Sean todos bienvenidos a Psicología, Música e Historia.

Desde Alemania, viajamos hasta Italia, sin salir del barroco para hablar de la ópera más famosa de Vivaldi. Motezuma.

Música Utilizada

Motezuma - Il Complesso Barroco - Alan Curtishttps://open.spotify.com/intl-es/album/2ID7dtWRJovjJ8CeLIVnMx?si=zBCfTR16R_GGcgZ9oNL9iA

This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

Resubido :/

Desde la Viena romántica, volvemos a la actualidad para empezar una serie en el canal. A través de ella daremos un panorama general de la ópera y su historia. Sean todos bienvenidos a Psicología, Música e Historia, esto es Risas y Tragedias, capítulo 0, Introducción.

Música utilizada:

Le nozze di Figaro, K. 492: Overture · Leonard Bernstein · New York Philharmonic Orchestra · Wolfgang Amadeus Mozart

https://open.spotify.com/intl-es/track/7JOZ5X3byHERBPtX2Pe9OT?si=db3ea44ff6c94aea

Die Zauberflöte, K. 620, Act 2: Queen of the Night Aria. "Der Hölle Rache kocht in meinem Herzen" (Königin) · Diana Damrau · Le Cercle de l'Harmonie

https://open.spotify.com/intl-es/track/2IRMCtPrxmJwpyfCF8WcJA?si=bb727062ee6f4edd

Carmen, WD 31, Act 1: Habanera. "L'amour est un oiseau rebelle" (Carmen, Chœur) · Maria Callas · Chœurs René Duclos

https://open.spotify.com/intl-es/track/5Adxsld8lL9MLcaULeoSKu?si=efe638b6c9b64c1c

Verdi: Il Trovatore / Act 2 - "Vedi! le fosche notturne spoglie" (Anvil Chorus) · The London Opera Chorus · National Philharmonic Orchestra · Richard Bonynge

https://open.spotify.com/intl-es/track/3KkYGz3w5jw24IKaFbIq6k?si=b08674640beb40ec

Der Freischütz, Op. 77: Act II: Nr. 9 Terzetto: Wie? Was? Entsetzen! · Bruno Weil · Carl Maria von Weber

https://open.spotify.com/intl-es/track/3tZtN19JMpz8gXhccLYr7q?si=65d30ad8f8ec4a10

Giulio Cesare, HWV 17: V'adoro pupile · Victoria de los Ángeles · Yehudi Menuhin · Gerald Moore · Georg Friedrich Händel · Sir Adrian Boult

https://open.spotify.com/intl-es/track/6UAfDhhsHRP4mZbSHacBZF?si=00801494657f453d

Purcell: Dido and Aeneas / Act 3 - "Thy Hand Belinda - When I Am Laid In Earth" · Catherine Bott · Academy of Ancient Music · Christopher Hogwood

https://open.spotify.com/intl-es/track/25weMcBwOZzH73q2PYHQMA?si=d88bedbd4b4949a4

Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) · Bernard Haitink Chorus: Chorus of the Royal Opera House Covent Garden, Orchestra: Orchestra of the Royal Opera House Covent Garden

https://open.spotify.com/intl-es/track/26tfAzbA8h60Xt0XaH4hVJ?si=60bfe78a82c24c00

Wagner: Götterdämmerung, WWV 86D - Siegfried's Funeral March · Gewandhausorchester · Andris Nelsons

https://open.spotify.com/intl-es/track/7nPd9spk4QL5bNwADUWIwF?si=15621b004964427d

This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

Sean todos bienvenidos a Psicología, Música e Historia. De la controversia Mahler-Rott viajamos al medioevo para la segunda edición del misceláneo medieval.

Música utilizada:

Cantos Gregorianos para los Muertos - Ensamble vocal femenino Aurora Surgit dirigidos por Alessio Randon, quien hará ocasionalmente de solista.https://open.spotify.com/intl-es/album/1ZfxbseEf5eFbhn3oqyEQt?si=KLsOw7RqSpyuYn5MbouS0wMusica amores allicit - Ensamble Elthin.https://open.spotify.com/intl-es/album/1jZdkVotjBCq5i2pRKpy87?si=jwVc1bPdR4u2G3HcWr-MhA

This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

“Si Mahler estuviera vivo hoy en día enfrentaría una demanda por plagio”

—Paavo Järvi

Sean todos bienvenidos a Psicología, Música e Historia.

Después de varios meses peleándome con los guiones para hablar de la Primera Sinfonía de Mahler, decidí que antes de entrar de lleno a esa obra, hay un par de temas que merecen ser abordados con calma.

Así que hoy, vamos a ponernos los trajes y subir al estrado para hablar de un caso que ha dividido opiniones durante décadas: la controversia Mahler–Rott.

This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

Música utilizada:

Hans Rott: Sinfonía en Mi Mayor - Orquesta de Bamberg, dirige Jakub Hrusahttps://open.spotify.com/intl-es/album/3muyWKaSOclVXt9biOMKOn?si=9a2a3c3d42164108Hasn Rott: Sinfonía para Orquesta de Cuerdas en La Bemol Mayor - Orquesta Gürzenich de Colonia, dirige Christopher Ward.https://open.spotify.com/intl-es/album/1Uz9D9zKAtXUHtxRSyOhBL?si=FJtGScbBTl2SFSUv8m3YCA

Sean todos bienvenidos a Psicología, Música e Historia.

