Showing results by narrator "Thomas Sadoski" in All Categories

What does it mean to be pretty? Do you really need someone to validate your appearance? Neil LaBute tackles our obsession with physical beauty head-on in a work nominated for multiple Tony and Drama Desk Awards. Our production, directed by the playwright, includes original Broadway cast member Thomas Sadoski, whose acclaimed performance also earned aTony nomination. Includes a backstage conversation with Neil LaBute and the cast. An L.A. Theatre Works full-cast production.

In the sequel to Reasons to Be Pretty, Greg, Steph, Carly, and Kent return a little older, but not necessarily wiser. And don’t worry if you haven’t met them before - there’s more than enough humor and humanity to usher you into the second act of their lives. Includes a backstage conversation with Neil LaBute and the cast. An L.A. Theatre Works full-cast production featuring Jenna Fischer, Thomas Sadoski, Gia Crovatin, and Josh Stamberg. Written and directed by Neil LaBute. Recorded by L.A. Theatre Works before a live audience.

Jeffrey Lockhart's father, Ross, is a billionaire in his 60s with a younger wife, Artis Martineau, whose health is failing. Ross is the primary investor in a remote and secret compound where death is exquisitely controlled and bodies are preserved until a future time when biomedical advances and new technologies can return them to lives of transcendent promise. Jeff joins Ross and Artis at the compound to say "an uncertain farewell" to her as she surrenders her body.

Bill Blair finds the land by accident - three wooded acres in a rustic community south of San Francisco. The year is 1954, long before anyone will call this area Silicon Valley. Struck by a vision of the family he has yet to create, Bill buys the property on a whim. In Penny Greenway he finds a suitable wife, a woman whose yearning attitude toward life seems compelling and answerable, and they marry and have four children. Yet Penny is a mercurial housewife at a time when women chafed at the conventions imposed on them.

At Mile 81 on the Maine turnpike is a boarded up rest stop, a place where high school kids drink and get into the kind of trouble high school kids have always gotten into. It’s the place where Pete Simmons goes when his older brother, who’s supposed to be looking out for him, heads off to the gravel pit to play “paratroopers over the side”. Pete, armed only with the magnifying glass he got for his 10th birthday, finds a discarded bottle of vodka in the boarded up burger shack and drinks enough to pass out.