Titres dans Journalistes, rédacteurs et éditeurs

A remarkable memoir and journalistic history of the Toronto Star, the newspaper that has shaped and continues to shape the issues most important to Canadians.

Beloved former ABC 20/20 anchor Elizabeth Vargas reveals her alcohol addiction and anxiety disorder in a shockingly honest and emotional memoir. From the moment she uttered the brave and honest words, "I am an alcoholic," to interviewer George Stephanopoulos, Elizabeth Vargas began writing her story, as her experiences were still raw. Now, in Between Breaths, Vargas discusses her accounts of growing up with anxiety—which began suddenly at the age of six when her father served in Vietnam.

Leading Australian journalist John Lyons takes readers on a fascinating personal journey through the wonders and dangers of the Middle East. In this updated edition, Lyons draws from his years living in Jerusalem to give context to the devastating war between Israel and Palestinians in Gaza and gives readers a behind-the-scenes look at the Israeli occupation of the West Bank.

When Hugh Hefner quit his job at Esquire to start a magazine called Playboy, he didn't just want to make money, he wanted to make dreams come true. In this wise and penetrating biography, intellectual historian Steven Watts looks at what Hugh Hefner went on to become and how he took America with him. Hefner became one of the most hated and envied celebrities in America, standing just barely on the wrong side of decency - with as many as seven million subscribers to his magazine.

Clarissa Ward is a world-renowned conflict reporter. In this strange age of crisis where there really is no front line, she has moved from one hot zone to the next. With multiple assignments in Syria, Egypt, and Afghanistan, Ward, who speaks seven languages, has been based in Baghdad, Beirut, Beijing, and Moscow. She has seen and documented the violent remaking of the world at close range. With her deep empathy, Ward finds a way to tell the hardest stories. On All Fronts is the riveting account of Ward’s singular career and of journalism in this age of extremism.

هذا الكتاب يعد جوهرة أدبية نادرة.. إنه رحلات عبر مشارق الأرض ومغاربها، معرفية أحيانا، فلسفية دائما، مدهشة في كثير من الأحيان. قول طه حسين في مقدمة الطبعة الثالثة لهذا الكتاب: "هذا كتاب ممتع حقاً: تقرؤه، فلا تنقص متعتك، بل تزيد كلما تقدمت في قراءته". ويقول محمود تيمور في مقدمة الطبعة "التاسعة": كاتب الرحلات الناجح هو الذي تتوفر له ألمعية الملاحظة، ورهافة الفطنة، وسرعة الالتقاط والقدرة على استبانة الملامح والمعالم وبخاصة ما يدق منها على النظرة العابرة، وما يتصل منها بالعادات والسلوك والأوضاع الاجتماعية التي لا تخلو من غرابة.. وكل هذه المؤهلات تستجمع للأستاذ أنيس منصور..

Failure is a topic discussed in every creative writing department in the world, but this is the book every beginning writer should have on their shelf to prepare them. Less a guide to writing and more a guide to what you need to continue existing as a writer, On Writing and Failure: Or, On the Peculiar Perseverance Required to Endure the Life of a Writer describes the defining role played by rejection in literary endeavors and contemplates failure as the essence of the writer’s life.

In The Rulebreaker, Susan Page conducts 150 interviews and extensive archival research to discover that Walters was driven to keep herself and her family afloat after her mercurial and famous impresario father attempted suicide. But she never lost the fear of an impending catastrophe, which is what led her to ask for things no woman had ever asked for before, to ignore the rules of misogynistic culture, to outcompete her most ferocious competitors, and to protect her complicated marriages and love life from scrutiny.

GARLIC AND SAPPHIRES is Ruth Reichl's riotous account of the many disguises she employs to dine anonymously. There is her stint as Molly Hollis, a frumpy blond with manicured nails and an off-beige Armani suit that Ruth takes on when reviewing Le Cirque. The result: her famous double review of the restaurant: first she ate there as Molly; and then as she was coddled and pampered on her visit there as Ruth, New York Times food critic.

