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Fyodor Dostoyevsky is a titanic figure among the world's great authors, and The Brothers Karamazov is often hailed as his finest novel. A masterpiece on many levels, it transcends the boundaries of a gripping murder mystery to become a moving account of the battle between love and hate, faith and despair, compassion and cruelty, good and evil.

The book probes the possible roles of four brothers in the unresolved murder of their father, Fyodor Karamazov. At the same time, it carefully explores the personalities and inclinations of the brothers themselves. Their psyches together represent the full spectrum of human nature, the continuum of faith and doubt. Ultimately, this novel seeks to understand the real meaning of faith and existence and includes much beneficial philosophical and spiritual discussion that moves the reader towards faith.

The Brothers Karamazov tells the stirring tale of four brothers: the pleasure-seeking, impatient Dmitri; the brilliant and morose Ivan; the gentle, loving, and honest Alyosha; and the illegitimate Smerdyakov: shy, silent, and cruel. The four unite in the murder of one of literature's most despicable characters - their father. This was Dostoevsky's final and best work.

A predecessor to such monumental works such as Crime and Punishment and The Brothers Karamazov, Notes From Underground represents a turning point in Dostoyevsky's writing towards the more political side.

In this work, we follow the unnamed narrator of the story, who, disillusioned by the oppression and corruption of the society in which he lives, withdraws from that society into the underground.

In The Idiot, Prince Myshkin possesses a childlike innocence and trusting nature that leave him vulnerable to abuse by those around him. Returning to St. Petersburg to collect an inheritance, Myshkin realizes he is a stranger in a society obsessed with wealth, manipulation and power.

From renowned translators Richard Pevear and Lindsay Volokhonsky comes a new translation - certain to become the definitive version - of the first great prison memoir, a fictionalized account of Fyodor Dostoevsky's life-changing penal servitude in Siberia.

In this intense detective thriller instilled with philosophical, religious, and social commentary, Dostoevsky studies the psychological impact upon a desperate and impoverished student when he murders a despicable pawnbroker, transgressing moral law to ultimately "benefit humanity".

“White Nights” tells the story of a lonely man who wanders the streets of St. Petersburg over the course of four nights, searching for an escape from his isolation.

The Brothers Karamazov is a murder mystery, a courtroom drama, and an exploration of erotic rivalry in a series of triangular love affairs involving the “wicked and sentimental” Fyodor Pavlovich Karamazov and his three sons—the impulsive and sensual Dmitri; the coldly rational Ivan; and the healthy, red-cheeked young novice Alyosha. Through the gripping events of their story, Dostoevsky portrays the whole of Russian life, is social and spiritual striving, in what was both the golden age and a tragic turning point in Russian culture.

The passionate Karamazov brothers spring to life, led by their lecherous father, who entertains himself by drinking, womanizing, and pitting his three sons against each other. The men have plenty to fight over, including the alluring Grushenka.

Exiled to four years in Siberia, but hailed by the end of his life as a saint, prophet, and genius, Fyodor Dostoevsky holds an exalted place among the best of the great Russian authors. One of Dostoevsky’s five major novels, Devils follows the travails of a small provincial town beset by a band of modish radicals - and in so doing presents a devastating depiction of life and politics in late 19th-century Imperial Russia.

This acclaimed new translation of Dostoyevsky's 'psychological record of a crime' gives his dark masterpiece of murder and pursuit a renewed vitality, expressing its jagged, staccato urgency and fevered atmosphere as never before. Raskolnikov, a destitute and desperate former student, wanders alone through the slums of St. Petersburg, deliriously imagining himself above society's laws. But when he commits a random murder, only suffering ensues.

The Gambler paints a stark picture of the attractions—and addictions—of gambling. Using skillful characterization, Dostoevsky faithfully depicts life among the gambling set in old Germany. This probing psychological novel explores the tangled love affairs and complicated lives of Alexey Ivanovitch, a young gambler, and Polina Alexandrovna, the woman he loves.

Fyodor Dostoevsky's Crime and Punishment is universally regarded as one of literature's finest achievements, as the great Russian novelist explores the inner workings of a troubled intellectual. Raskolnikov, a nihilistic young man in the midst of a spiritual crisis, makes the fateful decision to murder a cruel pawnbroker, justifying his actions by relying on science and reason, and creating his own morality system. Dehumanized yet sympathetic, exhausted yet hopeful, Raskolnikov represents the best and worst elements of modern intellectualism. The aftermath of his crime and Petrovich's murder investigation result in an utterly compelling, truly unforgettable cat-and-mouse game. This stunning dramatization of Dostoevsky's magnum opus brings the slums of St. Petersburg and the demons of Raskolnikov's tortured mind vividly to life.

"I am a sick man.... I am a spiteful man", a nameless voice cries out. And so, from underground, emerge the passionate confessions of a suffering man; the painful self-examination of a tormented soul; the bristling scorn of a lonely individual who has become one of the greatest anti-heroes in all literature.

Prince Myshkin, is thrust into the heart of a society more concerned with wealth, power, and sexual conquest than the ideals of Christianity. Myshkin soon finds himself at the center of a violent love triangle in which a notorious woman and a beautiful young girl become rivals for his affections. Extortion, scandal, and murder follow, testing the wreckage left by human misery to find "man in man."

David Fishelson has transformed Dostoyevsky’s The Idiot into a spellbinding drama that illuminates the titanic novel. In The Idiot, meet the kindly, childlike Prince Myshkin, as he returns to the decadent social whirl of 1860s St. Petersburg. The two most beautiful, sought-after women in the town compete for his affections, in a duel that grows increasingly dangerous.

Crime and Punishment is a novel by Fyodor Dostoevsky that was first published in 1866. By closely examining the internal conflicts of his protagonist, Raskolnikov, Dostoevsky explores themes of guilt and redemption. The novel suggests that redemption is possible only through confession of guilt and an acceptance of personal responsibility for one’s thoughts and actions alike.

Crime and Punishment tells the story of Rodion Raskolnikov, an ex-student who plans to murder a pawnbroker to test his theory of personality. Having accomplished the deed, Raskolnikov struggles with mental anguish while trying to both avoid the consequences and hide his guilt from his friends and family.

Dostoevsky's last and greatest novel, The Brothers Karamazov (1880) is both a brilliantly told crime story and a passionate philosophical debate. The dissolute landowner Fyodor Pavlovich Karamazov is murdered; his sons—the atheist intellectual Ivan, the hot-blooded Dmitry, and the saintly novice Alyosha—are all at some level involved. Bound up with this intense family drama is Dostoevsky's exploration of many deeply felt ideas about the existence of God, the question of human freedom, the collective nature of guilt, the disastrous consequences of rationalism.