Showing results by narrator "Terence Vincent" in All Categories

I am a Cheap Jack, and my own father's name was Willum Marigold. It was in his lifetime supposed by some that his name was William, but my own father always consistently said, No, it was Willum. On which point I content myself with looking at the argument this way: If a man is not allowed to know his own name in a free country, how much is he allowed to know in a land of slavery? As to looking at the argument through the medium of the Register, Willum Marigold come into the world before Registers come up much,-and went out of it too.

"Walking Tours" written by Robert Louis Stevenson: It must not be imagined that a walking tour, as some would have us fancy, is merely a better or worse way of seeing the country. There are many ways of seeing landscape quite as good; and none more vivid, in spite of canting dilettantes, than from a railway train. But landscape on a walking tour is quite accessory.

Just as the narrator starts the ascent of his balloon, a stranger jumps into its car. The unexpected passenger's only intent is to take the balloon as high as it will go, even at the cost of his and pilot's life. The intruder takes advantage of the long journey to recount the history of incidents related to the epic of lighter-than-air travel.

"The Banner of the Upright Seven" is a novel by the swiss poet Gottfried Keller. The narration is divided into acts and scenes, almost like a theater piece. It contains remarkable speeches and many dialogs compared to other novels of Keller. In 1877 he added "The Banner of the Upright Seven" to his "Züricher Novellen" ("Zurich novels"). It is considered one of his most famous pieces and represents a fine example of poetic realism.

Unworldly young Effi Briest is married off to Baron von Innstetten, an austere and ambitious civil servant twice her age, who has little time for his new wife. Isolated and bored, Effi finds comfort and distraction in a brief liaison with Major Crampas, a married man with a dangerous reputation. But years later, when Effi has almost forgotten her affair, the secret returns to haunt her - with fatal consequences. In taut, ironic prose Fontane depicts a world where sexuality and the will to enjoy life are stifled by vain pretences of civilization, and the obligations of circumstance.