Résultats Éditeur "Tantor Audio" dans Culture populaire

In extensive interviews with scene pioneers and mainstays, including Chris Carrabba (Dashboard Confessional), Geoff Rickly (Thursday), Frank Iero (My Chemical Romance), Gabe Saporta (Midtown/Cobra Starship), and Max Bemis (Say Anything), veteran music journalist Michael Tedder has crafted a once-in-a-generation exploration of emo and The Scene that is as forthright as it is tenderly nostalgic, taking to task the elements of toxic masculinity and crass consumerism that bled out of the early 2000s cultural milieu and ultimately led to the implosion of emo's first home, MySpace.

Gay bars have been closing by the hundreds. The story goes that increasing mainstream acceptance of LGBTQ+ people, plus dating apps, have rendered these spaces obsolete. Beyond that, rampant gentrification in big cities has pushed gay bars out of the neighborhoods they helped make hip. Who Needs Gay Bars? considers these narratives, accepting that the answer for some might be: maybe nobody. Greggor Mattson embarks on a journey across the country to paint a much more complex picture of the cultural significance of these spaces, inside "big four" gay cities, but also beyond them.

Leo Braudy, a finalist for both the National Book Award and the National Book Critics Circle Award, has won accolades for revealing the complex and constantly shifting history behind seemingly unchanging ideas of fame, war, and masculinity. Continuing his interest in the history of emotion, this book explores how fear has been shaped into images of monsters and monstrosity.

Despite their phenomenal decades-long success, the Harry Potter novels have attracted relatively little attention from literary critics and scholars. This book challenges that oversight, assembling and foregrounding some of the best literary critical work by scholars trying to move the needle on these novels to reflect their importance to twenty-first-century literary culture. In Open at the Close, contributors consciously address Harry Potter primarily as a literary phenomenon rather than a cultural one.

In the early 1960s, the nation was on track to fulfill its destiny in what was being called "the American Century." Baby boomers and rock & roll shared the country's optimism and energy. For "one brief, shining moment" in the early 1960s, both President John F. Kennedy and young people across the country were riding high. The dream of a New Frontier would soon give way, however, to a new reality involving assassinations, the Vietnam War, Cold War crises, the civil rights movement, a new feminist movement, and various culture wars.

The television industry is changing, and with it, the small screen's potential to engage in debate and present valuable representations of American history. Founded in 1972, HBO has been at the forefront of these changes, leading the way for many network, cable, and streaming services into the "post-network" era. Despite this, most scholarship has been dedicated to analyzing historical feature films and documentary films, leaving TV and the long-form drama hungry for coverage. Rebecca Weeks fills the gap in this area and defends the historiographic power of long-form dramas.

Despite the high number of programs and their evident popularity, paranormal reality television has to date received little critical attention. Ghost Channels provides an overview of the paranormal reality television genre, its development, and its place in television history. Conducting in-depth analyses of over thirty paranormal television series, author Amy Lawrence suggests these programs reveal much about Americans' contemporary fears.

This book is the first anthology to explore the connection between race and the suburbs in American cinema from the end of World War II to the present. It builds upon the explosion of interest in the suburbs in film, television, and fiction in the last fifteen years, concentrating exclusively on the relationship of race to the built environment. Race and the Suburbs in American Film is a stimulating resource for considering the manner in which race is foundational to architecture and urban geography, which is reflected, promoted, and challenged in cinematic representations.

What is the Internet doing to us? What is college for? What are the myths and metaphors we live by? What is the purpose of art, and what can we learn from the past? The End of Solitude brings together more than forty essays from such publications as Harper's and the Atlantic and introduces four that are published here for the first time. Drawing on the past, they ask how we got where we are. Scrutinizing the present, they seek to understand how we can live more mindfully, more meaningfully, more freely.

From Destiny's Child to Lemonade, Homecoming, and The Gift, Beyonce Knowles-Carter has redefined global stardom, feminism, Black representation, and celebrity activism. This book brings together new work from sixteen international scholars to explore Beyonce's impact as an artist and public figure from the perspectives of critical race studies, gender and women's studies, queer and cultural studies, music, and fan studies.

Neoliberalism took shape in the 1930s and 1940s as a transnational political philosophy and system of economic, political, and cultural relations. As neoliberal ideas gained political currency in the 1960s and 1970s, reactionary cultural turn catalyzed their ascension. The cinema, music, magazine culture, and current events discourse of the 1970s provided the space of negotiation permitting these ideas to take hold and be challenged.

As the first anthology to assess the nature of fan response and the band's enduring appeal, Fandom and The Beatles: The Act You've Known for All These Years defines and explores the key ways in which this particular pop fusion has inspired such loyalty and multigenerational popularity.

In this engaging, cradle-to-grave biography, award-winning author Todd James Pierce explores the life of Ward Kimball, a lead Disney animator who worked on characters such as Mickey Mouse, Donald Duck, Jiminy Cricket, and the Mad Hatter. Through unpublished excerpts from Kimball's personal writing, material from unpublished interviews, and new information based on interviews conducted by the author, Pierce defines the life of perhaps the most influential animator of the 20th century.

In an increasingly secular, fragmented, and distracted culture, nothing brings Americans together quite like sports. On Sundays in September, more families worship at the altar of the NFL than at any church. This appeal, which cuts across all demographic and ideological lines, makes sports perhaps the last unifying mass ritual of our era, with huge numbers of people all focused on the same thing at the same moment. That timeless, live quality makes sports very powerful, and very lucrative. And the media spectacle around them is only getting bigger, brighter, and noisier.

We may not often think of our clothes as having a function beyond covering our naked bodies and keeping us a little safer from the elements. But to discount the enormous influence of clothing on anything from economic cycles to the future of water scarcity is to ignore the greater meaning of the garments we put on our backs. Disrobed vividly considers the role that clothing plays in everything from natural disasters to climate change to terrorism to geopolitics to agribusiness.

Twitter, Facebook, e-publishing, blogs, distance-learning and other social media raise some of the most divisive cultural questions of our time. Some see the technological breakthroughs we live with as hopeful and democratic new steps in education, information gathering, and human progress. But others are deeply concerned by the eroding of civility online, declining reading habits, withering attention spans, and the treacherous effects of 24/7 peer pressure on our young.

Alternating between personal anecdote, hilarious insight, and smart analysis, Luke Skywalker Can't Read contends that Barbarella is good for you, that monster movies are just romantic comedies with commitment issues, and that Dracula and Sherlock Holmes are total hipsters and, most shockingly, shows how virtually everyone in the Star Wars universe is functionally illiterate.

Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious, more artistic-and the province of white musicians. Decoding the racial discourses that have distorted standard histories of rock music, Jack Hamilton underscores how ideas of "authenticity" have blinded us to rock's inextricably interracial artistic enterprise.

Danny Goldberg's new book is a subjective history of 1967, the year he graduated from high school. It is, he writes, "an attempt at trying to remember the culture that mesmerized me, to visit the places and conversations I was not cool enough to have been a part of." It is also a refreshing and new analysis of the era; by looking at not only the political causes, but also the spiritual, musical, and psychedelic movements, Goldberg provides a unique perspective on how and why the legacy of 1967 lives on today.

Before he grew up and became one of Washington's most respected reporters and editors, Andrew Ferguson was, of all things, a Lincoln buff, with the photos hung on his bedroom wall to prove it. Decades later, Ferguson's latent buffdom is reignited. In Land of Lincoln, he embarks on a curiosity-fueled coast-to-coast journey through contemporary Lincoln Nation, encountering everything from hatred to adoration to opportunism and all manner of reaction in between.