Showing results by narrator "Jane Carr" in All Categories

Eve Haas is the daughter of a German Jewish family that took refuge in London after Hitler came to power. Following a terrifying air raid in the blitz, her father revealed the family secret - that her great-great grandmother Emilie was married to a Prussian prince. He then showed her the treasured leather-bound notebook inscribed to Emilie by the prince.

Thirty years after Douglas Coupland broke the fiction mould and defined a generation with Generation X, he is back with Binge, 60 stories laced with his observational profundity about the way we live and his existential worry about how we should be living: the very things that have made him such an influential and bestselling writer. Not to mention that he can also be really funny.

Devilishly attractive Lord Illingworth is notorious for his skill as a seducer. But he is still invited to all the "best" houses, while his female conquests must hide their shame in seclusion. In this devastating drawing-room comedy, Oscar Wilde uses his celebrated wit to expose English society's narrow view of everything from sexual mores to Americans.

Initially banned in France by King Louis, Molière's celebrated social satire Tartuffe exposes false piety and hypocrisy in the Catholic Church. When a pious fraud worms his way into a wealthy family and manipulates the patriarch into giving up his fortune, it’s up to his family to expose the truth before they end up in the poorhouse!

Beware the gossips! Lady Sneerwell and her hireling, Snake, are certainly up to no good in this timeless send-up of hypocritical manners. Thanks to their scandal-mongering, the comely Lady Teazle must fend off the slanderous barbs that have caught the ear of her elderly husband - as well as every other gossip in London! What follows is a torrent of mistaken identities and sex-crazed scheming in which the upper classes have never looked so low class.

The dour, Mr. Darcy is anything but popular with the Bennets, especially when he fancies a member of their clan. And as Elizabeth reluctantly deals with Mr. Darcy’s advances, their romance seems destined to fail. Jane Austen’s Pride and Prejudice set the standard for romantic comedies when it debuted in 1813, and it still speaks to audiences worldwide through countless adaptations.

At once a sensual and irresistible mystery and a haunting work of psychological insight and emotional depth, The Whole World marks the beginning of a brilliant literary career for Emily Winslow, a superb, limitlessly gifted author.

Mary Wingfield is completely torn. She had believed that she had lost her childhood sweetheart to the insurgence in India. After being introduced to him by her father, she was only just warming up to the idea of marrying General Hodd instead. But her reluctance to marry soon pays off when Lewis returns to her. He is not well, but is still alive, and she still adores him. She would rather marry him than General Hodd. Nobody but her, however, knows that Lewis is still alive yet.

The price of accidental fame is hashed out in this comedy about a famous bank robber and the clerk who foiled his biggest heist. Ayckbourn’s 1988 play anticipates the popularity - and absurdity - of reality TV. An L.A. Theatre Works full-cast performance featuring: Rosalind Ayres as Jill Rillington; Jane Carr as Trudy Parks; Kenneth Danziger as Douglas Beechey; Martin Jarvis as Vic Parks; Ian Oglivy as Kenny Collins; and Yeardley Smith as Sharon Giffin. Directed by Robert Robinson. Recorded before a live audience in Santa Monica, California in February 1994.

Dorothy and Solomon live in a new housing estate on the outskirts of an English village. She's recently bought her bungalow; he's recently become the night watchman. He is black, an immigrant. She is white, a recently retired music teacher. They are both solitary, reticent outsiders. When they move tenuously toward each other and their paths briefly cross, neither of them can know that it will be the last true human contact either will have.

The first and only comprehensive collection of writings by Elizabeth Garver Jordan, the groundbreaking journalist, suffragist, and editor whose fearless reporting on women preceded the #MeToo movement and popularized the true-crime genre.