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Description

The best-selling author of The Martian returns with an irresistible new near-future thriller - a heist story set on the moon.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent.

Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down. But pulling off the impossible is just the start of her problems, as she learns that she's stepped square into a conspiracy for control of Artemis itself - and that now her only chance at survival lies in a gambit even riskier than the first.

Bringing to life Weir's brash, whip-smart protagonist is actress Rosario Dawson (Marvel's The Defenders, Sin City, Death Proof). With the breathless immediacy of one realizing they're one cracked helmet visor away from oblivion, Dawson deftly captures Jazz's first-person perspective – all while delivering sarcastic Weir-ian one-liners and cracking wise in the face of death. And with a cast of diverse characters from all walks of life calling Artemis home, Dawson tonally somersaults to voice Kenyan prime ministers, Ukrainian scientists, and Saudi welders. It's a performance that transports listeners right alongside Jazz, matching her step for step on every lunar inch of her pulse-pounding journey.

©2017 Andy Weir (P)2017 Audible, Inc.

Ce que les critiques disent

"Everything you could hope for in a follow-up to The Martian: another smart, fun, fast-paced adventure that you won't be able to put down." (Ernest Cline, New York Times bestselling author of Ready Player One)

"An exciting, whip-smart, funny thrill-ride…. one of the best science fiction novels of the year." (Booklist)

"Narrated by a kick-ass leading lady, this thriller has it all – a smart plot, laugh-out-loud funny moments, and really cool science." (Library Journal)

"[A] superior near-future thriller.... Weir leavens the hard SF with a healthy dose of humor." (Publishers Weekly)

"[Narrator Rosario] Dawson makes Jasmine sound like the lovable rogue she is.... Dawson makes listeners care about a diverse cast of characters with quirky mannerisms." (AudioFile)

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Ce que les membres d'Audible en pensent

Moyenne des évaluations de clients

Au global

  • 4.5 out of 5 stars
  • 5 étoiles
    581
  • 4 étoiles
    423
  • 3 étoiles
    152
  • 2 étoiles
    32
  • 1 étoile
    14

Performance

  • 4.5 out of 5 stars
  • 5 étoiles
    764
  • 4 étoiles
    257
  • 3 étoiles
    69
  • 2 étoiles
    15
  • 1 étoile
    10

Histoire

  • 4 out of 5 stars
  • 5 étoiles
    463
  • 4 étoiles
    397
  • 3 étoiles
    184
  • 2 étoiles
    47
  • 1 étoile
    19
Trier :
  • Au global
    3 out of 5 stars
  • Performance
    3 out of 5 stars
  • Histoire
    3 out of 5 stars

Not so great

I thought Andy Weir did a very good job of writing a very immature and self-centred, yet multi-dimensional character. The problem is, I had little desire, part way through, to listen to the character anymore. I stuck it out in the hopes that the story might improve on the character, or that other characters may develop, but it didn't. There were lots of neat ideas about how life might be on the moon, but not enough to really make it a successful follow up work to The Martian.
I don't know that Rosario Dawson could have done a better job narrating, given her character's annoying factor. So I do not blame her for the performance.

20 personnes sur 23 ont trouvé cette évaluation pertinente

  • Au global
    2 out of 5 stars
  • Performance
    5 out of 5 stars
  • Histoire
    2 out of 5 stars

Disappointing

I loved The Martian and was really looking forward to Artemis. I love Andy Wire's application of known science to his protagonist's problems. In The Martian I cared about his protagonist. In Artemis i found her self-centered and morally deficient. Full disclosure: I don't expect the lead character to be perfect but I do want them to be a positive role model. I tried to like this book but gave up a third of the way into it.

4 personnes sur 4 ont trouvé cette évaluation pertinente

  • Au global
    1 out of 5 stars
  • Performance
    1 out of 5 stars
  • Histoire
    1 out of 5 stars
  • Lo
  • 2018-01-24

Just awful

I couldn't return this book so I tried to listen to it as long as possible to get my "money's worth". But I'm finally giving up, no point in torturing myself any longer. It is full of lines like this: Female character: I'll have to blow them both at the same time. - teehee I hope no one takes that sentence out of context!" *barf* the story is bad, the characters are bad, and the accents are bad. Don't do it!