El episodio sobre Mahler está llevando más tiempo del queimaginaba, así que, para no dejar el podcast abandonado hasta que lo termine voy a presentar otro artículo del Musical Quarterly. “Sobre el culto a las Notas equivocadas” de Frederick Corder.

Música utilizada

Prospero - Corder (The Orchestra of Opera North, David Lloyd-Joneshttps://open.spotify.com/intl-es/track/4MFXMLJWIO9G7kqac0P5le?si=5b70472b05884529Preludio de Así Habló Zaratustra - Strauss (Berliner Philharmoniker, Herbert von Karajan)https://open.spotify.com/intl-es/track/43YwOmGUOS3zzGvj1Feszb?si=9c8df90beecf4f0eIb. Allegretto un poco agitato de Sinfonía 2 - Mendelssohn (NDR Radiophilharmonie, Andrew Manze) https://open.spotify.com/intl-es/track/0jAiwsbd4u8GzKPVHiCsNb?si=ee4d1299db204777Japanese Suite, Op. 33, H. 126: II. Ceremonial Dance - Holst (Ulster Orchestra, JoAnn Falletta)https://open.spotify.com/intl-es/track/4p7WmQq40D4EMK2O1y2Vzm?si=4b2e7909a00e430cVers la Flamme - Scriabin (Vladimir Horowitz)https://open.spotify.com/intl-es/track/1KNDO0UjXWKuM6KjtBNnlW?si=5efc3b7994d84584Aimons-nous et dormons, CD 7 - Debussy (Jennifer France y Malcolm Martineau)https://open.spotify.com/intl-es/track/6kGZQwzPmJTofyrJx1SikU?si=0efd0638bb7145c12 Elegies, Op. 8b, Sz. 41 - Bartók (Samson François)https://open.spotify.com/intl-es/track/0ArZVWm5ad4X2e5XeJaMID?si=49663a2a97e943f8https://open.spotify.com/intl-es/track/3pJZOKtxUjRC7MnIJZBhp7?si=ae3919dcde854b6cHamlet, S104/R421 - Franz Liszt (New Zealand Symphony Orchestra, Michael Halasz)https://open.spotify.com/intl-es/track/2olFy2LNllskr2qDwlCCgJ?si=36f661ee339a4f7fNocturne et Scherzo, L. 39 - Debussy (Henrik Brendstrup y Per Salo)https://open.spotify.com/intl-es/track/6ZyYNCkZwpC3UJ0jjaueKV?si=9f1f4b7ac7bd4aca

This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

Sean todos bienvenidos a Psicología, Música e Historia. De la Francia del siglo XIII viajamos a las oficinas de The Musical Quarterly, en Oxford de principios del siglo XX para hablar del artículo “Some Aspects of Modern Music” de W. H. Hadow.

Música Utilizada

Fantasia on a Theme by Thomas Tallis – Ralph Vaughan Williams (Academy of Saint Martin in the Fields dirigida por Neville Marriner)

https://open.spotify.com/intl-es/track/04daeztQJg7lyDDAHJ70rT?si=5a6381a3cd5447d2

Prélude à l'après-midi d'un faune – Claude Debussy en versión de la Berliner Philharmoniker bajo la batuta de Claudio Abbado.

https://open.spotify.com/intl-es/track/4NXmcUMQauqEtDYDgP0MEi?si=ae552465e7004ac2

Pelléas et Mélisande – Claude Debussy Apertura del Agundo Acto e Interludios 3 y 4 en versión de Abbado con la Berliner Philharmoniker https://open.spotify.com/intl-es/track/0LGutDI2q2c9KbZchjgOMX?si=4b5e0505fe5b4bc7

Fragmento del concierto para violín no. 1 de Jean Sibelius versión de Maxim Vengerov con la Chicago Symphony Orchestra dirigidos por Daniel Barenboim

https://open.spotify.com/intl-es/track/3UaYgoJGnI4uJjsUywHliR?si=c5959e039f6b4824

Chamber Symphony No. 1 V. Etwas – Arnold Schönberg Boston Symphony Chamber Players https://open.spotify.com/intl-es/track/1ehyZZ0qihrFI7dOu2vZSV?si=ef44307354ac40c2

Fragmento de Risveglio di una città – Luigi Russolo https://open.spotify.com/intl-es/track/6GYB7YLxttW1VGp5kLSfLv?si=f412648953bc4989

Le Sacre du Printemps – Igor Stravinsky Augurios de Primavera en versión de la Orquesta de Cleveland bajo la batuta de Richard Chailly. https://open.spotify.com/intl-es/track/2IETPr99QczxMBjVz77YKE?si=6fdd8056ca2a4feb

Gurre-Lieder – Arnold Schönberg en versión de Pierre Boulez con la Berliner Philharmoniker Pt. 3 Gegrüst

https://open.spotify.com/intl-es/track/1fNxv0wQ3FjhJukIu0zDI2?si=7cc3591cb23b4f22

Pavane pour une infante défunte - Ravel (ver. Keith Hardy & Linn Henry)

https://open.spotify.com/intl-es/track/1Vyb58eKfloJzyXFLxtXcn?si=433f10da1a5d4d9a

This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.