Résultats Éditeur "Random House Audio" dans LGBTQ2S+

At twenty-nine, Valeria Sullivan is a celebrated, award-winning actress. But when her attempt to transition to directing is complicated by a bad interview on a late night show, Val decides she's had enough of Hollywood. Intent on pursuing her other passion, she pours herself into a guest professorship at USC, hoping to transition to academia fulltime. Standing in her way is her co-professor, Maeve Arko, whose brilliance and beauty is matched only by her contempt for Val. As Val rises to the challenges that teaching throws at her, though, Maeve starts to soften, and soon sparks are flying.

While god is sending her signs through Instagram and Spotify demanding she break up with her girlfriend, Norma meets with a new therapist for one reason: she really needs to write again. With only one chapter missing in her manuscript, Norma is desperate to know if she needs to leave her girlfriend in order to write The Last Story. The new therapist diagnoses Norma with Depersonalization/Derealization Disorder, but Norma isn’t having it. It’s just Oblivion.

Ein queerer Urban Fantasy Roman. Vampire sind Monster. Dessen wird sich der 2000 Jahre alte Boris erneut bewusst, als er für die Ausbildung zum Kriminalbeamten gezwungen wird, wieder frisches Blut zu trinken. Ambrosia hat ihn für viele Jahrzehnte menschlich gemacht, ihm ermöglicht zu atmen – aber Menschlichkeit hilft ihm im Kampf gegen Untote, Werwesen und Dämonen nicht weiter. Es ist vor allem seine eigene Art, gegen die es zu kämpfen gilt. Ein Vampirclan verbreitet Angst und Terror in der Stadt.

Die 16jährige Franziska lebt in ihrem kleinen Provinzstädtchen recht zufrieden vor sich hin. Sie kommt in der Schule gut mit, versteht sich gut mit den Eltern und ist beliebt. Nur dass ihre beste Freundin Mercedes sich in den sieben Jahre älteren Ralf verknallt, das liegt ihr ein bisschen im Magen. Immerhin war sie selbst noch im letzten Jahr in Mercedes verliebt. Aber mit Beginn des elften Schuljahres hat Franziska plötzlich noch ganz andere "Sorgen"...

When Rickey Laurentiis debuted in 2015 with Boy With Thorn, the poetry world heralded the arrival of an astonishing new lyric talent. “Call Rickey Laurentiis’ stylistic range virtuosity or call it correctly, necessity,” Terrance Hayes wrote. In the past decade, as Laurentiis has transitioned, her ideas of the lyric and poetry have transformed, as has the America in which she lived. This staggering, irreverent, gentle and erotic book is a record of that ten-year journey. It draws on, expands, and then fractures the many poetic traditions which informed Laurentiis’ poetics.

In the thick of winter 2020, when so many books were buried beneath the catastrophe of the COVID-19 news cycle, one unlikely debut seemed to cut through the noise. Jamie Hood’s How to Be a Good Girl was an inventive and hybrid work of self-making, mingling diary entries, poetry, literary criticism, and love letters to interrogate the archetype of the “good girl,” and the ideas of femininity, passivity, desire, and trauma that come with it.

In m. mick powell’s polyphonic, haunting debut, a chorus of voices conjures up intimate pop herstories to map how the poet’s queer Black girlhood was molded by their memory. With tender reverence, powell meditates on the deaths of her own beloveds while reflecting on the many stages of an icon’s life: How did these women challenge conventional representations of Black femininity and transform the musical landscape? How did they navigate abuse and alienation in the limelight? How do the mythologies that survive them establish afterlives of queer femme possibility?

With searing intelligence and great sensitivity, the poems of Kelly Caldwell—many addressed to Cass Donish, her partner in the years before her suicide at thirty-one, swim through a complex matrix of transformations: mental illness, divorce, gender transition, and self-discovery. But they wrestle, too, with the poet’s painful relationships with her family of Christian missionaries, who refused to affirm her identity.

In Your Dazzling Death, Cass Donish courageously summons the poems to witness their own state of “obliteration,” widowed by suicide and isolated as a global pandemic is unfolding. Elegizing their partner, the poet Kelly Caldwell, they insist that the intimate, ongoing conversation with a beloved mysteriously continues after loss.

Alex Dimitrov embraces a life on the edge in New York and the finely wrought poetry that can come out of it as he explores sex, drugs, parties, pleasure, and God in the 2020s, and looks back to a coming-of-age in the 1990s that still informs who his generation is and will be. His unabashed and drivingly musical poems are a call against repression, a rebuke of cultural norms and shame, and a celebration of human authenticity—even if to live under such philosophies is dangerous.

It's 1975 in Austin, and the Rush Creek Saloon, five miles west of town, is a bar without a crowd. But when a strange new house band takes the stage, the hippies roll in and the good ole boys find their way back. Told in a trio of voices—a guitarist chasing what may be his last shot at success; a bar owner trying to see a future in her lifeless marriage; and a young kid from East Texas desperate for kinship, or at least something to take the damn edge off—Walk Softly on This Heart of Mine delivers a riotous love song to an enigmatic city.