Resubido :/

Desde la Viena romántica, volvemos a la actualidad para empezar una serie en el canal. A través de ella daremos un panorama general de la ópera y su historia. Sean todos bienvenidos a Psicología, Música e Historia, esto es Risas y Tragedias, capítulo 0, Introducción.

Música utilizada:

Le nozze di Figaro, K. 492: Overture · Leonard Bernstein · New York Philharmonic Orchestra · Wolfgang Amadeus Mozart

https://open.spotify.com/intl-es/track/7JOZ5X3byHERBPtX2Pe9OT?si=db3ea44ff6c94aea

Die Zauberflöte, K. 620, Act 2: Queen of the Night Aria. "Der Hölle Rache kocht in meinem Herzen" (Königin) · Diana Damrau · Le Cercle de l'Harmonie

https://open.spotify.com/intl-es/track/2IRMCtPrxmJwpyfCF8WcJA?si=bb727062ee6f4edd

Carmen, WD 31, Act 1: Habanera. "L'amour est un oiseau rebelle" (Carmen, Chœur) · Maria Callas · Chœurs René Duclos

https://open.spotify.com/intl-es/track/5Adxsld8lL9MLcaULeoSKu?si=efe638b6c9b64c1c

Verdi: Il Trovatore / Act 2 - "Vedi! le fosche notturne spoglie" (Anvil Chorus) · The London Opera Chorus · National Philharmonic Orchestra · Richard Bonynge

https://open.spotify.com/intl-es/track/3KkYGz3w5jw24IKaFbIq6k?si=b08674640beb40ec

Der Freischütz, Op. 77: Act II: Nr. 9 Terzetto: Wie? Was? Entsetzen! · Bruno Weil · Carl Maria von Weber

https://open.spotify.com/intl-es/track/3tZtN19JMpz8gXhccLYr7q?si=65d30ad8f8ec4a10

Giulio Cesare, HWV 17: V'adoro pupile · Victoria de los Ángeles · Yehudi Menuhin · Gerald Moore · Georg Friedrich Händel · Sir Adrian Boult

https://open.spotify.com/intl-es/track/6UAfDhhsHRP4mZbSHacBZF?si=00801494657f453d

Purcell: Dido and Aeneas / Act 3 - "Thy Hand Belinda - When I Am Laid In Earth" · Catherine Bott · Academy of Ancient Music · Christopher Hogwood

https://open.spotify.com/intl-es/track/25weMcBwOZzH73q2PYHQMA?si=d88bedbd4b4949a4

Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) · Bernard Haitink Chorus: Chorus of the Royal Opera House Covent Garden, Orchestra: Orchestra of the Royal Opera House Covent Garden

https://open.spotify.com/intl-es/track/26tfAzbA8h60Xt0XaH4hVJ?si=60bfe78a82c24c00

Wagner: Götterdämmerung, WWV 86D - Siegfried's Funeral March · Gewandhausorchester · Andris Nelsons

https://open.spotify.com/intl-es/track/7nPd9spk4QL5bNwADUWIwF?si=15621b004964427d

This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

Sean todos bienvenidos a Psicología, Música e Historia. De la controversia Mahler-Rott viajamos al medioevo para la segunda edición del misceláneo medieval.

Música utilizada:

Cantos Gregorianos para los Muertos - Ensamble vocal femenino Aurora Surgit dirigidos por Alessio Randon, quien hará ocasionalmente de solista.https://open.spotify.com/intl-es/album/1ZfxbseEf5eFbhn3oqyEQt?si=KLsOw7RqSpyuYn5MbouS0wMusica amores allicit - Ensamble Elthin.https://open.spotify.com/intl-es/album/1jZdkVotjBCq5i2pRKpy87?si=jwVc1bPdR4u2G3HcWr-MhA

This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

“Si Mahler estuviera vivo hoy en día enfrentaría una demanda por plagio”

—Paavo Järvi

Sean todos bienvenidos a Psicología, Música e Historia.

Después de varios meses peleándome con los guiones para hablar de la Primera Sinfonía de Mahler, decidí que antes de entrar de lleno a esa obra, hay un par de temas que merecen ser abordados con calma.

Así que hoy, vamos a ponernos los trajes y subir al estrado para hablar de un caso que ha dividido opiniones durante décadas: la controversia Mahler–Rott.

This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

Música utilizada:

Hans Rott: Sinfonía en Mi Mayor - Orquesta de Bamberg, dirige Jakub Hrusahttps://open.spotify.com/intl-es/album/3muyWKaSOclVXt9biOMKOn?si=9a2a3c3d42164108Hasn Rott: Sinfonía para Orquesta de Cuerdas en La Bemol Mayor - Orquesta Gürzenich de Colonia, dirige Christopher Ward.https://open.spotify.com/intl-es/album/1Uz9D9zKAtXUHtxRSyOhBL?si=FJtGScbBTl2SFSUv8m3YCA