Showing results by narrator "Eimear McBride" in All Categories

One night an 18-year-old Irish girl, recently arrived in London to attend drama school, meets an older man - a well-regarded actor in his own right. While she is naive and thrilled by life in the big city, he is haunted by more than a few demons, and the clamorous relationship that ensues risks undoing them both. A captivating story of passion and innocence, joy and discovery, set against the vibrant atmosphere of 1990s London over the course of a single year, The Lesser Bohemians glows with the eddies and anxieties of growing up.

Exploring otherness, identity, faith, religion, gender and sexual trauma, Hag brings together a gripping collection of tales that are unsettlingly timely and wickedly sinister. E

In scathing, furious, unforgettable prose, Eimear McBride tells the story of a young girl's devastating adolescence as she and her brother, who suffers from a brain tumor, struggle for a semblance of normalcy in the shadow of sexual abuse, denial, and chaos at home. Plunging listeners inside the psyche of a girl isolated by her own dangerously confusing sexuality, pervading guilt, and unrelenting trauma, McBride's writing carries echoes of Joyce, O'Brien, and Woolf.

The three-day Folio Prize Fiction Festival 2014 brought together some great writers and audiences and gave them a real opportunitey to talk in depth about their work and similar subjects. The festival included interviews and discussions with top writers, novelists, poets, critics and publishers, including Eimear McBride, Paul Baggaley, Sergio De La Pava, Rachel Kushner, Sarah Hall, Pankaj Mishra, Stephanie Merritt, Jane Gardam and Mark Haddon.

Told in a mesmerizing voice that will beguile listeners with its fierceness, vulnerability, honesty, and black humour, Strange Hotel immerses us in the currents of attraction, love, and grief. It is an immensely moving and ultimately revelatory exploration of one woman's attempts to negotiate her own memories and impulses, and what it might mean to return home.

In her blistering non-fiction debut, Eimear McBride unpicks the contradictory forces of disgust and objectification that control and shame women. From playground taunts of 'only sluts do it' but 'virgins are frigid', to ladette culture and the arrival of 'ironic' porn, via Debbie Harry, the Kardashians and the Catholic church - she looks at how this prejudicial messaging has played out in the past, and still surround us today.