Résultats Éditeur "Audible Studios" dans Musique

From Nelson George, supervising producer and writer of the hit Netflix series The Get Down, this passionate and provocative book tells the complete story of Black music in the last 50 years, and in doing so, outlines the perilous position of Black culture within white American society. In a fast-paced narrative, Nelson George’s book chronicles the rise and fall of “race music” and its transformation into the R&B that eventually dominated the airwaves, only to find itself diluted and submerged as crossover music.

Jonathan Taplin’s extraordinary journey has put him at the crest of every major cultural wave in the past half century. His is a lifetime marked not only by good timing but by impeccable instincts - from the folk scene of Woodstock, to Hollywood’s rebellious film movement and beyond, Taplin is not just a witness but a lifelong producer, the right-hand man to some of the greatest talents of both pop culture and the underground. The Magic Years is both a rock memoir and a work of cultural criticism from a key player who watched a nation turn from idealism to nihilism.

As a pioneering rock journalist for Hit Parader, Vogue, Saturday Review, and other publications, Ellen Sander had a backstage pass to the hottest music scenes of the 1960s. In this feast of juicy anecdotes and keen social commentary, she draws upon her professional and personal experiences to chronicle pop culture's highs and lows during the turbulent decade. Join her for weird and wild road trips with companions ranging from Yippies to the members of Led Zeppelin.

Llamando a las puertas del cielo es el relato en primera per-sona de una de las bandas de rap más importantes del país, un viaje en furgoneta por la música, la política y las historias personales de uno de sus integrantes, Nega.

La música es una manifestación artística presente en la totalidad de la historia, desde el nacimiento de las primeras sociedades tribales hasta la actualidad, y ha acompañado al hombre no sólo en los acontecimientos históricos más relevantes, sino en la vida cotidiana de los seres humanos. Breve historia de la música supone un acercamiento completo al desarrollo de los procesos históricos más importantes, y además aclara los conceptos más difíciles y los presenta de un modo accesible para cualquier oyente.

Si la música amansa las fieras, la sabihondez musical ablanda los corazones más refractarios a las delicias del amor. Ésa es la tesis de este audiolibro, una obra sin igual en la historia de la autoayuda inconfesable. Máximo Pradera, vihuelista en excedencia y seductor contumaz, nos cuenta aquí los secretos del método que tantos éxitos le ha dado en la palestra del comercio carnal. El señor Pradera es bien conocido por su ingenio, su humor incombustible y su impertinencia, virtudes justamente recompensadas con un regimiento de admiradores y una legión de enemigos acorazados...

Si la música amansa las fieras, la sabihondez musical ablanda los corazones más refractarios a las delicias del amor. Ésa es la tesis de este audiolibro, una obra sin igual en la historia de la autoayuda inconfesable. Máximo Pradera, vihuelista en excedencia y seductor contumaz, nos cuenta aquí los secretos del método que tantos éxitos le ha dado en la palestra del comercio carnal. El señor Pradera es bien conocido por su ingenio, su humor incombustible y su impertinencia, virtudes justamente recompensadas con un regimiento de admiradores y una legión de enemigos acorazados...

In 1979, the self-titled debut album by the B-52s burst onto the Billboard charts, capturing the imagination of fans and music critics worldwide. The fact that the group had formed in the sleepy southern college town of Athens, Georgia, only increased the fascination. Soon, more Athens bands followed the B-52s into the vanguard of the new American music that would come to be known as "alternative", including R.E.M., who catapulted over the course of the 1980s to the top of the musical mainstream.

Nel 1989, in provincia di Cuneo, nasceva una delle band più importanti della musica rock italiana: i Marlene Kuntz. Gloriosi, eleganti, poetici, potenti, refrattari a piegarsi ai dettami delle mode, della critica e dei fan, hanno attraversato trent'anni di carriera inseguendo sempre e soltanto la loro ispirazione e il desiderio di battere terreni inesplorati e mai scontati.

Cosa è successo dal 2006 al 2016? Il rap italiano è sbarcato nel mainstream. Con Clementino, Fabri Fibra e Marracash il genere è uscito dai circuiti underground per approdare al grande pubblico. Dietro a questi artisti c'è il nome di una donna capace di interpretare le regole di un gioco fatto prevalentemente da uomini: Paola Zukar. In questo audiolibro si ripercorre l'esperienza personale di Paola alla guida della sua agenzia di produzione, la Big Picture Management, e il percorso umano e artistico che l'ha portata a trasformare la sua passione in una professione.

