Résultats Éditeur "Blackstone Publishing" dans LGBTQ2S+

Returning to Guthrie, Oklahoma, for the funeral of his mysterious and beloved aunt, Sue, Adam Binder once again finds himself in the path of deadly magic when a dark druid begins to prey on members of Adam’s family. It all seems linked to the death of Adam’s father many years ago - a man who may have somehow survived as a warlock. Watched by the police, separated from the man who may be the love of his life, compelled to seek the truth about his connection to the druid, Adam learns more about his family and its troubled history than he ever bargained for.

Brought to her uncle’s decaying Oxfordshire estate when she was a child, Grace has grown up on the periphery of a once-great household, an outsider in her own home. Now a self-possessed and secretive young woman, she has developed unusual predilections: for painting, particularly forgery; for deception; for other girls.

Before she was a trauma cleaner, Sandra Pankhurst was many things: husband and father, drag queen, gender reassignment patient, sex worker, small businesswoman, trophy wife... but as a little boy, raised in violence and excluded from the family home, she just wanted to belong. Now she believes her clients deserve no less. A man who bled quietly to death in his living room. Sarah Krasnostein has watched the extraordinary Sandra Pankhurst bring order and care to these, the living and the dead - and the book she has written is equally extraordinary.

The Royal We is a poetic survey of a time set in a magical city that once was and is no more. It is a memoir written by Roddy Bottum, a musician and artist, that documents through prose his coming of age and out of the closet in 1980s San Francisco, a charged era of bicycle messengers, punk rock, street witches, wheatgrass, and rebellion. The book follows his travels from Los Angeles, growing up gay with no role models, to San Francisco, where he formed Faith No More and went on to tour the world relentlessly, surviving heroin addiction and the plight of AIDS, to become a queer icon.

A new king is on the throne and the rebellion lies in ruins. Keera spends her days drinking and her nights avoiding the strange dreams that have haunted her since she returned from the capital. Keera’s family in Myrelinth won’t let her go without a fight. With new intelligence about the magical seals left behind by Keera’s ancient kin, the Light Fae, she rallies to face her demons and unleash the formidable powers she inherited from her people. But a shocking truth is hiding in plain sight, one with the power to unravel the entire rebellion.

Adam Binder has lost what matters most to him. Having finally learned the true identity of the warlock preying on his family, what was supposed to be a final confrontation with the fiend instead became a trap that sent Adam’s beloved Vicente into the realm of the dead, where none living are meant to be. Bound by debt, oath, and love, Adam blazes his own trail into the underworld to get Vicente back, and to end the threat of the warlock once and for all. But the road to hell is paved with far more than good intentions.

Keera is a killer. As the King’s Blade, she is the most talented spy in the kingdom. And the king’s favored assassin. When a mysterious figure moves against the Crown, Keera is called upon to hunt down the so-called Shadow. She tracks her target into the magical lands of the Fae, but Faeland is not what it seems—and neither is the Shadow. Keera is shocked by what she learns and can’t help but wonder who her enemy truly is: the King that destroyed her people or the Shadow that threatens the peace.

To the kingdom, Keera is the king’s Blade, his most feared and trusted spy and assassin. But in the shadows, she works with Prince Killian and his Shadow—the dark, brooding Fae, Riven, who sets her blood on fire. Together, they plot to kill a tyrant king. In Myrelinth, the lush, secret city of trees, Fae, Elves, and Halflings like Keera live in harmony. But Keera cannot escape her past: her crimes against her own people have followed her all the way to the Faeland. There is a traitor in their midst, and Keera is the top suspect.

From one of Britain's most celebrated writers of color, Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of black British women. Winner of the 2019 Booker Prize and short-listed for the Gordon Burn Prize, Girl, Woman, Other paints a vivid portrait of the state of post-Brexit Britain, as well as looking back to the legacy of Britain's colonial history in Africa and the Caribbean.

Running from strife in her homeland, Maribella Waters becomes the new owner of the fabled Cozy Quill. After finding squatters on her property, she employs Asteria Helsdottir, a giant, barbarian warrior woman more accustomed to swinging an axe than opening a book. Together, the odd couple must make a success out of the bookshop—and survive a dizzying procession of seasonal festivals. But the local evil noblewoman has other plans in mind.

