Showing results by narrator "Judy Greer" in All Categories

Daisy is a girl coming of age in LA in the late '60s, sneaking into clubs on the Sunset Strip, sleeping with rock stars, and dreaming of singing at the Whisky a Go Go. The sex and drugs are thrilling, but it’s the rock and roll she loves most. By the time she’s 20, her voice is getting noticed, and she has the kind of heedless beauty that makes people do crazy things. Also getting noticed is The Six, a band led by the brooding Billy Dunne. 

As the ash and chaos from Mount Rainier’s eruption swirled and finally settled, the story of the Greenloop massacre has passed unnoticed, unexamined...until now. The journals of resident Kate Holland, recovered from the town’s bloody wreckage, capture a tale too harrowing - and too earth-shattering in its implications - to be forgotten. In this audiobook, Max Brooks brings Kate’s extraordinary account to light for the first time, faithfully reproducing her words alongside his own extensive investigations into the massacre and the legendary beasts behind it.

On a brisk October morning in New York, Julie Jenson, a single 38-year-old book publicist, gets a hysterical phone call from her friend Georgia. Reeling from her husband's announcement that he is leaving her for a samba teacher, Georgia convinces a reluctant Julie to organize a fun girls' night out with all of their single friends to remind her why it is so much fun not to be tied down.

You know Judy Greer, right? Wait, what was she in again? The Wedding Planner, 13 Going on 30, 27 Dresses, The Descendants. Yes, you totally recognize her. And, odds are, if you're like most women in America, you feel like she's already your friend. Thankfully, Greer has finally written a book of essays about all the moments, topics, observations, and confessions that you would hope to hear from your best friend.

In this biting comedy of errors, the hapless Arnolphe is undone by his own double dealing and double standards. The School for Wives was first performed at the Palais Royal theatre on December 26, 1662, and is considered by many to be Moliere's masterpiece. Richard Wilbur's subtle verse translation illuminates the great master of comedy at his wittiest.