Growing up in the 1960s in the suburbs of Chicago, Meg Kissinger’s family seemed to live a charmed life. With eight kids and two loving parents, the Kissingers radiated a warm, boisterous energy. Whether they were spending summer days on the shores of Lake Michigan, barreling down the ski slopes, or navigating the trials of their Catholic school, the Kissingers always knew how to live large and play hard. But behind closed doors, a harsher reality was unfolding.

For decades, Janet Malcolm's books and dispatches for the New Yorker and the New York Review of Books poked and prodded at reportorial and biographical convention, gesturing toward the artifice that underpins both public and private selves. In Still Pictures, she turns her gimlet eye on her own life—a task demanding a writer just as peerlessly skillful as she was widely known to be. Still Pictures, then, is not the story of a life but an event on its own terms, an encounter with identity and family photographs as poignant and original as anything since Roland Barthes's Camera Lucida.

Helen Garner visits the morgue, and goes cruising on a Russian ship. She sees women giving birth, and gets the sack for teaching her students about sex. She attends a school dance and a gun show. She writes about dreaming, about turning 50 and the storm caused by The First Stone. Her story on the murder of the two-year-old Daniel Valerio wins her a Walkley Award.

In The Night of the Gun, David Carr redefines memoir with the revelatory story of his years as an addict and chronicles his journey from crack-house regular to regular columnist for The New York Times. Built on 60 videotaped interviews, legal and medical records, and three years of reporting, The Night of the Gun is a ferocious tale that uses the tools of journalism to fact-check the past.

Just as The Late Shift did for late night television, Top of the Morning reveals the dish and dirt behind the polite smiles and perky demeanors of morning television. Listeners will be fascinated by the never-before-told, behind-the-scenes stories about the cutthroat battle for first place before dawn. The book is based on all-new reporting at the highest levels.

For 25 years William Noonan and John F. Kennedy, Jr. were best friends. Sharing an adolescence in Hyannisport, Massachusetts, the two frequented beach bonfires and the Monday-night yacht-club dances, took road trips, shared albums, sneaked cigarettes on the widow’s walk of John’s house, and scored beer together. And as they grew older, John and Billy never lost the connection they forged in the Kennedy compound as two young boys who had both tragically lost their fathers.

Herodotus, the fifth-century chronicler, scarcely figured in the curriculum when famed Polish writer and traveler Ryszard Kapuscinski attended university in the 1950s. Ryszard became a foreign correspondent who hoped to go abroad, perhaps to Czechoslovakia. Instead, he was sent to India—the first stop on a decades-long tour of the world. His only companion on his travels was a volume of Herodotus. In his journey across continents, Kapuscinski discovers his life's work: to understand and describe the non-Western world, in all its variety, through his still-virginal Western eyes.

Paris. The name alone conjures images of chestnut-lined boulevards, sidewalk cafés, breathtaking façades around every corner: in short, an exquisite romanticism that has captured the American imagination for as long as there have been Americans.

Avec une plume aussi bien trempée que son caractère, Nathalie Petrowski a toujours été un esprit libre. Dans La critique n'a jamais tué personne, elle nous livre, sans faux-fuyants et sans règlements de compte, ses mémoires de journaliste. Ceux d'une femme qui, du p'tit Simard à Marie-Mai, de René Lévesque à Manon Massé, du sexisme ordinaire à #metoo et du Jerrold au iPad, jette un regard passionné et critique sur la culture, le journalisme et ses enjeux.

Psychotic Reactions and Carburetor Dung contains the wild and brilliant writings of Lester Bangs—the most outrageous and popular rock critic of the 1970s—edited and with an introduction by the reigning dean of rock critics, Greil Marcus.

Christopher Hitchens was for many years considered one of the fiercest and most eloquent left-wing polemicists in the world. But on much of today's left, he's remembered as a defector, a warmonger, and a sellout—a supporter of the wars in Afghanistan and Iraq who traded his left-wing principles for neoconservatism after the September 11 attacks. In How Hitchens Can Save the Left, Matt Johnson argues that this easy narrative gets Hitchens exactly wrong. Hitchens was a lifelong champion of free inquiry, humanism, and universal liberal values.