Résultats pour "emily woo zeller" dans Fiction littéraire

One afternoon at an outdoor market in India, a man’s shadow disappears - an occurrence science cannot explain. He is only the first. The phenomenon spreads like a plague, and while those afflicted gain a strange new power, it comes at a horrible price: the loss of all their memories. Ory and his wife, Max, have escaped the Forgetting so far by hiding in an abandoned hotel deep in the woods. Their new life feels almost normal, until one day, Max’s shadow disappears, too.

One morning, Deming Guo's mother, an undocumented Chinese immigrant named Polly, goes to her job at the nail salon and never comes home. No one can find any trace of her. With his mother gone, 11-year-old Deming is left with no one to care for him. He is eventually adopted by two white college professors who move him from the Bronx to a small town upstate. They rename him Daniel Wilkinson in their efforts to make him over into their version of an "all-American boy".

Joy Williams has been celebrated as a master of the short story for four decades, her renown passing from one generation to the next even in the shifting landscape of contemporary writing. And at long last the incredible scope of her singular achievement is put on display: 33 stories drawn from three much-lauded collections and another 13 appearing here for the first time in book form.

Lakshmi, called Lucky, is an unemployed millennial programmer. She likes to dance and have a drink or two, and she makes art on commission. Fifty bucks gets you high-resolution digital images of anything you want (orcs, mermaids, cos-playing couples in sexy boudoir scenes) and a nice frameable print. Lucky's husband, Krishna, is an editor for a greeting card company. Both are secretly gay.

Raised outside of Boston, Ivy’s immigrant grandmother relies on Ivy’s mild appearance for cover as she teaches her granddaughter how to pilfer items from yard sales and second-hand shops. Thieving allows Ivy to accumulate the trappings of a suburban teen - and, most importantly, to attract the attention of Gideon Speyer, the golden boy of a wealthy political family. But when Ivy’s mother discovers her trespasses, punishment is swift and Ivy is sent to China, and her dream instantly evaporates.

Breasts & Eggs paints a portrait of contemporary womanhood in Japan and recounts the intimate journeys of three women as they confront oppressive mores and their own uncertainties on the road to finding peace and futures they can truly call their own. It tells the story of three women: the 30-year-old Natsu, her older sister, Makiko, and Makiko’s daughter, Midoriko. Makiko has traveled to Tokyo in search of an affordable breast enhancement procedure. She is accompanied by Midoriko, who has recently grown silent.

Inara Erickson is exploring her deceased aunt's island estate when she finds an elaborately stitched piece of fabric hidden in the house. As she peels back layer upon layer of the secrets it holds, Inara's life becomes interwoven with that of Mei Lein, a young Chinese girl mysteriously driven from her home a century before. Through the stories Mei Lein tells in silk, Inara uncovers a tragic truth that will shake her family to its core - and force her to make an impossible choice.

Ev has a mysterious ability, one that she feels is more a curse than a gift. She can feel the emotions people leave behind on objects and believes that most of them need to be handled extremely carefully, and - if at all possible - destroyed. The harmless ones she sells at Vancouver’s Chinatown Night Market to scrape together a living, but even that fills her with trepidation. Meanwhile, in another part of town, Harriet hoards thousands of these treasures and is starting to make her neighbors sick as the overabundance of heightened emotions start seeping through her apartment walls.

Marina Keegan's star was on the rise when she graduated magna cum laude from Yale in May 2012. She had a play that was to be produced at the New York International Fringe Festival and a job waiting for her at the New Yorker. Tragically, five days after graduation, Marina died in a car crash. Even though she was just 22 when she died, Marina left behind a rich, expansive trove of prose that, like her title essay, captures the hope, uncertainty, and possibility of her generation.

Lucy Takeda is just 14 years old, living in Los Angeles, when the bombs rain down on Pearl Harbor. Within weeks, she and her mother, Miyako, are ripped from their home, rounded up - along with thousands of other innocent Japanese Americans - and taken to the Manzanar prison camp. Corruption and abuse creep into every corner of Manzanar, eventually ensnaring beautiful, vulnerable Miyako. Ruined and unwilling to surrender her daughter to the same fate, Miyako soon breaks. Her final act of desperation will stay with Lucy forever... and spur her to sins of her own.

