Résultats Éditeur "Penguin Audio" dans Littérature et fiction

Patrick O’Hara is back. It’s been five years since his summer as his niece Maisie and nephew Grant’s caretaker after their mother’s passing. The kids are back in Connecticut with their dad, and Patrick has relocated to New York to remain close by and relaunch his dormant acting career. After the run of his second successful sit-com comes to a close, Patrick feels on top of the world . . . professionally. But some things have had to take a back seat. Looking down both barrels at fifty, Patrick is single again after breaking things off with Emory.

One late summer evening in the post-industrial town of East Gladness, Connecticut, nineteen-year-old Hai stands on the edge of a bridge in pelting rain, ready to jump, when he hears someone shout across the river. The voice belongs to Grazina, an elderly widow succumbing to dementia, who convinces him to take another path. Bereft and out of options, he quickly becomes her caretaker. Over the course of the year, the unlikely pair develops a life-altering bond, one built on empathy, spiritual reckoning, and heartbreak.

Hollywood powerhouse Jo is photographed making her assistant Emma laugh on the red carpet, and just like that, the tabloids declare them a couple. The so-called scandal couldn't come at a worse time - threatening Emma's promotion and Jo's new movie. As the gossip spreads, it starts to affect all areas of their lives. Paparazzi are following them outside the office, coworkers are treating them differently, and a "source" is feeding information to the media. But their only comment is “no comment”.

Patrick, or Gay Uncle Patrick (GUP, for short), has always loved his niece, Maisie, and nephew, Grant. That is, he loves spending time with them when they come out to Palm Springs for weeklong visits, or when he heads home to Connecticut for the holidays. But in terms of caretaking and relating to two children, no matter how adorable, Patrick is, honestly, overwhelmed. So when tragedy strikes and Maisie and Grant lose their mother and Patrick's brother has a health crisis of his own, Patrick finds himself suddenly taking on the role of primary guardian.

Marion Shaw has been raised in the slums, where want and deprivation are all she knows. Despite longing to leave the city and its miseries, she has no real hope of escape until the day she spots a peculiar listing in the newspaper seeking a bloodmaid. Though she knows little about the far north—where wealthy nobles live in luxury and drink the blood of those in their service—Marion applies to the position. In a matter of days, she finds herself the newest bloodmaid at the notorious House of Hunger. There, Marion is swept into a world of dark debauchery.

Poet Ocean Vuong’s debut novel is a shattering portrait of a family, a first love, and the redemptive power of storytelling. On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late 20s, the letter unearths a family’s history that began before he was born - a history whose epicenter is rooted in Vietnam - and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation.

Honest, poignant, and relatable, Climate is a journey in embracing change both internally and externally. It guides us through all the weather we may face, from the stormy heartbreak to the foggy mental space to the sunny other side. Climate reminds us to embrace it all. The only constant in life is change, and that is a beautiful thing.

The narrator of Middle Spoon appears to be living the dream: He has a doting husband, two precocious children, all the comforts of a quiet bourgeois life—and a sexy younger boyfriend to accompany him to farmers markets and cocktail parties. But when his boyfriend abruptly dumps him, he spirals into heartbreak for the first time and must confront a world still struggling to understand polyamorous relationships. Faced with the judgment of friends and the sting of rejection, he’s left to wonder if sharing a life with both his family and his lover could ever truly be possible.

From Tiktok phenomenon Whitney Hanson comes a revised edition of her bestselling Home, now with a new introduction and more than a dozen new poems. Resonant, raw, and vibrant, Home is a lyrical map to navigating heartbreak. Tracing the stages of healing—from the despair that comes with the end of a relationship to the eventual light and liberation that comes with time—the poems in Home provide comfort and solace, while revitalizing your soul—and helping you make peace with your bees.

London, 1918. Billy Prior is working for Intelligence in the Ministry of Munitions. But his private encounters with women and men - pacifists, objectors, homosexuals - conflict with his duties as a soldier, and it is not long before his sense of himself fragments and breaks down. Forced to consult the man who helped him before - army psychiatrist William Rivers - Prior must confront his inability to be the dutiful soldier his superiors wish him to be.

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of personal and social loss, embodying the paradox of sitting in grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We’re Briefly Gorgeous, Vuong contends with the meaning of family and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, these poems circle fragmented lives to find both restoration as well as the epicenter of the break.

Savannah "Sav" Henry is almost the person she wants to be, or at least she's getting closer. It’s the second semester of her sophomore year. She’s finally come out as bisexual, is making friends with the other queers in her dorm, and has just about recovered from her disastrous first queer “situationship.” She is cautiously optimistic that her life is about to begin.

Almost everything about Wallace is at odds with the Midwestern university town where he is working uneasily toward a biochem degree. An introverted young man from Alabama, black and queer, he has left behind his family without escaping the long shadows of his childhood. For reasons of self-preservation, Wallace has enforced a wary distance even within his own circle of friends—some dating each other, some dating women, some feigning straightness.

It is in 1950s Brighton that Marion first catches sight of Tom. He teaches her to swim, gently guiding her through the water in the shadow of the city's famous pier, and Marion is smitten - determined her love alone will be enough for them both. A few years later, near the Brighton Museum, Patrick meets Tom. Patrick is besotted, and opens Tom's eyes to a glamorous, sophisticated new world of art, travel, and beauty. The two lovers must share him, until one of them breaks and three lives are destroyed.

It’s been a minute—or five years—since Jordan Vargas last saw his college friends, and twenty-eight years since their graduation from Berkeley when their adult lives officially began. Now Jordan, Jordy, Naomi, Craig, and Marielle find themselves at the brink of a new decade, with all the responsibilities of adulthood, yet no closer to having their lives figured out. Though not for a lack of trying. Over the years they’ve reunited in Big Sur to honor a decades-old pact to throw each other living “funerals,” celebrations to remind themselves that life is worth living.

A Language of Limbs is a breathtaking spin on a will-they-won’t-they love story; it is a tender epic that explores the weight of a choice, the love of community, and how joy is found in even the darkest corners.

From spoken word poet Jasmine Mans comes an unforgettable poetry collection about race, feminism, and queer identity. With echoes of Gwendolyn Brooks and Sonia Sanchez, Mans writes to call herself - and us - home. Each poem explores what it means to be a daughter of Newark, and America - and the painful, joyous path to adulthood as a young, queer Black woman. Black Girl, Call Home is a love letter to the wandering Black girl and a vital companion to any woman on a journey to find truth, belonging, and healing.

What makes a family? How is it defined and by whom? Is freedom for everyone? In Necessary Fiction, Eloghosa Osunde poses these provocative questions and many more while exploring the paths and dreams, hopes and fears of more than two dozen characters who are staking out lives for themselves in contemporary Nigeria.

Isaiah was Samuel's and Samuel was Isaiah's. That was the way it was since the beginning, and the way it was to be until the end. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. But when an older man - a fellow slave - seeks to gain favor by preaching the master's gospel on the plantation, the enslaved begin to turn on their own.

Cherry Hendricks might be down on her luck, but she can write the book on what makes something funny: she’s a professional clown who creates raucous, zany fun at gigs all over Orlando. Between her clowning and her shifts at an aquarium store for extra cash, she’s always hustling. Not to mention balancing her judgmental mother, her messy love life, and her equally messy community of fellow performers. Things start looking up when Cherry meets Margot the Magnificent—a much older lesbian magician—who seems to have worked out the lines between art, business, and life.