Canada’s Ron Sexsmith is a songwriter whose fans include Elvis Costello, Elton John, Paul McCartney, and a few other folks who know a thing or two about that mysterious process. Sexsmith is now forty years into his career, with 18 albums, three of Canada’s Juno Awards, and a novel to show for it. His latest album is called Hangover Terrace, and it ranges from aching ballads to the tongue-in-cheek advice for living. Ron Sexsmith plays solo, in-studio.

Set list: 1. Cigarette and Cocktail 2. Rose Town 3. Gold In Them Hills

Distinctive songwriter Cass McCombs takes a broad view of the American experience – from the mundane to the mythic. His new songs from a wide-ranging double album - Interior Live Oak contain “specific detail amid strange painterly settings” (The Guardian) and remain hopeful despite the feeling of listening to someone who has lived the extreme aspects of modern life. Cass McCombs plays a stripped-down set, in-studio.

Set List: 1. Missionary Bell 2. Home At Last 3. Peace

Pianist and composer Omar Sosa draws on his own Afro-Cuban heritage, American jazz, and spiritual and meditative practices from around the world to create music that defies categorization. He’s traveled widely, especially in Africa, recording the sounds of the people, the animals, and the instruments of those places and sometimes incorporating them into his own works. Sosa, along with the Cuban-born, New York-based sax player Yosvany Terry, and drummer Julian Miltenberger, play new music, in-studio.

Set list: 1. Bola 2. My Three Notes (Mis Tres Notas) 3. Muevete en D

“Failed bull-rider turned seminal songwriter” (Red Light Management), native Texan Rodney Crowell is considered to be one of the chief architects of Americana music, and a songwriter admired by good songwriters. Crowell has had an eventful career in his half century of writing songs, making records and helping create the style that’s come to be known as alternative country. He’s worked with a who’s who of American music: Emmylou Harris at first, and then much later as well, but also Johnny Cash, Willie Nelson, Sheryl Crow – the list is too long to go into. Rodney Crowell is back with a new album called "Airline Highway" featuring many top-notch collaborations. He plays a solo set, in-studio.

Set list: 1. Rainy Days in California 2. The Twenty-One Song Salute (Owed to G.G. Shinn and Cléoma Falcon) 3. Taking Flight

From the 2025 New York Guitar Festival, listen to a live set by the adventurous guitarist/composer Mary Halvorson along with drummer/composer Tomas Fujiwara, playing their original works. This show was recorded at the First Unitarian Congregational Society in Brooklyn, as part of the New Sounds Live concert series, and was also a co-presentation of World Music Institute.

Set list: 1. Fujiwara: June 2. Fujiwara: Nudgestorms 3. Halvorson: Folded Secret 4. Frisell: Untitled

Norwegian pianist Tord Gustavsen and his trio, featuring new bassist Sigurd Hole and long-time collaborator, drummer Jarle Vespestad, combine together folk influences and church music for unhurried embraces of melody. Expressive and reflective, Gustavsen’s ‘Nordic blues’ slowly unfurls passages of delicate lyricism, with enough space for contemplation, and only the notes that are needed from all players in the trio.

On the 2018 release, The Other Side, the trio effortlessly injects old Norwegian lullabies and dance forms into original works, and develops haunting and riveting responses to both Scandinavian hymns and Bach Chorales. The Tord Gustavsen Trio joins us to play some of these compositions in-studio. (From the Archives, 2018) - Caryn Havlik

Set List: 1. The Tunnel 2. O Traurigkeit 3.Schlafes Bruder

Adrian Quesada is probably best known as one of the two co-founders of the psychedelic soul band Black Pumas, but the guitarist and producer has also been part of Grupo Fantasma, Brownout and Ocote Soul Sounds. Lately, he’s also been pursuing another musical project called Boleros Psicodélicos, an homage to the phenomenon of balada music that blossomed throughout Latin America between the late ‘60s and early ‘70s. Balada is “a refined collision of bossa nova smoothness, Beatlesque psychedelia and torrid boleropathos” which “used art-pop instrumentation (mostly strings and harpsichords)”, and “employed songs about heartbreak and longing as a means to transport the listener to an opulent, cinematic fantasy world”, (Bandcamp). Quesada has recently released the second volume of these modern takes on vintage Latin pop sounds, all featuring some of the leading voices in modern Latin alternative music. Quesada, his band, and guest artists -L.A. singer and producer Angélica Garcia, Grammy-winning Puerto Rican singer-songwriter iLe (Ileana Cabra), and violinist and vocalist Mireya Ramos (of the all-female Mariachi band Flor de Toloache) – all perform in-studio.

Set list: 1. Tus Tormentas with Mireya Ramos 2. No Juego with Angelica Garcia 3. Mentiras con Cariño with iLe