6 personnes sur 7 ont trouvé cette évaluation pertinente

  • Au global
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Histoire
    5 out of 5 stars

Rosario Dawson rocks this story!

The story is great, and the performance is brilliant. Rosario Dawson creates consistent, unique, believable voices for each character, and expresses the essence of this story beautifully. I love Andy Weir's storytelling, and he does have a tendency to make all the characters think the same way- logical and brilliant. Dawson brings variety to the characters that gives them more individual personalities. It's a great creative collaboration.

4 personnes sur 5 ont trouvé cette évaluation pertinente

  • Au global
    3 out of 5 stars
  • Performance
    4 out of 5 stars
  • Histoire
    3 out of 5 stars

1st class World Building, weak storytelling

While Andy Weir again created a very believable world the storytelling is full of Hollywood Action movie clichées that get boring fast.

1 personnes sur 1 ont trouvé cette évaluation pertinente

  • Au global
    2 out of 5 stars
  • Performance
    4 out of 5 stars
  • Histoire
    1 out of 5 stars

once it was over I said " is that it?!!!!"

bad story, nothing like the marchans. its ment to be realistic like the marchans, but it had so many unrealistic events. like opening digitally locked hotel room on the moon with a screw driver. or punching through air lock doors by kicking through them. or escaping the police on the moon surface in an EVA suit on foot.

gotta say. destroying the miners was exciting. other than that, bad story. not funny too. and depressing.

this is still a good story. im just comparing it with how good the marchans is. given its the same writer

hope you do better on your next one.

1 personnes sur 1 ont trouvé cette évaluation pertinente

  • Au global
    3 out of 5 stars
  • Performance
    5 out of 5 stars
  • Histoire
    2 out of 5 stars

Weak characterization, but good performance

Interesting world-building, but disappointing story with exhausting middle-school humour. Rosario Dawson manages to make it bearable with a great performance.

1 personnes sur 1 ont trouvé cette évaluation pertinente

  • Au global
    3 out of 5 stars
  • Performance
    5 out of 5 stars
  • Histoire
    2 out of 5 stars

Compelling & Accurate, Save for the Main Character

This sci-fi adventure was well told and scientifically accurate, however those strengths were undercut by an unrealistic female lead, who, I would add, was written by a man and in the first person. I mean she is truly unbelievable, like what you might expect of a fantasy girl from a 12 year old sci-fi fanatic's wet dream. This might not ruin the book for everyone, but it probably should.

1 personnes sur 1 ont trouvé cette évaluation pertinente

  • Au global
    3 out of 5 stars
  • Performance
    5 out of 5 stars
  • Histoire
    2 out of 5 stars

Protagonist is basically an annoying teenage boy

The world of Artemis is creative. The plot is ok but utterly predictable. The performance by Dawson is great. However, just leave it to a man to create a shallow, uncomplicated, potty mouthed, sex obsessed, completely unbelievable woman of colour protagonist. She’s basically a teenage boy, but with boobs... which she even points out a couple times. Thanks captain obvious!

1 personnes sur 1 ont trouvé cette évaluation pertinente

  • Au global
    3 out of 5 stars
  • Performance
    2 out of 5 stars
  • Histoire
    4 out of 5 stars

Performance doesn't do the material justice

The voice performance is very conservative, with one voice for all characters, with moderate to no change in inflection. If the stellar performance in Weir's 'The Martian' is solely what brought you here, I'd give it a pass.

10 personnes sur 15 ont trouvé cette évaluation pertinente

Trier :
  • Au global
    2 out of 5 stars
  • Performance
    4 out of 5 stars
  • Histoire
    1 out of 5 stars
  • Ruth Nielsen
  • 2017-11-27

The opposite of the Martian...

One of the things I really enjoyed about the Martian was a main character who dealt brilliantly with unfortunate circumstances that were caused by forces out of his control. By contrast- Jaz - the main character in Artemis- is totally responsible for one mess after another. Artemis is a story about a supposedly smart person who consistently make very stupid decisions. Jaz attempts to solve each of her problems (which she largely creates) by creating situations that are worse...and each disaster is worse than the last. She’s a liar and a thief - and while she’s very creative in her solutions she is a destructive force in her own life. Not a fan. I listened to Artemis because I enjoyed the Martian so much. If I had listened to Artemis first I doubt I would have picked anything by the same author.

