Showing results by narrator "Sebastian Lockwood" in All Categories

A new version of The Epic of Gilgamesh by Sebastian Lockwood. This is the story of Gilgamesh, King of Kings, who brought back knowledge from before the flood - who loved and lost his companion Enkidu and had to find out why we die. The Epic of Gilgamesh was written on clay tablets over 4,000 years ago, in what is today Baghdad Iraq - the Biblical Garden of Eden between the Tigris and the Euphrates. Lockwood gives a passionate reading from a text that faithfully follows the original.

A Storytellers' reworking of Caesar's Commentaries as a new version. This follows the original line-by-line to create a modern voice that is faithful to Caesar's exacting text.

These tales are told with a rare beauty, rhyme, and rhythm. Richard Burton's translation catches the epic beauty in his unique style. It takes time to get used to Burton's prose poetry, but once you do, the reward is as deep as Shaharazad's story. As a storyteller, it was a joy to narrate these tales and bring the music of the work to life.

The Parliamentry troops believe he will hide in the home of Colonel Beverly, a famous Cavalier - they surround the house believeing they will smoke him out. No King is found and they are told that they have killed the four children who were in the house - but they escape with the old forester, Jacob Armitage, who must now teach them to lose their lace, and velvet manners and behave and look like Puritans

Hereward the Wake, the last of the Anglo/Saxon/Dane Vikings, will hold out against the impossible force of William the Conquerer. After the Battle of Hastings in 1066, Hereward, already a great hero, will end up at Saint Etheldredas' Island and Minster, Eely, with his wife, Torfrida, and mother, Lady Godiva. He will ride to battle on his magic mare, Swallow, followed on foot by his right hand man, Martin Lightfoot.

Alfred. Sven. Erik. Gwyneth. Amidst the ferrous reverberation of a battle royale - one or all must die, and the fate of a nation hangs in the balance one final time.

This single inherited epic in our language has it all: drama, blood, heroism, mourning, and teaching with soul-searching thought about all this. It looks back. In its top layer of listening, we are brought along with heroic figures, even with a superhero, to challenge agonizing monsters. This world also includes beautiful sea voyages, crafty disputes, the falling of tribes, and moving elegies. Most often its Old English poetry can translate directly into fresh pictures. The epic Beowulf is a masterfully told story.

Two years have passed since Alfred the Great successfully defeated Guthrum, King of the Vikings. The fair land of England is at peace. That is, until the harmony is threatened by Guthrum's angry, vengeful, illegitimate son, Rigr, who is hell-bent on usurping his father's throne. Rigr demands his Birthright - an acknowledgement that he is the sole heir to the Danelaw, but his father refuses his claim.

Tall Tales from Fox Tavern is a book of connected short stories that use historical fiction to tell the tale of a series of visitors to Hancock Inn, circa 1860. The Inn owners, The Savages, must prosper in dangerous times as the Civil War ends and a new boom time begins in the hamlet of Hancock New Hampshire.

King Alfred the Great has thwarted the Viking threat against his kingdom of Wessex. Signing a treaty with the formidable Danish King Guthrum, he succeeds in pushing the heathen army back to the rolling fens of East Anglia. An uneasy peace holds sway: The King establishes a standing army under Lord Richard, who takes command of the citadel at Wareham.

We begin with Book V, Odysseus weeping on Calyspo's Island, and follow his adventures through to his return to Ithaca and Penelope. This version of Homer's Odyssey was created over a 14-year period of performing the great epic. When it came time to record this version for audiobook, I realized there was no text: It lived in memory. So I had to write out a 38-page poem from memory. Then I used that text as a performance script and while reading it found myself constantly editing as my spoken word insisted on changes that sharpened the sound.

Concordia manipulates her besotted husband into taking her to Rome, but her ship is captured by bloodthirsty pirates, and the seafarers protecting her are ruthlessly slain to a man. As she awaits her fate in the Moorish captain's bed, by sheer chance she discovers that salvation is at hand in the gilded court of a Saracen nobleman.

Mr. Midshipman Easy is the 1836 novel by Frederick Marryat, a retired Captain in the 19th century Royal Navy. The novel is set during the Napoleonic Wars, in which Marryat himself served with distinction. It was adapted twice into films in 1916 and in 1935 as Midshipman Easy. Captain Frederick Marryat (July 10, 1792 - August 9, 1848) was an English Royal Navy officer, novelist, and a contemporary and acquaintance of Charles Dickens, noted today as an early pioneer of the sea story.