Résultats lu par "Tara Lynne Barr" dans Toutes les catégories

In suburban Indiana we meet Lina, the homemaker and mother of two whose marriage, after a decade, has lost its passion. Starved for affection, Lina battles daily panic attacks and, after reconnecting with an old flame through social media, embarks on an affair that quickly becomes all-consuming. In North Dakota we meet Maggie, the 17-year-old high school student who allegedly has a clandestine physical relationship with her handsome, married English teacher; the ensuing criminal trial will turn their quiet community upside down.

Shipwrecked on the shores of Illyria, Viola assumes the role of a male page to Duke Orsino. The Duke sends Viola, now disguised as ‘Cesario’ to press his suit with the beautiful Olivia–who promptly falls in love with Cesario. Confusion reigns until the truth is untangled and true love triumphs.

The Candy House opens with the staggeringly brilliant Bix Bouton, whose company, Mandala, is so successful that he is “one of those tech demi-gods with whom we’re all on a first name basis.” Bix is forty, with four kids, restless, and desperate for a new idea, when he stumbles into a conversation group, mostly Columbia professors, one of whom is experimenting with downloading or “externalizing” memory. Within a decade, Bix’s new technology, “Own Your Unconscious”—which allows you access to every memory you’ve ever had, and to share your memories in exchange for access to the memories of others—has seduced multitudes.

An L.A. Theatre Works full-cast recording, featuring members of the original Steppenwolf Theatre and Broadway productions: Tara Lynne Barr, Shannon Cochran, Deanna Dunagan (Tony Award®, Best Leading Actress), Kimberly Guerrero, Francis Guinan, Scott Jaeck, Ron Livingston, Robert Maffia, Mariann Mayberry, Rondi Reed (Tony Award®, Best Featured Actress), and David Warshofsky. Directed by Bart DeLorenzo. Recorded by L.A. Thetare Works before a live audience.

In this darkly comic, poignant, and at times surreal play, two couples in Tunisia—one Muslim and one Jewish—share a deep and complicated friendship before the German takeover of their country in World War 2. Now under a brutal regime, they face the truth about their long-simmering feelings about friendship and romance as they struggle to save themselves from a Nazi commandant—named Grandma.

Veteran journalist Joseph Alsop thrived in his role as the right-hand man for Washington’s political elite, influencing both policy and public opinion with his inflammatory columns. But as the political certainties of the post-war era began to chip away in the late 1960s, so did Alsop’s authority, both on the page and in his own life. An L.A. Theatre Works full-cast production.

Based on the true story of renowned social psychologist Stanley Milgram, Please Continue recounts the infamous obedience experiments at Yale in the 1960s. In that study, participants were asked to administer strong electric shocks to a subject who gave the wrong answer to a question, not knowing that the shocks were fake, and they were the real subject of the study. The play examines how the experiments gave insight into the nature of authoritarianism and individual morality.

You may not know her name, but Eunice Newton Foote made groundbreaking discoveries about the greenhouse effect in the 1850s. Her experiments showed that different gases, including carbon dioxide, absorb and trap heat, an early milestone in the history of climate science. And even though her findings were published in a leading scientific journal – a rarity in the days of a male-dominated field – her work remained virtually unknown until recently.