259 personnes sur 289 ont trouvé cette évaluation pertinente

  • Au global
    3 out of 5 stars
  • Performance
    5 out of 5 stars
  • Histoire
    2 out of 5 stars
  • will
  • 2017-11-18

A ferrari with no motor

On the outside, everything about this audio book looks good. The much anticipated sophomoric novel from breakout sci-fi author Andy Weir read by Rosario Dawson is a great preface in itself. Add to it the promise of the first moon colony, some corporate espionage, a lone wolf heroine saboteur and the possibilities are endless. Then it just sits there. And all the aspects that could make it great are that much more annoying. Dawson does a fantastic job narrating. The problem is the characters have no depth, the storyline is swiss cheese and the dialogue is juvenile to an infuriating level. The protagonist delivers wannabe witty sarcasm endlessly and has hardly any likable moments. Humor falls flat at every attempt and there are many, many attempts. Very disappointing. The science is interesting but that can only go so far. If you're looking for the best sci-fi and you haven't done it yet, check out The Expanse series.

518 personnes sur 582 ont trouvé cette évaluation pertinente

  • Au global
    2 out of 5 stars
  • Performance
    3 out of 5 stars
  • Histoire
    2 out of 5 stars
  • Anthony
  • 2017-11-19

A Book I Truly Wanted to Love

Andy Weir has shown once again he is a master at researching and building a truly amazing sci-fi universe. Unfortunately, his dialogue is juvenile and his story boring. Scientific details aside, the book read like a pre-teen thriller. The characters were all one dimensional and dialogue was appallingly simple. The story was boring at best and read more like a screen play than a rich, deep, and enthralling book.

I honestly wanted to love this book. There is a lot of good substance here, and I hope Andy finds the time to take everything he’s learning to write a book to truly remember. For now, it looks like all we’ll get is a book perfectly suited for a 90 minute movie.

162 personnes sur 185 ont trouvé cette évaluation pertinente

  • Au global
    3 out of 5 stars
  • Performance
    3 out of 5 stars
  • Histoire
    2 out of 5 stars
  • Paul Z
  • Chicago
  • 2017-11-19

Formulaic

The Martian was a book while reading you thought this will make a great movie some day, Artemis on the other hand feels like it was written for todays movie audiences as a forethought.

With a great concept, Weir falls short with his heroine, he shows us plenty at how technically astute he is but not so at writing from a woman's perspective, which made the protagonists development weak, leaving less empathy for her actions. The overly ambitious plot has too many holes in it to make Artemis more than just ordinary and to me it had a chance to redeem itself but Weir opted for more of a hollywood ending.

Rosario Dawson has a wide range and delivers a solid performance but the stereotypical accents of some of the characters does not seem accurate for people living in the most diverse city ever.

Artemis just tries too hard not to be The Martian and ends up becoming more like Die Hard on the Moon .

171 personnes sur 200 ont trouvé cette évaluation pertinente

  • Au global
    2 out of 5 stars
  • Performance
    3 out of 5 stars
  • Histoire
    2 out of 5 stars
  • Roey Benamotz
  • Georgia, USA
  • 2017-11-29

Really wanted to like this

This has all the right ingredients. Written by Andy Weir, read by Rosario Dawson - what can go wrong?
A lot apparently.
The book is bad. Weak story, awful main character and the science feels artificially placed. It’s good science but it does not drive the plot nor it is very interesting.

As for the performance - I am conflicted. Something was not working. Rosario has great voice, good accents, and the production is very well done. But the overall result is bad. I just don’t know if it’s because Rosario is missing something or just the bad story and awful main character comes to life through her voice and projecting on the performance.

I am still very hopeful and Weir’s next book. The Martian was great and I very hopeful this book is a temporary setback.

62 personnes sur 72 ont trouvé cette évaluation pertinente

  • Au global
    4 out of 5 stars
  • Performance
    4 out of 5 stars
  • Histoire
    4 out of 5 stars
  • M. Charles
  • 2017-11-17

Entertaining; Fun Moon Adventure; Not the Martian

Based on the reviews I've seen, I would suggest listening to this BEFORE the Martian, otherwise, you might be somewhat disappointed with Artemis. If you have read the Martian, I would suggest dialing back your expectations for this one and just try to enjoy it versus comparing it to another one of Weir's books. Sure Weir is very talented - but this isn't Martian 2 - there is going to be some variations on characters, plot, etc. Not every book by an author is going to be spun gold perfection. And it is hard to follow up the success of something like the Martian.