Keera has tried to keep her final promise to Brenna, the partner she was forced to kill to save a kingdom—but that promise has led to the most difficult struggles of her life. She’s been at war with her worst self while battling King Damien for the freedom of the Halflings, and she’s lost too many along the way. But when she finally breaks the last seal, unleashing the Fae magic that’s been hidden away for hundreds of years, the conflict seems to be turning in the Halflings’ favor.

Angela Davis has been a political activist at the cutting edge of the Black Liberation, feminist, queer, and prison-abolitionist movements for more than 50 years. Angela Davis: An Autobiography, first published and edited by Toni Morrison in 1974, is a powerful and commanding account of her early years in these struggles. Read by Angela Davis herself, this autobiography, told with warmth, brilliance, humor, and conviction, is a classic account of a life in struggle, with echoes in our own time.

How to Write an Autobiographical Novel is the author's manifesto on the entangling of life, literature, and politics, and how the lessons learned from a life spent reading and writing fiction have changed him. In these essays, he grows from student to teacher, reader to writer, and reckons with his identities as a son, a gay man, a Korean American, an artist, an activist, a lover, and a friend. He examines some of the most formative experiences of his life and the nation's history.

Part manifesto, part memoir, This Wound Is a World is an invitation to “cut a hole in the sky / to world inside”. Belcourt issues a call to turn to love and sex to understand how Indigenous peoples shoulder their sadness and pain without giving up on the future. His poems upset genre and play with form, scavenging for a decolonial kind of heaven where “everyone is at least a little gay”.

Find the second star from the right, and fly straight on ’til morning, all the way to Neverland, a children’s paradise with no rules, no adults, only endless adventure and enchanted forests—all led by the charismatic boy who will never grow old. But Wendy Darling grew up. She has a husband and a young daughter called Jane, and a life in London. But one night, after all these years, Peter Pan returns. Wendy finds him outside her daughter’s window, looking to claim a new mother for his Lost Boys. But instead of Wendy, he takes Jane.

Horror movies hold a complicated space in the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. It Came from the Closet features twenty-five original essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on Jennifer’s Body, Jude Ellison S. Doyle on In My Skin, Addie Tsai on Dead Ringers, and many more, these conversations convey the rich reciprocity between queerness and horror.

The subsequent investigation, Love in Exile, boldly reframes love’s elusiveness as a collective question. Conversationally frank and intellectually ambitious, these eight voice-driven essays unpack the norms governing love in our time with the insight of a shrewd outsider. Here, Faye examines her breakups with cis men alongside lessons from Lana Del Rey and Alain de Botton, explores the lovelessness that fueled her time as an addict, tackles the relationship between feminine self-worth and motherhood, and finally attempts to discover genuine self-acceptance.

Thanks to her blog, Adventures from the Bedrooms of African Women, Nana Darkoa Sekyiamah has spent decades talking openly and intimately to African women around the world about sex. For this book, she spoke to more than 30 African women across the globe while chronicling her own journey toward sexual freedom.

When Phoebe, goddess of the moon, is killed by the knights of the sun god, Hyperion, all who follow her are branded heretics. With Phoebe gone, the souls of the dead are no longer ferried to the underworld, and instead linger on as shades who feast on the blood of the living. Raef is a child of the night. He lives in the shadows, on scraps, eking out a meager existence as a thief. But when an ornate box is sequestered in the Temple of Hyperion, the chance of a big score proves too great to resist. What he finds within propels him on an odyssey across the sea and back again.

Two young women attending college decide to have a summer adventure canoeing the rapids-strewn Thelon River that runs 450 miles through the uninhabited Barren Lands of subarctic Canada. Holly made the trip once before with a group of skilled paddlers she trained with at camp, and she wants to share that experience with her friend and lover, Lee, believing it will draw them closer. But a week in, Holly, the risk-taker, falls while taking a selfie near the edge of a cliff. She is left injured and comatose, and soon dies.