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Venice, 1958. Peggy Guggenheim, heiress and now legendary art collector, sits in the sun at her white marble palazzo on the Grand Canal. She's in a reflective mood, thinking back on her thrilling, tragic, nearly impossible journey from her sheltered, old-fashioned family in New York to here: iconoclast and independent woman. Rebecca Godfrey’s Peggy is a blazingly fresh interpretation of a woman who defies every expectation to become an original.

Eighteen-year-old Sage Hannigan wants to get back to her own time, preferably one that hasn't been destroyed by an underworld plot brewing in Edwardian-era South Carolina. How hard can it be? Sage never asked to be chosen by the Druid Priestess, Amerach, to become a Warper and she never asked to have the future hanging on her shoulders or to warp a hundred years into the past. She certainly never asked to meet Dr. Aldwin Blake, who would make her question her desire to get back to her own time.

When Beth Michaels hightailed it out of the hole-in-the-road town she grew up in, she only had two goals. One - get as far away as quickly as possible, and two -never set foot in her parent's home again. But when she receives a heart breaking call from her childhood best friend, Jen, she has no choice but to turn her '56 Ford pickup back in the direction of Salem, Missouri to attend a funeral. There's a new local in town when Beth arrives, and suddenly, it ain't all that easy for her to remember her rules for dating.