Titres dans Histoire et critique

Es ist das Buch zum Sound der Babyboomer-Generation. Das Hörbuch funktioniert wie eine Unterhaltung mit Freunden, bei der man sich gemeinsam an die Jugendzeit erinnert, staunt, lacht und gelegentlich ins Nachdenken kommt. Warum waren bestimmte Platten, Sänger oder Bands wichtig für einen? Warum man sich an manche Dinge glasklar erinnern kann und an andere nicht?

It’s only thirty seconds of quiet inspiration, but no song in the world has transformed lives like “Amazing Grace.” The haunting message of just four simple lines sweeps away theologies and arguments and presents us with heaven’s one singular rescue mission: God’s grace that flows from Calvary. In these cheerful but poignant chapters, Dan and David Smith go line by line through John Newton’s classic gospel message. If grace could rescue him from his sordid, cynical hell of being captain of a slave ship, can it liberate men and women here in the 21st century? Yes, it can!

Renowned music journalist Simon Reynolds celebrates the futurist sound and spirit of such bands as Joy Division, Gang of Four, Talking Heads, and Devo, which resulted in endless innovations in music, lyrics, performance, and style. Reynolds explores these influences which continued into the early eighties with the video-savvy synth-pop of groups such as Human League, Depeche Mode, and Soft Cell—all of whom found success which coincided with the rise of the iconic Music Television, or better known as MTV.

Funk e empoderamento feminino no mesmo audiolivro? Como assim, se o funk só objetifica a mulher? É para romper com esse senso comum, que Tamiris Coutinho decidiu enfrentar os estigmas e preconceitos que envolvem o gênero musical no lançamento da editora Claraboia. Inspirada no hit do funk carioca Cai de boca, a autora analisa e demonstra como um dos movimentos culturais mais importantes do Brasil também é um potencializador da liberdade, da autonomia e do empoderamento da mulher.

The story goes that under the influence of blues and rock and roll, Britain suddenly started making spectacularly great music in the 1960s like some clever, quick-learning cultural satellite of America. But Britain’s mid-20th-century pop music explosion didn’t happen from a standing start. The reasons, both dazzling and multifaceted, appear to lie deeper than those legendary deliveries of blues records to Liverpool’s port and the legacy of music halls.

Since the late '70s, histories of rock music have either ignored or marginalized the progressive rock era. In part, this has occurred because rock music criticism has taken an almost completely sociological turn, with little or no interest in musical form itself. In Listening to the Future, Bill Martin argues that it is a musical and political mistake to ignore this period of tremendous creativity, a period that still finds resonance in rock music today.

The first biography of the thriving and influential rock scene in Chapel Hill, which gave the world artists like Ben Folds Five, Superchunk, and Squirrel Nut Zippers North Carolina has always produced extraordinary music of every description. But the indie-rock boom of the late 1980s and...

Rocking in the Free World explains how Americans came to believe they had learned the truth about rock 'n' roll, a truth shaped by the Cold War anxieties of the fifties, the countercultural revolutions (and counter-revolutions) of the sixties and seventies, and the end-of-history triumphalism of the eighties.

The Pixies in Boston. Nirvana in Seattle. The Red Hot Chili Peppers in Los Angeles. While these alt-rock bands are world-renowned today, at the dawn of the '90s they were still largely defined by local music scenes. Before the mediation of MTV, VH1, or Apple Music, fans connected directly to alt-rock groups through word of mouth or via small local radio stations.

In de westerse kunst- en cultuurgeschiedenis beslaat de Renaissance bovenal de periode tussen 1400 en 1600. De confrontatie met de denkbeelden uit de antieke wereld bracht een wedergeboorte van de kunsten teweeg en was een breekpunt met wat men lang beschouwde als de ‘donkere middeleeuwen’. Tegenwoordig zien we de voortekenen van een renaissance al vanaf de late 12e eeuw opdoemen, met de herontdekking van de klassieke oudheid en de opkomst van het humanisme.

In extensive interviews with scene pioneers and mainstays, including Chris Carrabba (Dashboard Confessional), Geoff Rickly (Thursday), Frank Iero (My Chemical Romance), Gabe Saporta (Midtown/Cobra Starship), and Max Bemis (Say Anything), veteran music journalist Michael Tedder has crafted a once-in-a-generation exploration of emo and The Scene that is as forthright as it is tenderly nostalgic, taking to task the elements of toxic masculinity and crass consumerism that bled out of the early 2000s cultural milieu and ultimately led to the implosion of emo's first home, MySpace.

