Résultats Éditeur "Audible Studios" dans Questions de genre

In the past half-century, women have revolutionised the way they work and live. But men’s lives have changed remarkably little. Why? Is it because men don’t want to change? Or is it because, every day in various ways, they are told they shouldn’t? In Men at Work, Annabel Crabb deploys political observation, workplace research and her characteristic humour and intelligence to argue that gender equity cannot be achieved until men are as free to leave the workplace (when their lives demand it) as women are to enter it.

Boys is an anthology of essays showcasing the voices, stories, and lives of gay, queer, and trans men from around the world. Through these essays, listeners are allowed an intimate glimpse into moments like the time one of the boys accidentally came out as gay on MySpace, another was kidnapped by his mother who wanted to "pray the gay away", to the first time a boy went to a leather bar after transitioning to male and before he became a famous porn artist and performer. Boys shows listeners that at the end of the day, there isn't one type of boy in the world, but lots of boys with all their own stories.

Human beings have been battling one another since time immemorial. But why war and terrorism? Why are men almost always the killers, and why are war and sex so inextricably linked? Why do we kill members of our own species intentionally, when few other animals do so?

Sahar Amer's evenhanded approach is anchored in sharp cultural insight and rich historical context. Addressing the significance of veiling in the religious, cultural, political, and social lives of Muslims, past and present, she examines the complex roles the practice has played in history, religion, conservative and progressive perspectives, politics and regionalism, society and economics, feminism, fashion, and art.

Romance, dating, sex and - Muslim women? In this groundbreaking collection, 25 American Muslim writers sweep aside stereotypes to share their search for love openly for the first time, showing just how varied the search for love can be - from singles' events and online dating, to college flirtations and arranged marriages, all with a uniquely Muslim twist. These compelling stories of love and romance create an irresistible balance of heart-warming and tantalizing, always revealing and deeply relatable.

Double standards are nothing new. Women deal with them every day. Take the common truism that women who sleep around are sluts while men are studs. Why is it that men grow distinguished and sexily gray as they age while women just get saggy and haggard? Have you ever wondered how a young woman is supposed to both virginal and provocatively enticing at the same time?

In July 2012, aged 30, Juliet Jacques underwent sex reassignment surgery and felt for the first time that her body matched the person she felt she had been since childhood. Through university and then in a series of dead end clerical jobs, Jacques felt out of place with her surroundings, and with who she really was. Living in Brighton, trying to launch a career as a writer, she navigates the hostilities and misunderstandings of growing up in a time when the mainstream media - and even feminism - fail to acknowledge transgender identity.

On a bright day at the Epsom Derby, 4 June 1913, Emily Wilding Davison was hit by the king’s horse in one of the defining moments of the fight for women’s suffrage - what became known as feminism’s first wave. The second wave arose in the late-1960s, activists campaigning tirelessly for women’s liberation, organising around a wildly ambitious slate of issues - a struggle their daughters continued in the third wave that blossomed in the early 1990s. Now, 100 years on from the campaign for the vote, a new tide of feminist voices is rising.

This fascinating book examines the myriad influences that shape our understanding of human gender and sexuality. Drawing from scientific findings past and present and from a wide range of personal experiences, Olive Skene Johnson explores questions such as: Is sexual diversity new? Why do men and women think differently? Apart from sexual preference, are homosexuals and heterosexuals different? Why do some people change gender? Johnson’s clear, accessible, and entertaining answers provide a wealth of information about a complicated subject.

"Parce que je suis une femme, j'ai peur de sortir seule la nuit, de porter des vêtements qui me plaisent, d'exprimer mon opinion ou mes émotions. Ces peurs sont à l'origine d'une immense colère que j'essaie de contenir tant bien que mal. Cette colère, ça fait désormais trente-quatre ans que je vis avec et qu'elle me ronge les tripes, au point de se retourner régulièrement contre moi.

Based on exhaustive research and interviews, and challenging both conservative and liberal myths about Friedan, A Strange Stirring brilliantly illuminates how a generation of women came to realize that their dissatisfaction with domestic life didn’t reflect their personal weakness but rather a social and political injustice.

Still provocative after all these years, Helen Gurley Brown celebrates the pleasures of flirting, of enjoying affairs from beginning to end, throwing brunches and dinner parties, finding men where you might not think to look, dating (and ditching) married men, and being both feminine and powerful.

#SayHerName provides an analytical framework for understanding Black women's susceptibility to police brutality and state-sanctioned violence, and it explains how—through black feminist storytelling and ritual—we can effectively mobilize various communities and empower them to advocate for racial justice.

Why has music so often served as an accomplice to transcendent expressions of gender? Why did the query "is he musical?" become code, in the 20th century, for "is he gay?" Why is music so inherently queer? For Sasha Geffen, the answers lie, in part, in music’s intrinsic quality of subliminal expression, which, through paradox and contradiction, allows rigid gender roles to fall away in a sensual and ambiguous exchange between performer and listener. Glitter Up the Dark traces the history of this gender fluidity in pop music from the early 20th century to the present day.

The debate over sexual violence on campus is reaching fever pitch, from headlines about out-of-control fraternities to the "mattress protests" by female students at Columbia University and other colleges. The Hunting Ground, the new documentary by award-winning filmmakers Kirby Dick and Amy Ziering, has taken this debate to a new level, becoming a galvanizing catalyst for discussion at the hundreds of campuses where the documentary is being screened each month.

Legs Get Led Astray is a provocative collection of essays that vividly rockets the listener through one young woman's life. Chloe Caldwell beautifully and bluntly escorts you through her childhood dreams, her first loves, her most unguarded sexual exploits, bookstore crushes, babysitting jobs, heartbroken wanderlust, and the suicide of a lost lover. Caldwell's writing remarkably explores the genre of personal non-fiction and has been featured in numerous publications.

There is a human genetic fluke that is surprisingly common, due to a change in a key pair of chromosomes. In the normal condition the two look the same, but in this disorder one is malformed and shrunken beyond recognition. The result is a shortened life span, higher mortality at all ages, an inability to reproduce, premature hair loss, and brain defects variously resulting in attention deficit, hyperactivity, conduct disorder, hypersexuality, and an enormous excess of both outward and self-directed aggression. It is called maleness.

What kind of mother abandons her child? During the pandemic, trapped at home with young children and struggling to find creative space to write, journalist Begoña Gómez Urzaiz became fixated on artistic women who overcame both society’s condemnation and their own maternal guilt to leave their children—at will or due to economic or other circumstances. The Abandoners is sharp, at times slyly humorous, and always deeply empathetic.

Che cosa significa essere uomo, oggi? E come si può costruire un maschile diverso, che non si lasci imprigionare dai modelli tradizionali? Irene Facheris intreccia decine di testimonianze di uomini che hanno deciso di raccontare il rapporto con se stessi, con gli altri uomini, con le donne. Si parla di padri e modelli, reticenze e complicità, consenso e desiderio, potere e paure; di tutto ciò che troppo spesso resta senza nome ma li attraversa ogni giorno. Questo libro è un invito a creare uno spazio di dialogo, per smettere di difendersi e iniziare a trasformarsi.

Attraverso una lente decoloniale e di genere, le autrici rivendicano l'esigenza di un femminismo terrone: una rivoluzione culturale che sfida le convinzioni radicate sull'identità meridionale e sovverte l'asse Nord-Sud su cui si fonda la narrazione egemonica non solo italiana. Un viaggio di emancipazione e scoperta di identità altre, di lotte e di esperienze, uno spunto prezioso per chiunque voglia comprendere e combattere le ingiustizie che ancora oggi colpiscono il Sud e i sud.