Nainai has lived in Shanghai for many years, and the time has come to find a wife for her adopted grandson. But when the bride she has chosen arrives from the countryside, it soon becomes clear that the orphaned girl has ideas of her own. Her name is Fu Ping, and the more she explores the residential lanes and courtyards behind Shanghai’s busy shopping streets, the less she wants to return to the country as a dutiful wife. As Fu Ping wavers over her future, she learns the city through the stories of the nannies, handymen, and garbage collectors of postwar Shanghai....

As her sophomore year begins, Karen enters into the back-to-school revelry - particularly at a fraternity called GBC. When she wakes up one morning on the lawn of Raghurst, a house of radical feminists, she gets a crash course in the state of feminist activism on campus. GBC is notorious, she learns, nicknamed "Gang Bang Central" and a prominent contributor to a list of date rapists compiled by female students. Despite continuing to party there and dating one of the brothers, Karen is equally seduced by the intellectual stimulation and indomitable spirit of the Raghurst women.

Irreverently juggling magical realism, film noir, hip hop, and chicanismo, Tropic of Orange takes place in a Los Angeles where the homeless, gangsters, infant organ entrepreneurs, and Hollywood collide on a stretch of the Harbor Freeway. Hemmed in by wildfires, it's a symphony conducted from an overpass, grandiose, comic, and as diverse as the city itself - from an author who has received the California Book Award and the Association for Asian American Studies Book Award, among other literary honors.

Korea's brightest literary star sets this complex and nuanced coming-of-age story against the backdrop of Korea's industrial sweatshops of the 1970s and takes on the extreme exploitation, oppression, and urbanization that helped catapult Korea's economy out of the ashes of war. But it was girls like Shin's heroine who formed the bottom of Seoul's rapidly changing social hierarchy, forgotten and ignored.

Nick Antosca's The Girlfriend Game is a tumble through the looking glass into a vortex of violence and desire. The 12 stories in the newest collection by the Shirley Jackson Award-winning author are brutal, urgent and unforgettable. In "Predator Bait", a decoy in a sex-sting news show questions her job and the man who shares her bed. An undependable son watches his mother become a creature he hardly recognizes in "Amphibian". A young man plots the death of his girlfriend's killer in "Winter Was Hard".

On the lam for an act of violence against the American government, 25-year-old Jenny Shimada agrees to care for three younger fugitives whom a shadowy figure from her former radical life has spirited out of California. One of them, the kidnapped granddaughter of a wealthy newspaper magnate in San Francisco, has become a national celebrity for embracing her captors' ideology and joining their revolutionary cell.

For 12-year-old Ernest Young, a charity student at a boarding school, the chance to go to the World's Fair feels like a gift. But only once he's there, amid the exotic exhibits, fireworks, and Ferris wheels, does he discover that he is the one who is actually the prize. The half-Chinese orphan is astounded to learn he will be raffled off - a healthy boy "to a good home". The winning ticket belongs to the flamboyant madam of a high-class brothel, famous for educating her girls.

Ruth and Nat are orphans packed into a house full of abandoned children run by a religious fanatic. To entertain their siblings, they channel the dead. Decades later Ruth's niece, Cora, finds herself accidentally pregnant. After years of absence, Aunt Ruth appears, mute and full of intention. She is on a mysterious mission, leading Cora on an odyssey across the entire state of New York on foot. Where is Ruth taking them? Where has she been?

At 19, Berie encounters a seductive and mysterious man at a bus station near her home in North Carolina. Shut off from the people around her, she finds herself compelled by his promise of a new life. He ferries her into a place of order and chaos: the Ash family farm. There, she joins an intentional community living off the fertile land of the mountains, bound together by high ideals and through relationships she can’t untangle. Berie - now renamed Harmony - renounces her old life and settles into her new one on the farm. She begins to make friends. And then they start to disappear.

Rural China, 1942. Twenty-two-year-old Eugenia Baker exists in a bubble as yet untouched by WWII. Content to help her father with his missionary work, Genie sees her future as a straight, if narrow, road - until an American pilot arrives, warning them of the approaching Japanese army. Lieutenant Ted Younan is one of the Flying Tigers, volunteer fighters protecting China from aerial attacks. After rescuing Ted from his downed plane, Genie’s father asks the flyboy to get his daughter across the mountains so she can escape to the United States.