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Jane Austen commenced writing in her adolescence and continued right up to her untimely death in 1817. Her novels are reflections of the socially constricted world in which she lived, and the plots are built around the search of one or more young women for a suitable spouse. Austen’s works are noted for the perceptive elegance of her prose and for vigor and detail of characterization. Celebrated critic F. R. Leavis considered Austen as one of the four great English novelists, along with George Eliot, Henry James, and Joseph Conrad.

Thomas Troward was a divisional Judge in British-administered India, who had a particular interest in the study of comparative religion. The major influence on his thinking, as well as on his writing, was the Bible, although he also considered the elements of ancient Mesopotamian religions, Islam, Hinduism, and Buddhism in his deliberations. After his retirement from the judiciary in 1896, Troward applied himself to the study of cause and effect in the spiritual realms using the principles of judicial investigation.

In the Greek legend, a sculptor, Pygmalion, created a statue of a woman so beautiful that he fell in love with it. Later the goddess Aphrodite responded to his earnest prayers and brought the statue, named Galatea, to life. Shaw's Pygmalion is a fussy unmarried professor of phonetics, Henry Higgins, who claims that he could train an uneducated person off the street to speak so that he or she could pass as a member of the aristocracy. His Galatea is Eliza Doolittle, who sells flowers at Covent Garden and whose father is a dissipated but cunning vagrant.

This very clever and highly-polished epistle to Dr Arbuthnot (also entitled the "Prologue to the Satires"), who was suffering from terminal illness, dates from 1734. Arbuthnot, from his deathbed, solemnly advised Pope to moderate his satire and expressed fear about the poet's personal safety from his numerous foes. Pope replied in a manly but self-defensive style. He is said at this time to have in his walks carried arms, and taken a large dog as a protector, but none of the purported enemies ever had the courage to attack him.

First published in 1872, The Martyrdom of Man has been described as the first synoptic history of mankind. It was one of the first surveys of history based on the then-controversial principle of organic evolution. The book received a very mixed reception: Cecil Rhodes lauded the work, stating that it had "made him the man he was", while William Ewart Gladstone stated that it was so dangerous that it should be banned.

Helena Petrovna Blavatsky is best known as the cofounder of theosophy, which is essentially a selective conflation of Hindu and Buddhist ideas combined with Blavatsky's idiosyncratic system of cosmology. The Voice of the Silence, first published in 1889, is described by the author as "chosen fragments from the Book of the Golden Precepts, for the daily use of disciples".

First published in 1847, Jane Eyre was the last and most popular of the novels composed by the Brontë sisters. The narrative bristles with energy and passionate conviction, and is one of the first novels written from the perspective of a child.

Thomas Love Peacock was a linguist, scholar and East India Company official. He had a wide circle of literary friends, including Coleridge and Shelley, and his early works were poems, some of a considerable length. In 1815 his first novel, Headlong Hall, was published, and between that year and 1831, he published a further five novels. His final completed novel, Gryll Grange, was written in 1860 and published the following year. Peacock also produced a number of articles on literary and historical subjects, and some other long poems, which have faded into obscurity.

This pacifist manifesto was published in 1917, as the First World War was dragging to a close. The resolution of this catastrophic conflict resulted in a reconstruction of Europe, the fallout from which led to an even more cataclysmic war. Russell delineates the problem as being due to the institutionalizing of national hostilities and the consequent apportioning of blame among the warring parties. In his exposition Russell considers the roles played by a number of institutions, social and political, reserving some his sharpest criticism for organized religion.

Manly Palmer Hall was a lecturer and author, whose particular interest was in arcane spirituality and esoteric religious traditions. He was associated with a number of universalist religious groups, like the Rosicrucians, and, in later life, the Freemasons.

In this collection, the authors were striving for a natural and unaffected style of verse that sought to avoid the elaborate structures and artifice that they considered had characterized much of the poetry of the 18th century. Of the 23 poems, only four are by Coleridge, including "The Rime of the Ancient Mariner", which is the most famous poem in the collection. The most notable contribution by Wordsworth is the concluding poem, "Tintern Abbey".

The story of the adventures of the mythical hero Gilgamesh is the most considerable literary production that has come down to us from ancient Babylonia. Unfortunately, it was not preserved in complete form. This recording is of the fullest translation which had yet been issued in English when it was first published in 1917.

Joseph McCabe's study of papal history is unusual in that he takes a hostile view of the Roman Catholic Church in general, and of the papacy in particular. Raised as a Catholic, McCabe was ordained as a Franciscan priest in 1890, but by 1897 had abandoned both the priesthood and the Catholic faith and was in the process of establishing himself as an ardent secularist. He published over 200 books, many of which were critiques of the history and contemporary activities of the Catholic Church.

Miss Julie is probably the most famous play by the Swedish playwright August Strindberg, one of the founding fathers of naturalistic theater. In this claustrophobic drama, the interplay between social order and individual identity is explored in great detail. At the end the aristocratic Julie, goaded by her manipulative manservant, John, is faced with the ultimate decision: independence or annihilation.

The turn of the 20th century saw radical developments in all art forms and particularly in poetry. The first volume of this series features the work of nine significant poets whose careers cover the period from the late 19th century to the early 20th century.

This collection of Japanese poetry was compiled and translated into English from an anthology known as The Collection of Myriad Leaves, and from a number of other anthologies made by imperial decree between the tenth and fifteenth centuries. This period has come to be considered the golden age of Japanese literature. These examples of Japanese poetry exhibit the most exquisite polish, allied with an avoidance of every shocking or perturbing theme; they combine the enduring luster of a precious metal with the tenuity of gold-leaf.

Today Thomas Gray is remembered almost solely for this melancholy meditation on the inevitability of death and the insignificance of fame. The poem was originally thought to have been inspired by the death of Gray's close friend, Richard West, but modern critics think this to be unlikely. Retiring by nature, Gray did not want the elegy to be published, but his hand was forced by an unscrupulous editor who planned to publish the poem without permission. The polished elegance of the versification has ensured that the poem has retained its appeal over the centuries.

This collection, first published in 1914, contains 28 short pieces in prose and verse, which present themes frequently explored in Gibran's other works. These include love, death, creation myths and spiritual realization.

Unlike many of his contemporaries, the English poet Francis Thompson (1859-1907) was a true mystic. While more celebrated poets, like Wordsworth, Tennyson, and Arnold, were content to express their religious leanings in traditional devotional formulae, Thompson strove to portray the divine directly, in all its terrifying majesty. In this way he is more akin to earlier masters, like Henry Vaughan and George Herbert, than to the poets of his own day.

Háfiz (1315-1390) was a lyric poet, a major figure in classical Persian literature. The compendious anthology of his poetry simply titled the Divan contains several hundred odes, from which this small selection was made by the translator. In the introduction Bicknell writes: ...we must look upon Háfiz as one of the few poets in the world who utters an unbroken strain of joy and contentment. His poverty was to him a constant fountain of satisfaction, and he frankly took the natural joys of life as they came....