Showing results by narrator "Sharon Gless" in All Categories

Anyone who has seen Sharon Gless act in Cagney & Lacey, Queer as Folk, Burn Notice, and countless other shows and movies, knows that she’s someone who gives every role her all. She holds nothing back in Apparently There Were Complaints, a hilarious, deeply personal memoir that spills all about Gless’s five decades in Hollywood.

This play tells the powerful story of an epileptic woman in her early 40s systematically preparing her own death...and the frantic and touching efforts of her mother to stop her. This searing drama, which won the Pulitzer Prize on Broadway, is guaranteed to keep any listener on the edge of their seat.

This poignant Obie Award-winning comedy unfolds in New York City on the day the Pope is expected to visit. Hearts are palpitating in the sleepy borough of Queens, but not entirely on account of His Holiness. Bunny Flingus, a femme-fatale from Flushing (or thereabouts) is stirring things up in the quiet, unfulfilled life of aspiring songwriter Artie Shaughnessy. Artie longs to leave his unhappy marriage, elope with Bunny, and write a hit song that will top the charts.

Director David Fishelson transforms Dostoyevsky's The Brothers Karamazov and The Idiot into spellbinding drama that illuminates both titanic novels. In The Brothers Karamazov, the passionate brothers spring to life, led by their roué of a father ¿ who entertains himself by drinking, womanizing, and pitting his three sons against each other. The men have plenty to fight over, including the alluring Grushenka.

When attorney Cheryl Keeton's brutally bludgeoned body was found in her van in the fast lane of an Oregon freeway, her husband, Brad Cunningham, was the likely suspect. But there was no solid evidence linking him to the crime. He married again, for the fifth time, and his stunning new wife, a physician named Sara, adopted his three sons. They all settled down to family life on a luxurious estate. But gradually, their marriage became a nightmare....

Miriam lunched weekly with two friends. She needed to act normal today. She wanted to handle her issues with Andrew on her own. She was making a salad for him that night. The ingredients would settle the issue. What power can a salad have?

Herman Ott was the type of private detective that you could trust. He never talked to the police, except for that one time when Smith leaned on him….Now he was getting mysterious deliveries. Would solving the mystery cost him his career?

"I hadn't stepped with angels, but I was very aware that I died. I waited in the hall of judgement. Suddenly there was a door that I entered and found a festive banquet hall with the most magnificent buffet. I'm sure that I obeyed the Ten Commandments and will make it to heaven, especially if I get to enjoy all of this incredible food. The Ten Commandments, did I obey them?”

Mr. Marlow was hired to help with a loan shark, yet in reality, what was wanted from him had nothing to do with the loan.

Jeremy saw his father shot when he was 7. He described the feeling as "the air was sucked out of his lungs." He became a pacifist, but would he feel that feeling again?

In sports, announcers can have a lot of power. In this story lies a lesson in how to use that power.

As the police officer, Jill Smith, arrived at the crime scene she asked the gentleman performing CPR on the victim what he saw. He said that he hadn't seen too much. Officer Smith's questioning revealed something different.

Issues of inheritance have splintered a family for 20 years before an enterprising sister begins a crusade for change. Playwright Claudia Allen tells this universal story with characteristic warmth and eccentric humor. Performed by a full cast starring Tyne Daly, Sharon Gless, and more.

A widowed New York novelist fears he may never love again and has no interest in dating. Neither does smart, attractive Jennie Malone, who has just returned from getting a Mexican divorce. A meeting between them blossoms into a passionate, witty romance - until they decide to marry.

Commerce and heroism clash when a titan of American business orchestrates a U.S. invasion of Mexico. This long-lost 1927 Broadway melodrama combines the crackling dialogue and riveting storytelling of The Front Page with Wag the Dog cynicism.