A Kate Martinelli Mystery

In the hillside beauty of San Francisco, Kate Martinelli, a young female officer, is promoted to the Homicide division, inheriting a middle-aged partner who is expected to resent her. Instead, the two forge a rare and rich partnership. When rookie detective Kate Martinelli hunts for a sadist who is strangling six-year-old girls, something about the trail makes her think that she may be falling into a trap.

Read the first Kate Martinelli Mystery by New York Times bestselling, Edgar award-winning novelist Laurie R. King. In Grave Talent, the unthinkable has happened in a small community outside of San Francisco. A series of shocking murders has occurred, the victims far too innocent and defenseless...

When a band of homeless people cremate a beloved dog in San Francisco's Golden Gate Park, the authorities are willing to overlook a few broken regulations. But three weeks later, when the dog's owner gets the same fiery send-off, the SFPD has a real headache on its hands. The autopsy suggests homicide, but Inspector Kate Martinelli and her partner, Al Hawkin, have little else to go on: a homeless victim with no positive ID, a group of witnesses with little love for the cops, and a possible suspect, known only as Brother Erasmus, who proves both articulate and impossible to understand.

Homicide detectives Kate Martinelli and Al Hawkin are investigating the death of a man whose cremated remains are found in San Francisco’s Golden Gate Park. Implicated in the death is Erasmus, a wandering soul and latter-day Shakespearean Fool who Kate doubts is guilty. He will say nothing to point the investigation away from himself, and Kate must not only prove his innocence, she must also nail the real killer.

The first cremation the homeless people held in Golden Gate Park was for a dog; their second pyre held a much larger body. To find the one responsible for these deaths, Martinelli sets out on a quest for Brother Erasmus. An enigmatic creature who has befriended the homeless, he speaks only in quotations. When public fear of the peculiar band of park-dwellers threatens to grow out of control, Martinelli must unravel the guilt that lies at the bottom of Erasmus' refusal to give direct answers to her questions.

adrift in mist-shrouded San Francisco mornings and alcohol-fogged nights, homicide detective Kate Martinelli can't escape the void left by her departed lover, who has gone off to rethink their relationship. But when twelve-year-old Jules Cameron comes to Kate for a professional consultation, Kate's not sure she's that desperate for distraction. Jules is worried about her friend Dio, a homeless boy she met in a park. Dio has disappeared without a word of farewell, and Jules wants Kate to find him Reluctant as she is, Kate can't say no.

Kate and her partner, Al Hawkin, are called to a scene of carefully executed murder: the victim is a muscular man, handcuffed and strangled, a stun gun's faint burn on his chest and candy in his pocket. The likeliest person to want him dead, his often-abused wife, is meek and frail - and has an airtight alibi. Kate and Al are stumped until a second body turns up - also zapped, cuffed, and strangled...and carrying a candy bar.

Looking forward to routine police work after her last terrifying case, Kate finds herself on the trail of vigilantes targeting abusive men in the San Francisco area. Kate has just returned to active duty after being injured on the job. Her girl-friend, Lee, has moved back into their home, and their relationship is on the mend. But the calm, predictable life Kate's looking forward to doesn't materialize.

The Art of Detection is another spellbinding tale starring San Francisco homicide inspector Kate Martinelli. The victim is Sherlock Holmes aficionado Philip Gilbert, whose collection of priceless memorabilia is definitely worth killing for. It's up to Kate and her trusted partner Al Hawkin to follow the clues and bring a rather peculiar murderer to Justice.

Inspector Kate Martinelli has worked the SFPD's Homicide Detail for nearly 30 years. One day her 15-year-old daughter, Nora, asks about an aunt she'd never met. Kate's kid sister died in the 1980s, a wild young woman who lost control of a car and hit a tree, end of story...except it isn't. Because once Kate begins to look, seeking to reassure Nora that it was only a senseless accident and not the suicide a small town's gossip made it, she starts to find pieces that don't fit the picture.