Mexican Women

The Witch is dead. And the discovery of her corpse - by a group of children playing near the irrigation canals - propels the whole village into an investigation of how and why this murder occurred. Rumors and suspicions spread. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering on new details, new acts of depravity or brutality, Melchor extracts some tiny shred of humanity from these characters that most would write off as utterly irredeemable, forming a lasting portrait of a damned Mexican village.  

Carmen Aguirre has lived many lives, all of them to the fullest. At age six she was a Chilean refugee adjusting to life as a Latina in North America. At 18 she was a revolutionary dissident. In her early 20s she fought to find her voice as an actor and to break away from the stereotypical roles thrust upon her - Housekeeper, Hotel Maid, Mexican Hooker #1.

It is 1887, and Alma Rosales is on the hunt for stolen opium. Trained in espionage by the Pinkerton Detective Agency - but dismissed for bad behavior and a penchant for going undercover as a man - Alma now works for Delphine Beaumond, the seductive mastermind of a West Coast smuggling ring. When product goes missing at their Washington Territory outpost, Alma is tasked with tracking the thief and recovering the drugs. In disguise as the scrappy dockworker Jack Camp, this should be easy.

In answer to the question of what happened following her New York Times best seller Kabul Beauty School, Deborah Rodriquez is back with a new memoir Irreverent, insightful, and blatantly honest, Deborah takes us along on her inspiring journey of self-discovery and renewal after she is forced to flee Afghanistan in 2007. She first lands in California, where she feels like a misfit teetering on the brink of sanity. Where was that fearless redhead who stared danger in the face back in Kabul?

You can always recognize a painting by Kahlo because she is in nearly all of them, with her black braided hair and colorful Mexican outfits. A brave woman who was an invalid most of her life, she transformed herself into a living work of art. As famous for her self-portraits and haunting imagery as she was for her marriage to another famous artist, Diego Rivera, this strong and courageous painter was inspired by the ancient culture and history of her beloved homeland, Mexico. Her paintings continue to inform and inspire popular culture around the world.

Alejandra Campoverdi has been a child on welfare, a White House aide to President Obama, a Harvard graduate, a gang member’s girlfriend, and a candidate for U.S. Congress. She’s ridden on Air Force One and in G-rides. She’s been featured in Maxim magazine and had a double mastectomy. Living a life of contradictory extremes often comes with the territory when you’re a “First and Only.” It also comes at a price. With candor and heart, Alejandra retraces her trajectory as a Mexican American woman raised by an immigrant single mother in Los Angeles

Cousins Mari, Erica, Selena, and Gracie are inseparable. They aren’t just family but best friends—sharing secrets, traditions, and a fierce love for their abuelita. But their idyllic childhood ends when Mari’s parents divorce, forcing her to move away. With Mari gone, the girls’ tight-knit bond unravels.

A collection of stories, whose characters give voice to the vibrant and varied life on both sides of the Mexican border. The women in these stories offer tales of pure discovery, filled with moments of infinite and intimate wisdom.

Earth Angel with a Green Card is the true story of the author’s mother who spent her life in service to others, especially her children. During her modest early life in rural Mexico, she bore 11 children, whom she raised with very few resources. She also acted as a nurse for her medical practitioner husband. When the author emigrated to the USA at the age of 9½, it broke her heart, but through her faith, hope, and dreams, she joined him and other members of the family several years later. Her work-ethic, love, and faith inspired her children and many others.

¿Quién no ha contemplado en alguna de las cintas del cine de oro mexicano a una mujer de aspecto bello y seductor, pero a la vez tan cruel y fría? "La Doña", como se la conoció gracias a su insuperable interpretación del personaje literario Doña Bárbara, era poseedora de una personalidad que no distaba mucho de la poderosa terrateniente a la que encarnaba.

When Aida Hernandez was born in 1987 in Agua Prieta, Mexico, the nearby US border was little more than a worn-down fence. Eight years later, Aida’s mother took her and her siblings to live in Douglas, Arizona. By then, the border had become one of the most heavily policed sites in America. Undocumented, Aida fought to make her way. She learned English, watched Friends, and, after having a baby at 16, dreamed of teaching dance and moving with her son to New York City. But life had other plans.

With contributions from a wide array of scholars and activists, including leading Chicana feminists from the period, this groundbreaking anthology is the first collection of scholarly essays and testimonios that focuses on Chicana organizing, activism, and leadership in the movement years. The essays in Chicana Movidas: New Narratives of Activisim and Feminism in the Movement Era demonstrate how Chicanas enacted a new kind of politica at the intersection of race, class, gender, and sexuality, and developed innovative concepts, tactics, and methodologies that in turn generated new theories, art forms, organizational spaces, and strategies of alliance. 

The winners of the 2003 Pulitzer Prize for international reporting tell the astonishing story of Mary Clarke. At the age of 50, Clarke left her comfortable life in suburban Los Angeles to follow a spiritual calling to care for the prisoners in one of Mexico's most notorious jails. She actually moved into a cell to live among drug kingpins and petty thieves. She has led many of them through profound spiritual transformations in which they turned away from their lives of crime, and she has deeply touched the lives of all who have witnessed the depth of her compassion.

Javier Valdez ofrece un libro impactante que va del reportaje a la crónica para rescatar del silencio, de la nota roja y del olvido, a numerosas mujeres que viven entre las balas momentos cruciales de su vida. Amantes de capos, amigas de ellos o familiares, son mujeres con una verdad ardiente y dolorosa, que buscan el glamour y la hermosura, el poder económico y la huida de su realidad; mujeres que viven en el límite de la ley, la violencia y de la muerte.

Prieta is a term of endearment. When I tell people who don’t speak Spanish what prieta means—dark or the dark one—their eyes pop open and a small gasp escapes. I see the offense they feel for me sprinkled on their faces like the freckles I will never have. How do I tell them that when I heard Ita say Prieta, I felt the caress of her strong hands on the top of my head as she braided my hair?

Katia, la primera en su tradicional familia mexicoestadounidense en terminar la secundaria, entra a la edad adulta en una época de cambios turbulentos. En todo el país, los jóvenes luchan por los derechos civiles y de las mujeres, y protestan contra la Guerra de Vietnam y las brutales dictaduras de América del Sur. Como muchos de su generación, Katia quiere hacer del mundo un lugar mejor y está decidida a seguir su propio camino.

"Se dice que la realidad supera la ficción. Pues en esta poderosa breve historia se demuestra una vez más la máxima. La larga travesía de una niña mexicana narra los pasos de una mujer que nace en un medio hostil e implacable, pero que gracias a su tenacidad, logra superar los obstáculos que le presenta la vida y hasta su propia familia. Los lectores, sin duda, quedarán conmovidos luego de conocer el relato de Karina Mendoza".   

La emperatriz volvió a ser princesa. Después de que su marido fuera fusilado en el Cerro de las Campanas, la consentida, la enamorada, se convirtió en una paria de las monarquías europeas y pasó sesenta años en la locura. Esta obra es la primera que se concentra en las seis décadas que Carlota de Sajonia-Coburgo-Gotha vivió después de que se derrumbara el Segundo Imperio Mexicano, y ofrece un estudio lúcido de uno de los personajes más apasionantes en la historia del país.