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“He was born with a gift of laughter and a sense that the world was mad … “So begins this historical tale of romantic adventure. Andre-Louis Moreau is an orphan and cousin of the beloved Aline. He is raised by his godfather, the Lord of Gavrillac, and matures into an educated lawyer—while Aline sets her mind on marrying the rich but dishonorable Marquis de la Tour d’Azyr. But when Moreau’s closest friend is killed by the Marquis in a duel, Moreau vows vengeance. After publicly denouncing the aristocracy and stirring up the crowds, Moreau is forced to go into hiding.

Gertrude Stein held a unique position at the center of the modernist movement. She was a novelist, poet, playwright, and art collector. Born in America, she moved with her family to Paris where she ran a Paris salon frequented by many famous historical figures, such as Ernest Hemingway, Pablo Picasso, F. Scott Fitzgerald, Henri Matisse, Ezra Pound, Sherwood Anderson, and Sinclair Lewis.

Amongst the remnants of the ancient Saidican Empire lies Golias Hollow, an underground community of people who’ve taken refuge from the tainted surface. Completely cutoff from the outside world, the men and women of the Hollow follow the teachings of the prophet Dormiar, sacrificing a select few to the outside each year in a ceremony known as “The Choosing”.

Gertrude Stein's work flourished in a world which was finding bold new ways of expressing itself. Forms like Impressionism, cubism, expressionsism and other non-representational styles were developed that provoked and challenged the observer (as well as the established art world). What avant-garde artists did with paint and ink, Gertrude Stein did with words – dispensing with conventions of grammar and clarity, she gave free rein to word play and the musicality of sounds, without regard to their meaning or relationships.

Bailey Sheppard had loved Nick Heart for as long as she could remember. They had been best friends in school and graduated to a friends-with-benefits arrangement after she left for university. His once-a-month visits, when she would have him all to herself for the weekend, were the highlight of her life. And then he told her he was getting married. Bailey needed Nick in her life. She wanted to be the one he married and lived happily ever after with. So she hatched a plan to stop the wedding and steal the groom. And then she met Hunter.

This collection of short stories, by celebrated New Zealand writer Katherine Mansfield, was first published in 1920. Many of Mansfield’s short stories explore New Zealand landscapes and identity, and her work has been a shaping force in the short story genre.

Narissea and her dragon Yimma face an impossible choice. With a map unearthed from a hidden shrine, she is forced to lead Inyene’s heir, Abioye, across the treacherous Plains to claim the Stone Crown—an artifact of unimaginable power. Only the crown’s wearer can command all dragons and claim the High Throne, uniting the fractured kingdoms.

More than a month after Ari’s dramatic departure from Cliffhaven, he still remains adrift. During the long journey south back to Ethereal Tower, he thinks of nothing so much as what he could have done differently to save Kerys and Eva, the two women he loved most. The loss of them affects him like an unhealed wound, painful and prone to tearing open at the slightest touch. He’s left with empty questions, a dormant sword, and a fast dwindling lifespan. Oh, and Rin. Of course, Ari has never been the type to give up easily.

New problems bring new opportunities. After escaping the attack on Varna, Rav, Ari, and friends begin converting an ancient arena into a home defensible against the Weatherblight. For the first time in his life, Ari understands what it means to be a part of a real community. But establishing a new frontier town brings with it a new set of responsibilities. He’s needed as a leader, a cornerstone of the newly growing settlement. He’s needed as a man, to give comfort and intimacy to the women he loves. He’s needed as Lord Stoneblood.

After a harrowing escape from the Weatherblight, Ari, Kerys, and Eva find themselves on Deepwater Spire, an ancient structure surrounded by endless ocean. With no other options, they bide their time, slowly building up the essence they need to reactivate the teleportation wards that will allow them to travel freely. Their isolation takes on a life of its own, manifesting as much in their relationships with each other as their situation in the world.

To wrest her inheritance from her evil stepmother, Cindy must marry a respectable man before she turns 25. The upcoming royal ball is the perfect place to find one - with the help of a fairy godmother. Or at least, a drunken prostitute with some magical skills. At the ball, though, King Caspian sets his sights on her. It’s not like Cindy doesn’t know better - but surely no one’s more respectable than a king. So really, what does she have to lose? Everything, as it turns out. Because the king isn’t human at all, but a monster who’s hellbent on having Cindy in his bed again.

In the hours just before dawn, blasphemous curses echo throughout the stone manor. A knife clatters to the floor, and a feisty young widow is bound, blindfolded, and led to the marriage altar. The king couldn't possibly have sanctioned this farce of a marriage, could he? After all, she alone transformed a few mud huts and starving serfs into a flourishing town, never once hesitating to pay generous taxes to his royal kingdom.

This collection contains a mixture of stories about ghosts and contacts from spirits, some by celebrated authors, together with essays on psychical research. As Joseph French notes in the preface, even for the skeptic, tales of ghostly activity retain a distinct fascination. The widespread interest in psychic phenomena in the early twentieth century proved to be a significant stimulus to literary production.

The plague has been eradicated and the remaining nightmare monsters have fled Alveria—for now. With the Source of Fire now in their possession, Mari Asadottir and King Kai must remain vigilant during the royal ball held to honor their official bonding and graduation to Akademy initiates. For there are enemies all around.

Prince Kai Afkarr-Younger hides a dangerous secret—he’s been infected with the Nightmare Plague. Exhausted from battle and illness, he must force himself to stay awake, or risk spawning yet another monster attack on the already beleaguered city, an impossible undertaking without the strength of his tamer.

February 1933: When her aunt gifts her 200 pounds, 20-year-old Nancy Wake embarks on a world cruise. Afterward, she becomes a journalist and finds work in Paris. The city is glamorous, brimming with journalists, artists, and refugees. While travelling across Europe on assignments, she catches the eye of wealthy industrialist Henri Fiocca, and destiny intervenes. But as clouds of war swarm over Europe, German troops are on the march. Horrified when she witnesses Nazis whipping Jews on Vienna’s streets, Nancy vows to stop them if she ever has the chance.

As with many of Ostrovsky's plays, the target of the author's satire is the merchant class and the inevitable corruption associated with mercantile endeavors. In Ostrovsky's bitterly realistic world, all personal encounters end in transactions, some humourous and some tragic.

A central theme of Ostrovsky's plays is the inevitable struggle between the demands of personal morality and and those dictated by social propriety. In this grim drama, the dramatist sketches a tragic incident arising from the conflict of two social classes: the petty tradesmen and the nobility. From the coarse environment of the first emerge honest, upright natures like Krasnov, the earnest shokeeper; from the superficial, dawdling culture of the second come weak-willed triflers like the ineffectual landowner, Babayev.

In his short life, Australian poet Barcoft Boake completed 30 poems, the most famous of which is the pastoral lament, "Where the Dead Men Lie", which was first published in the The Bulletin in December, 1891. This collection was prepared and edited by critic and anthologist, A. G. Stephens, who also appended a detailed memoir of the poet.

This collection was published in 1901 and contains some of Lawson's best known stories. Most of the stories are set in the Australian bush, and feature many of Lawson's iconic characters, like squatters, swagmen, and struggling selector farmers. A persistent theme is the harshness of rural life and the inevitability of personal tragedy.