The music of Yes indelibly shaped the original sound of progressive rock. But the true tale of this landmark band goes well beyond headline-making albums like Fragile and Close to the Edge. In this book, Kevin Mulryne tells the absorbing story of the final Yes album of the 1970s, Tormato, uncovering myriad fascinating twists and turns for the first time.

Hast auch du Angst vor der Dunkelheit? Dann sei beruhigt. Denn diese Folge bringt Licht ins Dunkel und eine Menge Fakten rund um “Iron Maiden”. Als Gast begrüßt Andy Brings den Schlagzeuger Johnny Dee (Britney Fox), der sich mit den Giganten des Rocks bereits die Bühne teilen durfte und die Band maßgeblich bei der “Somewhere in time”-Tour in Osteuropa und den USA unterstützt hat. Wolfgang Rott komplementiert die Runde. Seit dreiundzwanzig Jahren promotet er “Iron Maiden” in ganz Europa und verdankt der Presse seinen Spitznamen “Mister Heavy Metal”.

Rockin' in the Ivory Tower takes a close look at two smaller universities, Drew in New Jersey and Stony Brook on Long Island, to see how the culture of rock music played an integral role in student life in the late 1960s.

Алексей Марков — российский музыкант, экономист и писатель, сумевший продать свой бизнес и преумножить капитал на финансовых рынках. Автор нашумевших хулиганских книг "Хулиномика", "Жлобология" и "Криптвоюматика". Человек, который может позволить себе заниматься музыкой и ездить по миру с гастролями. От подвала до стадиона — История успеха музыкальной группы, фронтмэном которой является Алексей Марков. Группа отжигает по всему миру от Сантьяго до Владивостока, сверхтехнично исполняя легендарный альбом Metallica 1999 года – "S&M" с симфоническим оркестром.

В продолжении Хождения по звукам еще 33 истории о популярной музыке — по количеству оборотов, которые проделывает за минуту долгоиграющая пластинка. Это истории и о суперхитах, повлиявших на индустрию и изменивших ход современной культуры, и о недооцененных артистах, наконец-то занимающих на страницах этой книги заслуженное место по соседству с их более успешными коллегами. За альбомами, песнями, гитарными соло и электронными битами встают судьбы их авторов, в свою очередь, складывающиеся в пестрый и захватывающий портрет времени — шестидесяти лет культурной истории человечества.

"Leute fragen mich immer wieder, wo der Blues denn eigentlich begann, und alles, was ich sagen kann, ist, dass, als ich ein Junge war, wir immer auf den Feldern gesungen haben. Es war kein richtiges Singen, na ja, eher so Schreien, aber wir machten unsere Songs über Sachen, die uns damals tatsächlich passierten, und ich denke, das war die Zeit, als der Blues begann." (Son House 1965) Es ist heute unumstritten, dass der Blues einen gewaltigen Einfluss auf die Entwicklung der modernen Rock- und Popmusik genommen hat.

A las puertas del vigésimo quinto aniversario de la muerte de Frank Sinatra, se edita por primera vez en España, con una nueva introducción del autor, el sentido recuerdo que, a modo de semblanza, compuso Pete Hamill (confidente y compañero de correrías a quien Sinatra trató de convencer, sin suerte, para que escribiera sus memorias) cuando la noticia de la muerte de «La Voz» le sorprendió en la sala de embarque de un aeropuerto.

Es gibt keine Grenzen mehr: Das glaubt man jedenfalls am Beginn der Neunzigerjahre. Die Berliner Mauer fällt, die Welt rückt zusammen, und sie vernetzt sich. Die ersten Knoten des World Wide Web werden geknüpft, die ersten Suchmaschinen programmiert. In Berlin wird Techno zum Soundtrack der Wiedervereinigung, Neonfarben beherrschen das Bild, Piercings und Tätowierungen erobern den Mainstream, das Arschgeweih gerät zum stilistischen Symbol der Dekade. Aber unter der heiteren Oberfläche brechen alte Konflikte auf, Gespenster aus der Vergangenheit kehren zurück.

In the late 1970s and early to mid 1980s, San Francisco was a creative incubator, bringing forth all manner of new music acts. Ground zero for the scene was the Mabuhay Gardens, home to huge barrels of popcorn, once a week spaghetti nights, colorful emcee Dirk Dirksen, and punk/new wave bands from all over the Bay Area. Concert booker and renegade radio deejay Howie Klein joined with Aquarius Records owner (and fellow deejay) Chris Knab to launch a record label in support of that scene.