Résultats Éditeur "Macmillan Audio" dans Poésie

Since it was first published more than 25 years ago, Robert Fitzgerald's prizewinning translation of Homer's battle epic has become a classic in its own right: a standard against which all other versions of The Iliad are compared. Fitzgerald's work is accessible, ironic, faithful, written in a swift vernacular blank verse that "makes Homer live as never before" ( Library Journal).

A man seeks to prove himself as a hero. A monster seeks silence in his territory. A warrior seeks to avenge her murdered son. A dragon ends it all. The familiar elements of the epic poem are seen with a novelist’s eye toward gender, genre, and history - Beowulf has always been a tale of entitlement and encroachment, powerful men seeking to become more powerful, and one woman seeking justice for her child, but this version brings new context to an old story.

Robert Fitzgerald's translation of The Odyssey has been the standard translation for more than three generations of students and poets. Macmillan Audio is delighted to publish the first ever audio edition of this classic work, the greatest of all epic poems. Fitzgerald's supple verse is ideally suited for audio, recounting the story of Odysseus' long journey back to his wife and home after the Trojan War. Homer's tale of love, adventure, food and drink, sensual pleasure, and mortal danger reaches the English-language listener in all its glory.

The Truth About Magic builds on the pains and joys of romance explored in Love Her Wild and the New York Times best seller, The Dark Between Stars - heartbreaks and falling in love, looking back and looking inwards - by taking a fresh, awakened journey outward. An adventure into the great unknown. It’s about finding ourselves, our purpose, and the simple joys of life.

Beautiful and brutally honest, Mary Lambert's poetry is a beacon to anyone who's ever been knocked down - and picked themselves up again. In verse that deals with sexual assault, mental illness, and body acceptance, Ms. Lambert emerges as an important new voice in poetry, providing strength and resilience even in the darkest of times.

Carl Phillips has aptly described his work as an “ongoing quest”; Then the War is the next step in that meaningful process of self-discovery for both the poet and his listener. The new poems, written in a time of rising racial conflict in the United States, with its attendant violence and uncertainty, find Phillips entering deeper into the landscape he has made his own: a forest of intimacy, queerness, and moral inquiry, where the farther we go, the more difficult it is to remember why or where we started.

At long last, a book of poetry for people who didn’t even know they liked poetry. And they’re in good company: author Lyndsay Rush didn’t know she liked it either. That is, until she embarked on an internet experiment under the Instagram username @MaryOliversDrunkCousin that turned into a body of work that struck a chord with women across the country; thanks to her signature wordplay, witticisms, and—against all odds—wisdom.

Gathered together, the poems of Frank Bidart perform one of the most remarkable transmutations of the body into language in contemporary literature. His audio represent the human voice in all its extreme registers, whether it’s that of the child-murderer Herbert White, the obsessive anorexic Ellen West, the tormented genius Vaslav Nijinsky, or the poet’s own. And in that embodiment is a transgressive empathy, one that recognizes our wild appetites, the monsters, the misfits, the misunderstood among us and inside us.

Swimming Lessons explores the euphoric beginnings of young love, battling anxiety and depression in the face of fame, and the inevitable heartbreak that stems from passion. Relatable yet deeply intimate, provocative yet comforting, bite-sized yet profound, Lili's poems reflect her trademark honesty and unique perspective. Swimming Lessons reveals the depths of female experience, and is the work of a storyteller who is coming into her own.

Poignant and beautifully written, TikTok fan favorite Sophie Diener’s debut poetry collection takes listeners on an introspective journey through first love, first heartbreak, first loss, identity, and self-worth. Filled with honesty and warmth, each poem reveals something new about the human condition, and brilliantly captures what growing up feels like, in a way that is both relatable and affirming.

A groundbreaking collection of poems addressing how every kind of love—self, brotherly, romantic, familial, cultural—is birthed, shaped, and complicated by the invisible forces of gender, capitalism, religion, migration, and so on.

In her stunning debut, written in protest to an absence of representation, Marsh recalls her early life and the attendant torments of a butch Black woman coming of age in America. In lush, powerful, and vulnerable verses, dayliGht unpacks traumas to unearth truths, revealing a deep well of resilience, a cutting sense of irony, and an astonishing fresh talent.

Beginning with his first book, Shouting at No One, from 1983, and continuing through to So Where Are We?, from 2017, A Certain Clarity provides a generous selection of Lawrence Joseph's poetry "of great dignity, grace, and unrelenting persuasiveness" (John Ashbery), each poem "an inspired, made thing by a poet-advocate who has honed a timely song within an urgent testimony that embraces the complex density of truth" (Yusef Komunyakaa).

Carl Phillips' new poetry collection, Pale Colors in a Tall Field, is a meditation on the intimacies of thought and body as forms of resistance. The poems are both timeless and timely, asking how we can ever truly know ourselves in the face of our own remembering and inevitable forgetting. Here, the poems metaphorically argue that memory is made up of various colors, with those most prominent moments in a life seeming more vivid, though the paler colors are never truly forgotten.

If Men, Then, Eliza Griswold's second poetry collection, charts a radical spiritual journey through catastrophe. Griswold's language is forthright and intimate as she steers between the chaos of a tumultuous inner world and an external landscape littered with SUVs, CBD oil, and go bags, talismans of our time. Alternately searing and hopeful, funny and fraught, the poems explore the world's fracturing through the collapse of the ego, embodied in a character named "I" - a soul attempting to wrestle with itself in the face of an unfolding tragedy.

Peaches Goes It Alone, Frederick Seidel’s newest collection of poems, begins with global warming and ends with Aphrodite. In between is everything. Peaches Goes It Alone presents the sexual and political themes that have long preoccupied Seidel - and thrilled and offended his audiences. Lyrical, grotesque, and elegiac, Peaches Goes It Alone adds new music and menace to Seidel’s masterful body of work.

John Koethe’s poems - always dynamic and in process, never static or complete - luxuriate in the questions that punctuate the most humdrum of routines, rendering a robust portrait of an individual: complicated, quotidian, and resounding with truth. Gathering for the first time his impressive and award-winning body of work, published between 1966 and 2016, Walking Backwards introduces this gifted poet to a new, wider audience.

Like, that currency of social media, is a little word with infinite potential; it can be nearly any part of speech. Without it, there is no simile, that engine of the lyric poem, the lyre’s note in the epic. A poem can hardly exist otherwise. In this new collection, her most ambitious to date, A. E. Stallings continues her archaeology of the domestic, her odyssey through myth and motherhood in received and invented forms, from sonnets to syllabics. Stallings also eschews the poetry volume’s conventional sections for the arbitrary order of the alphabet.

In The Gilded Auction Block, the acclaimed poet Shane McCrae considers the present moment in America on its own terms as well as for what it says about the American project and Americans themselves. In the audiobook’s four sections, McCrae alternately responds directly to Donald Trump and contextualizes him historically and personally, exploding the illusions of freedom of both black and white Americans. This is a moving, incisive, and frightening exploration of both the legacy and the current state of white supremacy in this country.

In those days I began to see light under every bushel basket, light nearly splitting the sides of the bushel basket. Light came through the rafters of the dairy where the grackles congregated like well-taxed citizens untransfigured even by hope. Understand I was the one underneath the basket. I was certain I had nothing to say. When I grew restless in the interior, the exterior gave.