For one, you are not going to be nearly as sympathetic to our protagonist, Jazz, as she is not a stranded scientist struggling to survive until help arrives. Jazz is an under-achieving smuggler hustling her wares within a tiny community of 'loonies' (don't call them that they hate it) colonizing the moon in a cluster of acclimatized spheres [Artemis]. She's lived there nearly her entire life, has a few interesting social connections, and is laboring in near-poverty in hopes of paying off a debt/righting a wrong that has her and her father on the outs.

There is a lot of science, moon, and some space travel stuff to geek out about - much of it sounds rather plausible. But I didn't nitpick, I just tried my best to enjoy the book.

Some bark about the idea of the producers hiring a famous voice to narrate the book when there are plenty of extremely talented voice-actors who could have done a 'better' job. Sure, I agree there are plenty of very talented people who could have read this - they could have treated it like an audio drama and hired a full-cast. Regardless, I think Dawson captured Jazz's brash, rude personality rather well. The other characters, at times, did blur a little, but her overall performance was listen-worthy.

I enjoyed this book. I hope you do too.

157 personnes sur 184 ont trouvé cette évaluation pertinente

  • Au global
    2 out of 5 stars
  • Performance
    4 out of 5 stars
  • Histoire
    2 out of 5 stars
  • kjcoop
  • 2017-12-18

Flat, far fetched, unnecessarily obscene

I was at first intrigued by the story, and then as it progressed, incredibly disappointed. The story lacked the degree of detail that I had hoped for and seemed to meander without a thought over loose explanations and wild happenstance. The plot was unimaginative and far fetched, particularly in its resolution of the main characters’ conflict. The story included unnecessary obscenity and failed to develop meaningful character profiles. Not a big fan of this one.

10 personnes sur 11 ont trouvé cette évaluation pertinente

  • Au global
    3 out of 5 stars
  • Performance
    3 out of 5 stars
  • Histoire
    3 out of 5 stars
  • Robert
  • 2017-11-20

I was surprised at how mediocre this was

I became a huge Andy Weir fan when I read "The Martian" and later the short 6 minute story called "The Egg". I was so excited for this new Andy Weir book. The first 3 hours I hated it. It was boring, and nothing was done to bring the reader into the characters, especially the main protagonist. After that, the book picked up the pace. It's a short book, so throw out the first 3 hours and it's really short. However, it still amounted to nothing more than an average sci fi story. Had this been my first Andy Weir book, I would have never read another. The reader was good, but her inflections of the main character's voice would not have been the choice my mind would have gone to if I had read this instead of listening. Some of the time she had this so called street smart girl sounding like a dumb valley girl. I could not get into this one. Not at all.

59 personnes sur 69 ont trouvé cette évaluation pertinente

  • Au global
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Histoire
    5 out of 5 stars
  • Keren
  • Los Angeles, CA, United States
  • 2017-12-04

Follow up to The Martian does not disappoint!

What can I say? Andy Weir is now officially the newest addition to my favorite authors list. Excellent performance by Dawson as well! Engaging, suspenseful, great science fiction, characters, and dialog.

4 personnes sur 4 ont trouvé cette évaluation pertinente

  • Au global
    2 out of 5 stars
  • Performance
    2 out of 5 stars
  • Histoire
    2 out of 5 stars
  • Robert Forehand
  • 2017-11-20

Much like Cline's Armada, Weir Struggles here

There's really nothing wrong with being nostalgic, nor the qualities that made us love something in the first place. With that said, sometimes one can try too hard, leaving them with something that fails to live up to, or come anywhere close to the original.

Andy Weir is going to do well with this book based solely upon the success of The Martian, but don't confuse those numbers with actual quality of this book. At best, it's a quick read (or listen) of something new, but it's not going to be something that you want to experience more than once.

As to Rosario Dawson’s narration… Much like Wheaton (and other celeb narrators) she shows a lot of promise, but is clearly not experienced enough to have the nuances of the job in hand (awkward sentence endings, slipping out of character, etc..) that the professionals have down pat.

37 personnes sur 45 ont trouvé cette évaluation pertinente