anno 49 prima della nascita di Cristo. I legionari attendono l'ordine di Caio Giulio Cesare celati nell'oscurità, sulle sponde di un fiumiciattolo che segna la frontiera tra il territorio romano e le Gallie. Varcare quel confine in armi significa dichiararsi nemici dell'Urbe, dare inizio alla guerra civile. Quando Cesare pronuncia il comando, intimando al suo esercito di attraversare il Rubicone, lo accompagna con un'espressione divenuta eterna: "Alea iacta est", "Il dado è tratto".

Penguin presents the audiobook edition of Athelstan: The Making of England by Tom Holland, read by Roy McMillan. The formation of England happened against the odds - the division of the country into rival kingdoms, the assaults of the Vikings, the precarious position of the island on the edge of the known world. But King Alfred ensured the survival of Wessex, his son Eadweard expanded it, and his grandson Æthelstan finally united Mercia and Wessex, conquered Northumbria and became Rex totius Britanniae.

Di tutte le civiltà che esistevano nell'anno Mille, quella dell'Europa occidentale sembrava la peggior candidata per un futuro radioso. Paragonati agli imperi scintillanti di Bisanzio o dell'Islam, i regni frammentati affacciati sull'Atlantico sembravano poveri, impauriti e poco sviluppati. Ma l'anarchia di quegli anni non era il presagio per la fine del mondo, ma la fucina di un ordine radicalmente diverso.

From the Levant to London's society salons to the canals of Venice, famed poet Lord Byron embarks on a life of adventure as the world's most notable vampire, following a dark trail of long-hidden secrets, ancient black arts, and the depths of evil.

L'inimicizia, il sospetto, la rivalità tra Occidente e Oriente sono argomenti antichi, se si pensa che è proprio per indagare le sotterranee radici storiche di questa animosità che Erodoto compose le sue Storie, nel v secolo a.C. Eternate nell'opera dello storico di Alicarnasso - e in seguito nelle cronache ellenistiche, romane, medievali, per tacere delle molteplici rielaborazioni letterarie e filmiche -, le figure e le vicende delle Guerre persiane sono saldamente inscritte nell'immaginario occidentale.

La storia di Roma comincia con uno stupro: è dalla violenza di Marte, dio della guerra, su una giovane vestale, che nascono Romolo e Remo, i fondatori della città. Raccolti e allattati da una lupa, macchiati dall'infamia del fratricidio, i due gemelli iniettano nel corpo dell'impero più grandioso della storia la natura doppia delle loro origini divine e bestiali: grazia e violenza, sensualità e ferocia plasmano un popolo di poeti sublimi, guerrieri sanguinari e condottieri rapiti dalla vertigine del potere.