Résultats Éditeur "Simon & Schuster Audio" dans Designers de mode

As a child, Anna Wintour was a tomboy with no apparent interest in clothing but, seduced by the miniskirts and bob haircuts of swinging 1960s London, she grew into a fashion-obsessed teenager. Her father, an influential newspaper editor, loomed large in her life, and once he decided she should become editor-in-chief of Vogue, she never looked back.

A quarter of a century after the plane crash that claimed the lives of John F. Kennedy Jr., his wife Carolyn, and her sister Lauren, the magnitude of this tragedy remains fresh. Yet, Carolyn is still an enigmatic figure, a woman whose life in the spotlight was besieged with misogyny and cruelty. Elizabeth Beller explores the real person behind the tabloid headlines and media frenzy. When she began dating America’s prince, Carolyn was increasingly thrust into an overwhelming spotlight filled with relentless paparazzi who reacted to her reserve with a campaign of harassment and vilification.

We Might Just Make It After All brings us on the rollercoaster of adventures (and misadventures) that the best friends embarked on, from transferring colleges on a whim, to falling in and out of love with suitors, cramming into roach-infested Hell’s Kitchen apartments, and eventually designing the chic, simple bag that would launch the pair to global fame. Through it all, Katy and Elyce’s friendship remained unshakeable.

Claire McCardell shattered cultural norms around women’s clothes, and today much of what we wear traces back to her ingenious, rebellious mind. McCardell invented ballet flats and mix-and-match separates, and she introduced wrap dresses, hoodies, leggings, denim, and more into womenswear. She tossed out corsets in favor of a comfortably elegant look and insisted on pockets, even as male designers didn’t see a need for them. Filled with personal drama and industry secrets, this story reveals how Claire McCardell built an empire at a time when women rarely made the upper echelons of business.

Jane Birkin was synonymous with chic. Her effortless style and artistic legacy have been immortalized through her music and film career. And, of course, she was the inspiration behind one of the world’s most coveted bags, the Hermès Birkin. But who was the real woman behind the it girl? Now, New York Times bestselling author Marisa Meltzer sheds new light on Birkin’s enigmatic life and explores her profound influence on generations in a rigorously reported biography unlike any other.

Bobbi Brown is a trailblazer in the beauty industry. A New York Times bestselling author of nine makeup tutorial books to date, she is the founder of both her namesake beauty brand, Bobbi Brown Cosmetics, and her four-year-old clean beauty brand, Jones Road. Recognized as one of Fortune’s Most Powerful Women in 2021, included in Forbes’s “50 Over 50” list of Most Influential Women in 2022, and honored with the Glamour Woman of the Year Award, Bobbi’s career has been nothing short of groundbreaking. I

Fashion Killa is a classic tale of a modern renaissance; of an exclusionary industry gate-crashed by innovators; of impresarios—Sean “Diddy” Combs, Dapper Dan, Virgil Abloh—hoisting hip-hop from the streets to the stratosphere; of supernovas—Lil’ Kim, Cardi B, and Kimora Lee Simmons—allying with kingmakers—Anna Wintour, Donatella Versace, Tommy Hilfiger, and Ralph Lauren; of traditionalist fashion houses—Louis Vuitton, Fendi, and Saint Laurent—transformed into temples of rap gods.

Bigger Than Fashion is about the relentless rise of streetwear; it’s a captivating story of how a fiercely guarded counterculture, full of iconoclasts and hustlers, was disregarded until it skyrocketed into a massively influential lifestyle and fashion movement worth billions of dollars. Streetwear was built on the fusion of subcultures, unflinching DIY ethos, and a fiery sense of community that attracted everyone from skaters and hip-hop heads to punks and graffiti artists.

As VIBE’s founding fashion editor and a CNN correspondent, Michaela Angela Davis has been at the forefront of cultural shifts, working alongside figures like Diana Ross, Prince, and Beyoncé. Her memoir is a celebration of Black media’s vibrant history and a critical examination of its challenges and erasure in mainstream narratives. In Tenderheaded, Davis journeys back through her career as both a celebration and an interrogation of Black media, exploring the difficult truth of how historically Black media titles and brands have had such mighty, culture-shifting starts, then disappeared.