Tutti sappiamo - o pensiamo di sapere - che cos'è la canzone italiana. Ne parliamo con gli amici guardando Sanremo, la ascoltiamo su Spotify o su vinile, la cantiamo sotto la doccia, la amiamo, la odiamo, o tutt'e due le cose insieme. Ma che cosa rende "italiana" una canzone? "Felicità", siamo tutti d'accordo, suona come una tipica "canzone italiana", al punto che potremmo definirla "all'italiana". E allora "Via con me" di Paolo Conte, coeva eppure lontana miglia e miglia dal successo sanremese di Al Bano e Romina, non lo è?

In 1994, Jack Carneal had a loose collection of friends - including Ned Oldham - who liked to get together and play some tunes now and then. It didn’t seem like much of anything, until Ned’s younger brother, Will Oldham, invited the guys to be his backing band on that summer’s Lollapalooza tour. Follow Jack Carneal as he navigates the chaos of the road, the trials and tribulations of being in a band, and the personal sacrifices and demands necessary to make it as a successful artist.

After starting two iconic music venues and surviving the dot-com bust, Michael Dorf offers gripping stories and hard-earned business lessons with a contrarian twist. As technology becomes more deeply woven into our lives, the key to success can be found in satisfying people’s yearning for live human interaction.

Born and raised on the South Side of Chicago, London-based author and playwright Bonnie Greer seeks to demonstrate that Barack Obama's presidency is what she calls a 'South Side Presidency'. And that it is only the South Side of Chicago, with its history and culture and institutions, that could have sent an African American, in this day and age, to the White House. Obama Music is a mixture of anecdotes about her own growing up in one of America's most formidable black communities, mixed in with observations on the origins and progress of the music of the South Side.

Through personal essays and interviews, punk musician and cultural icon Lydia Lunch claws and rakes at the listener's conscience in this powerful, uninhibited feminist collection.

Claudio Baglioni racconta se stesso attraverso le note di un diario che lo ha accompagnato in trent'anni di viaggi, di carriera, di vita. L'autore alterna cenni biografici e narrativi, racconti, bozzetti, riflessioni sui temi della guerra e la fine del secondo millennio, considerazioni sulla vita dell'artista girovago, sferzanti critiche musicali e sociali, intensi appunti che hanno seguito il suo primo tour in Africa, Sud America ed Est Europeo. Claudio Baglioni offre nelle pagine di questo libro uno sguardo inedito sul rapporto trentennale tra un cantore e il suo secolo.

As an industry insider and pioneering post-punk musician, Vivien Goldman’s perspective on music journalism is unusually well-rounded. In Revenge of the She-Punks, she probes four themes - identity, money, love, and protest - to explore what makes punk such a liberating art form for women. With her visceral style, Goldman blends interviews, history, and her personal experience as one of Britain’s first female music writers in a book that plays like a vivid documentary of a genre defined by dismantling boundaries.

ボブ・ディランの歌を初めて耳にしたのはたしか1964年の春だったと思います。 　横浜のセント・ジョセフ・カレッジに通っていたぼくは放課後、遊び仲間たち と元町のシェルブルーというレストランでハンバーガーを食べながら何かの話で 盛り上がっていました。それは、出たばかりのローリング・ストーンズのアルバ ム『ザ・ローリング・ストーンズ』についてだったかもしれないし、土曜日に YCAC(横浜カントリー・アンド・アスレティックス・クラブ)で開催されるダンス パーティの話だったかもしれないし、だれかのガールフレンドの話題だったかも しれません。何はともあれ、ぼくたちはコークを飲み、ハンバーガーを頬張り、 取り留めのない話に花を咲かせていました。 （本文より） ロバート・ハリス　運命のダイスを転がせ！ はこちらから→http://yakan-hiko.com/robert.html

Inspired by the life of legendary jazz pianist Oscar Peterson, Mauricio Segura’s Oscar evokes periods across time, from the Depression-era Montreal neighbourhood of Little Burgundy to the swinging cabarets of the 1950s, while offering a reflection on the bonds between an artist and the Caribbean diaspora from which he comes. But above all, Oscar is a poignant homage to a musical giant, a man who changed the face of jazz forever.

In Reshaping Art, T. M. Krishna examines what art is and how we can harness its power to make ourselves and our communities open and sensitive. Well known for his attempts to break Karnatik music out of its high-caste confines, the author takes us through a journey of understanding what art means to different groups of people and the ways in which we all create and enjoy it.