Épisodes

  • After the Biennial: What Actually Sticks

    After the Biennial: What Actually Sticks
    Dec 15 2025
    The final episode examines the Whitney Biennial's long-term cultural impact, distinguishing between immediate event-level reactions and deeper field-level influence that shapes artistic practice across decades. Griffin traces how certain works that seemed minor initially—like Matthew Barney's 1995 Cremaster Cycle installation or Omer Fast's 2006 video work—went on to influence entire generations of artists. The episode explores how the Biennial functions as cultural infrastructure and historical archive, creating conditions where significant work can enter broader circulation and influence subsequent practices. By examining the unpredictable nature of lasting impact and the difference between cultural noise and cultural memory, the episode positions the Biennial as an ongoing process that helps structure how we understand contemporary American art history.

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    1 min
  • Whitney Biennial_Trailer_

    Whitney Biennial_Trailer_
    Dec 15 2025
    The Whitney Biennial has always been more than an exhibition—it's a signal of where American art has been and where it's heading. In this three-episode limited series, AI host Griffin Rowe brings depth, clarity, and historical perspective to one of contemporary art's most debated institutions. Why does the Biennial generate such intense controversy? What is it actually measuring about American culture? And what influence persists long after the galleries empty? Through cinematic storytelling and incisive cultural analysis, Whitney Biennial explores how contemporary art reflects our deepest anxieties, questions, and possibilities. Listen wherever you get your podcasts, brought to you by Quiet Please.






















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    25 min
  • The Artists Aren't the Provocation — We Are

    The Artists Aren't the Provocation — We Are
    Dec 15 2025
    This episode investigates why the Whitney Biennial consistently generates intense controversy, reframing audience reactions as revelations about cultural expectations rather than artistic failures. Griffin examines the 2017 Dana Schutz "Open Casket" controversy as a focal point for understanding debates about representation, authorship, and permission in contemporary art. The episode explores how traditional notions of artistic freedom and aesthetic autonomy have been challenged by questions about power, identity, and accountability. Rather than dismissing these tensions, the episode suggests that the Biennial's most important function is making visible the anxieties and assumptions audiences bring to contemporary art, positioning controversy as evidence of meaningful cultural engagement rather than institutional failure.

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    23 min
  • What the Whitney Is Really Measuring

    What the Whitney Is Really Measuring
    Dec 15 2025
    The opening episode positions the Whitney Biennial as a cultural instrument designed to register the emotional, political, and artistic conditions of contemporary America. Griffin Rowe traces the exhibition's evolution from its 1932 origins as a straightforward survey through its transformation into a complex reflection of cultural anxiety and institutional power. The episode explores how the Biennial shifted from measuring aesthetic progress to capturing unresolved tensions, examining key moments like the controversial 1993 edition that centered identity politics. Rather than evaluating whether art is "good" or "bad," the episode reveals how the Biennial functions as a seismograph recording the tremors running through American culture, using discomfort and ambiguity as deliberate curatorial strategies.

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    20 min