What Moves the Dead
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30 jours d'essai gratuit à Audible Standard
Acheter pour 22,19 $
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Narrateur(s):
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Avi Roque
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Auteur(s):
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T. Kingfisher
À propos de cet audio
"The audiobook narrated by Avi Roque is delightful." - Buzzfeed
"Narrator Avi Roque delivers a perfectly paced performance in this concise audiobook...holding listeners hostage until the house reveals its terrifying secrets." -AudioFile Magazine
From T. Kingfisher, the award-winning author of The Twisted Ones, comes What Moves the Dead, a gripping and atmospheric retelling of Edgar Allan Poe's classic "The Fall of the House of Usher."
When Alex Easton, a retired soldier, receives word that their childhood friend Madeline Usher is dying, they race to the ancestral home of the Ushers in the remote countryside of Ruritania.
What they find there is a nightmare of fungal growths and possessed wildlife, surrounding a dark, pulsing lake. Madeline sleepwalks and speaks in strange voices at night, and her brother Roderick is consumed with a mysterious malady of the nerves.
Aided by a redoubtable British mycologist and a baffled American doctor, Alex must unravel the secret of the House of Usher before it consumes them all.
A Macmillan Audio production from Tor Nightfire.
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Great listen
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Starting off, I wasn't a huge fan of how the narrator was...narrating. After a while though, he grew on me and was a welcomed voice. Especially as Mrs. Potter.
Great story, and great narration! 9/10!
Great spine chilling story!
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So brilliantly spooky
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as always brilliant
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I thought the way that the narrator was reading was a stylistic choice, but I don’t think it is. They pause between words that shouldn’t have commas between them, and put inflections on the wrong word in a sentence. I think they do the character’s voice well, but I can’t stand having to think back on sentences and repeat them in my head to make it sound right.
It’s an Edgar Allen’s Poe retelling, and from what I can tell, it’s supposed to be poetic and lyrical. The narrator’s reading is anything but.
The narrator is TERRIBLE.
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