Titres dans Grec et romain

The extraordinary principles of Stoicism instructed through the narrative of its most acclaimed defender.

Gorgias of Leontini, a famous teacher of rhetoric, has come to Athens to recruit students, promising to teach them how to become leaders in politics and business. A group has gathered at Callicles' house to hear Gorgias demonstrate the power of his art. This dialogue blends comic and serious discussion of the best life, providing a penetrating examination of ethics. Is it better to suffer evil or to do evil? Is it better to do something wrong and avoid being caught or to be caught and punished? Is pleasure the same as goodness?

Laches, a general in the Athenian army, saw Socrates fight bravely in the battle of Delium. When he and Nicias, another general, are asked to explain the idea of courage, they are at a loss and words fail them. How does courage differ from thoughtless and reckless audacity? Can a lion be said to be courageous? What about small children who have little idea of the dangers they face? Should we call people courageous who do not know whether their bravery will produce good or bad consequences?

Plato’s dialogues frequently cover several topics and show their connection to each other. The "Phaedrus" is a model of that skill because of its seamless progression from examples of speeches about the nature of love to mythical visions of human nature and destiny to the essence of beauty and, finally, to a penetrating discussion of speaking and writing. It ends with an examination of the love of wisdom as a dialectical activity in the human mind.

Socrates questions Ion, an actor who just won a major prize, about his ability to interpret the epic poetry of Homer. How does an actor, a poet, or any other artist create? Is it by knowing? Is it by inspiration? As the dialogue proceeds, the nature of human creativity emerges as a mysterious process and an unsolved puzzle. Plato lived in Athens, Greece. He wrote approximately two-dozen dialogues that explore core topics that are essential to all human beings.

The full title of Seneca’s work Of Providence is "Why do misfortunes happen to good men, if providence exists?". The longer title reflects the essay’s theme which is more concerned with theodicy and the question of why bad things happen to good people, rather than with providence. The essay is written as a dialogue in six brief sections, opened by Lucilius complaining to his friend Seneca that misfortunes befall to good people too. How does this fit with the goodness associated with the design of providence?

Hippias of Elis travels throughout the Greek world practicing and teaching the art of making beautiful speeches. On a rare visit to Athens, he meets Socrates who questions him about the nature of his art. Socrates is especially curious about how Hippias would define beauty. They agree that "beauty makes all beautiful things beautiful," but when Socrates presses him to say precisely what he means, Hippias is unable to deliver such a definition. The more Socrates probes, the more absurd the responses from Hippias become.

"Plato was not a Platonist! I would like to show... that anyone who reads the dialogues of Plato without bias or an ax to grind will find a humorous, witty, pleasant friend; and not a desiccated scholarly mandarin. Plato was an open-minded, tolerant, reasonable individual, not a tight-lipped, pietistic, puritan. In a word, Plato was an Athenian, not a Spartan!". In the twenty-four centuries that have passed since the Athenians put Socrates to death, every generation has interpreted the meaning of Plato’s work differently.

The dramatic nature of Plato’s dialogues is delightfully evident in the "Symposium." The marriage between character and thought bursts forth as the guests gather at Agathon's house to celebrate the success of his first tragedy. With wit and insight, they each present their ideas about love - from Erixymachus’s scientific naturalism to Aristophanes' comic fantasy. The unexpected arrival of Alcibiades breaks the spell cast by Diotima’s ethereal climb up the staircase of love to beauty itself.

Sokrates (etwa 470 v. Chr. - 399), eine der wirkmächtigsten Gestalten der Philosophiegeschichte, steht zugleich für eine Zeitenwende des menschlichen Geistes. Das Denken - in der noch jungen griechischen Naturphilosophie in spekulativer Phantasie auf das äussere Sein und die Natur gerichtet - wendet sich dem individuellen Menschen und der Frage nach der Tugend und Wissensmöglichkeit zu. Vor allem in der Form des Gesprächs, auf einem immer fragenden Auf-dem-Wege-sein-des-Denkens, überwindet Sokrates die Skepsis der Sophisten.

