Comedy & Humor

A bad best man’s speech can ruin a wedding. Why do we plan every detail of a perfect day and then give the groom’s idiot best friend five minutes of total power? Enter Nate (Glen Powell), a speechwriter-for-hire who helps people write incredible best man speeches. To keep the best man from embarrassing himself (and the newlyweds), Nate uses his list of don’ts: Don’t mention the exes, don’t be rated R, and don’t bum everyone out. Nate’s system never fails. That is, until he meets Dan (Nicholas Braun).

Before she wrote Off with My Head, a book about hitting what felt like rock bottom, Stassi Schroeder was writing an entirely different story: a basic bitch’s guide on how to be—wait for it—a “girlboss.” But then 2020 came along and after a global pandemic, losing her job, becoming pregnant and having her first child, and getting married, suddenly being a girlboss wasn’t the vibe. Instead of giving up, Stassi grew up and learned from her mistakes (you know, just standard evolution).

Outside Los Angeles, a driver pulls up to find a young woman sitting on a large black box. She offers him $200,000 cash to transport her and that box across the country, to Washington, DC. But there are rules: He cannot look inside the box. He cannot ask questions. He cannot tell anyone. They must leave immediately. He must leave all trackable devices behind. As these eccentric misfits hit the road, rumors spread on social media that the box is part of a carefully orchestrated terror attack intended to plunge the USA into civil war.

C’est l’histoire d’une petite fille trop sensible nommée Mariana, mais aussi un touchant hommage à l’univers qui l’a définie : le quartier où elle a vécu, les familles immigrantes qu’elle a côtoyées, les enseignants qui l’ont inspirée, et aussi les lieux enchanteurs (pour une enfant) qu’elle a fréquentés, tels le Club argentin, le cinéma Langelier et le marché aux puces Cinq étoiles. Fille d’immigrante, Mariana Mazza brosse un portrait de son enfance dans le Montréal-Nord des années 1990 à la fois sombre et lumineux, chaotique et chaleureux. Sa mère s’en mêlera, comme d’habitude.

For a long time, no one pulling the strings in the comedy world thought that a woman over fifty from rural Tennessee could make it in the industry. But Leanne Morgan has defied the odds, reaching millions with her musings on hormones, low-rise britches, Weight Watchers, and her opposites-attract relationship with her husband, Chuck. In her charming southern accent, Morgan brings listeners inside her quest to find her voice after spending many years trying to figure out what that meant.

If you've ever worked in customer service (or any job, really), you know that everyone else—the customer, the boss, the company—is always right, and never the employee. Well, lucky for you, the "Angry Retail Guy" is more furious—and funnier—than ever in this hilariously unhinged guide to all the things we wish we could say out loud at work . . . without getting fired. In The Customer Is Always Wrong, you'll laugh (and maybe cry) at this rant-filled, illustrated attack on all the frustrating things that suck about work.

Randy Rainbow has a few things on his mind that he wants to talk about. As a savvy social commentator tuned into the public discourse, his unfailing intuition tells him that the perspective everyone in America is clamoring for is that of a privileged white male complaining about a bunch of shit. While writing his New York Times bestseller Playing With Myself, Randy saw an America in crisis. He knew that what the country needed to get back on its high heels was a hard-hitting gay agenda and here it is—Low Hanging Fruit.

For some reason, when it comes to complex issues, we’ve largely limited ourselves to just two options, resulting in a society of non-thinkers. After all, once you’ve picked a side, all the thinking has already been done for you. As an independent, libertarian voter who has spent the last ten years at Fox News, Kat has faced this issue too many times to count. She’s learned that surprising things can happen when you refuse to choose a team, especially when you work at a place some people call an existential threat to America.

Rob Schneider’s childhood in the San Francisco Bay area with parents of mixed-race backgrounds shaped his view of the world: that America afforded the greatest opportunity for peoples from all nations and all faiths. Now, Rob keeps finding himself in controversy in Hollywood for expressing a few commonsense opinions about what woke ideology is doing to our great nation. With humor, Schneider takes on the current neoliberal authoritarians in America and argues we are living under a new kind of tyranny.

In Shock Induction, the best and brightest students at a seemingly reputable high school are disappearing. Every day it seems another overachiever is lost to an apparent suicide. But something far more sinister is lurking beneath the surface. These kids have been under surveillance since birth, monitored and measured by an online service called “Greener Pastures.” It’s here, in Greener Pastures, that billionaires observe and recruit the next generation of talent.

Social media influencer and podcast host April Ajoy wouldn’t have called herself a Christian Nationalist when she performed her original song “America Say Jesus” on the Jim Bakker show, or when she participated in Jesus Marches across America, or when she posted cringe-worthy videos on YouTube to campaign for Mitt Romney. April just considered herself a good Christian: faithful, Republican, and determined to make America a Christian nation once again.

In Scam Goddess, Laci recounts how her scammer instincts have guided her throughout her life—from a religious childhood in rural Texas, to a stint as a city bartender at what might have been a drug front, to swindling her way past the gatekeepers of Hollywood—recounting the greatest true-crime scam stories that inspired her along the way. Whether it’s by the beauty industry, capitalism, or the people we date, we’re all getting scammed. In this book, Laci identifies the secrets to flipping the script and coming out ahead.

The gifted filmmaker, corduroy activist and amateur dentist, Richard Ayoade, first chanced upon a copy of The Two-Hander Trilogy by Harauld Hughes in a second-hand bookshop. At first startled by his uncanny resemblance to the author's photo, he opened the volume and was electrified. Terse, aggressive, and elliptical, what was true of Ayoade was also true of Hughes's writing, which encompassed stage, screen, and some of the shortest poems ever published.

After much searching, Amber and Stevie find the perfect house - a bit shabby but with potential - in Grimaldi Square. Just the two of them; a place where they can start their lives together. Recently married, they want to begin a family (with the help of their gay best friend, Jack). Despite the rundown pub across the way, the overgrown garden and a decidedly nosy neighbour, it's the house of their dreams. But they are not alone in this dream.

Sharply observant and outrageously funny, Rejection is a provocative plunge into the touchiest problems of modern life. The seven connected stories seamlessly transition between the personal crises of a complex ensemble and the comic tragedies of sex, relationships, identity, and the internet.