Singer-songwriter Justin Hicks spent years recording and touring with acclaimed bassist Meshell Ndegeocello, experiencing her genre-agnostic approach to music first-hand. In his debut album, Man Of Style, he is just as hard to pin down stylistically as his long-time collaborator. Yet he manages to fuse a rich array of R&B, soul, rock, jazz, and folk music, dressing his songs in each genre effortlessly. The intricate vocal harmonies and avant-garde textures put Hicks’ stories in an other-worldly realm on the album. But his songwriting skills snap into focus when he performs with a piano and an autoharp live in-studio.

Hicks may follow in the footsteps of great storytellers like Marvin Gaye, Roberta Flack, and James Taylor, singing his poems with the utmost vulnerability. As a music producer though, he keeps an open mind. The word “style” is not a constraint but a guide to Hicks, as he draws inspiration from life itself. From creating a sonic body scan of his time living in New York to surviving a night of carbon monoxide poisoning, he reveals the multitude of layers in the makeup of his art in this episode of the Soundcheck Podcast. (- Sırma Munyar)

Setlist: 1. Wendy 2. Man of Style 3. Oh!

Composer, producer and multi-instrumentalist Emily Wells works in the space between art-pop and neoclassical chamber music using electronic and acoustic instruments: synths, strings, and hip-hop production in elegant layers to support her singular and dramatic vocals. For her 2019 album, This World Is Too _____ For You she expanded her sonic palate to include a string quintet and French horn for a collection of swirling and dramatic chamber-pop showpieces.

Together with the Grammy-nominated chamber orchestra the New York-based Metropolis Ensemble, and drummer Shayna Dunkleman (Xiu Xiu, Peptalk), she performs some of these songs, in-studio. (From the Archives, 2019.)

Set list: 1. Misconceptions On Forever 2. Stay Up 3. Hymn For The New World

The spiritual and spirited sounds of Qawwali music, the Sufi devotional style from Pakistan, go all the way back to the 13th century. And incredibly, the Saami family of Pakistan has kept that tradition going in an unbroken line for almost 800 years. The Saami Brothers belong to the best known Gharana (a system of connection or “house” in Hindustani music) of Qawwali, the Qawwal Bachon Ka Gharana of Delhi, and are the custodians of the traditions of Qawwali and Khayaal of Hazrat Ameer Khusrau and Ustad Taanrus Khan Sahab, (The Aga Khan Museum). The brothers are well-versed in several genres of classical music, such as dhrupad, khayal, tarana, thumria and dadra which they blend during their performances of qawwal and perform in Urdu, Sindhi, Punjabi, Arabic, Hindi, Birj Bhasha, Saraiki and Persian. The Saami Brothers talk about Khayal (a possible translation is “imagination”), which is among the oldest forms of Hindustani vocal improvisation, passed carefully from master to student, generation to generation, (Northwest Asian Weekly). 'Qawwali', Arabic for "utterance", refers to the devotional music of the Sufis, the mystics of the Islamic religion. The term includes both the medium and its performance (Real World). The Saami Brothers perform both Qawwali and Khayaal, in-studio.

Set list: 1. Sufi Dhikr in Raag Bhario'n: Allahu-Allahu 2. Qaul (Qawwali): Man Kunto Maula