Résultats pour "John Daly" dans Théâtre

Rosmersholm is a play surrounding the deep and intense political and cultural change in Norway in the middle of the 1880s, a period during which the traditional ruling class were forced to relinquish their right to impose their ideals on the rest of society. We follow Johannes Rosmer, a pastor who has resigned from his position; Rebecca West, a woman who sees Rosmer's potential and believes she can help him to realize his dream of creating a world of "happy, noble people"; and Headmaster Kroll, Rosmer's former best friend.

Oedipus the King is the story of a man whose life is destroyed by his own good intentions. When a terrible secret from his past is brought to the light of day, the consequences are chilling - and ineluctable.

As the generating force of its plot, Twelfth Night uses a device which has since become a staple in comedy: gender confusion. Viola and her twin brother Sebastian, are shipwrecked on the coast of Illyria, a country ruled by the melancholy Duke Orsino. The twins are separated and Viola is led to believe that her brother has perished. She disguises herself as a male under the name of Cesario and makes her way to the ducal court, where Orsino employs her as a messenger, to communicate his love to the reclusive lady, Olivia—who is not willing to return his affection.

In As You Like It, a wicked Duke expels his virtuous brother, the lawful ruler, from his domains. The banished Duke takes refuge with his followers in the Forest of Arden, where they live as free a life as did Robin Hood and his merry men.

This play forms part of a tetralogy which focuses on one of Wedekind's obsessive themes: the destructive interplay between primal sexual urges and social convention. Each play revolves around a powerful young female character, who has the power to control and captivate men, but who in turn is destroyed by the exercise of that power. In this play, the dominant female is Fräulein Elfriede von Malchus, an idealistic crusader who visits a brothel operated by the cynical impresario Casti-Piani in order to rescue a young woman who has fallen into his clutches.

This play is a dramatization of Boccaccio’s story of Gillette of Narbonne. Only the comic parts were of Shakespeare’s invention; he added the characters of the pusillanimous Parolles, the lofty courtier Lafew, the Clown Lavatch, and the long suffering Countess. He gave new depth and vitality to the leading characters, who are mere outlines in Boccaccio’s tale.

The Swedish playwright August Strindberg was one of the founding fathers of naturalistic theater. A feature of many of his plays is the minute dissection of attitude and motivation by individuals within tightly bound groups. As in the present drama, such relentless inspection of behavior often has drastic consequences. Thekla, married to the needy Adolf, has a surprise encounter with her former husband, the lordly Gustav. Or is it really a surprise?

As with many of Ostrovsky's plays, the target of the author's satire is the merchant class and the inevitable corruption associated with mercantile endeavors. In Ostrovsky's bitterly realistic world, all personal encounters end in transactions, some humourous and some tragic.

A central theme of Ostrovsky's plays is the inevitable struggle between the demands of personal morality and and those dictated by social propriety. In this grim drama, the dramatist sketches a tragic incident arising from the conflict of two social classes: the petty tradesmen and the nobility. From the coarse environment of the first emerge honest, upright natures like Krasnov, the earnest shokeeper; from the superficial, dawdling culture of the second come weak-willed triflers like the ineffectual landowner, Babayev.

After many years living abroad with her longtime lover, Lady Catherine Champion-Cheney visits her former marital home, now occupied by her son, Arnold, and his wife, Elizabeth. Also present is her estranged husband, Clive, who lives in a cottage on the estate. Elizabeth has become dissatisfied with the life she leads with her wealthy husband, who is very occupied with his political career, and she encourages the advances of a dashing but impecunious suitor, Teddy Luton.

Despite its patina of humor, the work is a merciless exposé of the commercial middle class dishonesty, and the convenient immorality hiding behind social conventions, which are characteristic of a developing urban society. The most noble character, Serafima, is a compelling mixture of naïveté, whimsicality, sentimentality, and obstinate practicality - one of the finest character portraits in Russian drama.