En Apología de Sócrates, Platón da una versión del discurso que Sócrates pronunció como defensa, ante los tribunales atenienses, en el juicio en el que se le acusó de corromper a la juventud y no creer en los dioses de la polis. Aunque su datación exacta es incierta, el texto, por su temática, pertenece al ciclo platónico de las primeras obras llamadas Socráticas, que Platón escribió en su juventud, e incluso se piensa que es su primera obra. ​La Apología se divide en tres partes.

Dieses Hörbuch enthält vier Berichte über vergessene und unvergessene Weisheiten der Antike: Die Selbstbetrachtung des Marc Aurel (121-180 n.Chr.), Aus den Schriften und Briefen des Philosophen Epikuros (341-270 v.Chr.), Aus Senecas (1-65 n.Chr.) Briefen und Schriften, Aus den Schriften des Marcus Tullius Cicero (106-43 v.Chr.). Regie: Julius Albert Flach.

Meno is a Socratic dialogue written by Plato. In it, the two characters, Meno and Socrates, discuss "arete", or virtue. This dialogue is also famous for introducing "Meno's Paradox".

Inhalt - Die griechische Welt: Das Jünglingsalter der Geschichte - Erster Abschnitt: Die Elemente des griechischen Geistes, Das in sich Fremdartige, Vermischung mit fremden Völkern, Fürsten als Heroen, Der Trojanische Krieg, Griechische Kolonien, Der Sinn im Sinnlichen, Die schöne Individualität - Zweiter Abschnitt: Die Gestaltungen der schönen Individualität - Erstes Kapitel: Das subjektive Kunstwerk, Der menschliche Körper als Organ des Geistigen - Zweites Kapitel: Das objektive Kunstwerk, Verwandlung der Naturmächte in individuelle Götter, Zufälligkeit der griechischen Götter.

Von Heraklits Werk sind keine Originaltexte überliefert. Zur Verfügung stehen allein Bruchstücke. Problematisch ist, dass diese Bruchstücke aus den Werken diverser anderer antiker Autoren entnommen sind. Häufig sind es indirekte Zitate des Typs "Heraklit sagt,...". Nur selten finden sich direkte Zitate. Problematisch ist zudem, dass in der Fachliteratur bis heute umstritten ist, welche Fragmente authentisch sind. Die Authentizität von 1 bis 3 Dutzend Fragmenten ist umstritten.

Proverbs from antiquity that still make sense.

Aristotle's Poetics (335 BCE) is the earliest surviving work of dramatic theory and first surviving philosophical treatise on dramatic or literary theory. The work begins with a preliminary discourse on tragedy, epic poetry, and comedy as the chief forms of imitative poetry. By "imitative", Aristotle means the imitation of action in words as a creative process. He distinguishes comedy, tragedy, the satyr play, lyric poetry, and epic poetry by their differences in musical rhythm, harmony, meter, melody, nature of the characters, and the manner in which the narrative is presented.

We live in a fast-paced world that has come to characterize the 21st century. We are bombarded with constant distractions, and silence has all but vanished from our daily schedule and practice. We are collectively exhausted, but we don’t really realize it. The exhaustion manifests in sicknesses we can’t identify, and if we can, it’s something we can’t pronounce. We batter ourselves against the daily onslaught that has become our lives.

This small handbook of the theory and practice of Stoic philosophy has become one of the most influential of all texts from the ancient world. It has been a source of inspiration to rulers, philosophers, and social theorists, and its cogent prescriptions about the management of one's personal life can be applied with great benefit in the hectic and confused world of today.

"Die Kunst des Lebens besteht mehr im Ringen als im Tanzen." Auf der Suche nach der Idee der Freiheit und im Bewusstsein der Vergänglichkeit alles Irdischen befragt Marc Aurel, der Philosoph auf dem römischen Kaiserthron, sein eigenes Ich. Seine Selbstgespräche sind eine zeitlos eindrucksvolle Auseinandersetzung mit den Grundfragen richtiger Lebensführung.