Titres dans Épouvante

You’ve heard of these groups–the secretive ones that only the crème de la crème are invited into, the ones outsiders speculate about for centuries–I’m the second in my family invited to attend, but to them, I’m fresh meat. New blood. New money, too. They think they’ll elbow past me, that I’m here for their amusement, for them to walk all over, they’ll find out soon enough that I’m not. I may look like one of them, with my designer bags and clothes straight from the Parisian runways, but I’m not.

The beautiful young Dorian Gray has his portrait painted by society artist Basil Hallward. Admired by all, the dazzling, wealthy, handsome young man has everything anyone could wish for, or so it appears. Oscar Wilde's novel is a masterly study of moral corruption, a tour-de-force of suspense and surprise.

I’m shackled to a monster, and the only way out is death. My arranged marriage to Adrik Volkov soon turns into a nightmare. Two months before our wedding date, he forces me down the aisle. Then, drags me to a club where he shoots my father dead in front of my eyes. The man I’m married to is a beast who will stop at nothing to get what he wants. And he wants the crown that rightfully belongs to my brother. I’m his claim, since we’re married, it gives him the right to lead the Estrada Cartel. If all of that isn’t bad enough, he wants to torture me, too.

Brought to you by Penguin. This Penguin Classic is performed by Olivia Forrest. This definitive recording includes an introduction by Laura Keanzler. Elizabeth Gaskell's chilling Gothic tales blend the real and the supernatural to eerie, compelling effect. 'Disappearances', inspired by local...

Run, run, run! They're chasing me, even into my dreams. And when I awake, I see him. Striking blue eyes with a hint of the devil inside. He's my savior and my worst nightmare combined. Because he owns me. He found me. He saved me. But I don't want to be owned. I want to be free. Even if it kills me.

“Full of Victorian sapphic romance, metafictional horror, biting misandrist humor, Hollywood intrigue, and multiple timeliness—all replete with evocative illustrations that are icing on a deviously delicious cake.” –O, THE OPRAH MAGAZINE “Brimming from start to finish with sly humor...

Nineteen thirty-four, London. Into the decaying cul-de-sac of Bleeding Heart Square steps aristocratic Lydia Langstone fleeing an abusive marriage. However, unknown to Lydia, a dark mystery haunts Bleeding Heart Square. What happened to Miss Penhow, the middle-aged spinster who owns the house and who vanished four years earlier? Why is a seedy plain-clothes policeman obsessively watching the square? What is making struggling journalist Rory Wentwood so desperate to contact Miss Penhow?

After a devastating loss, Brynn Wilder escapes to Wharton, a tourist town on Lake Superior, to reset, and checks into a quaint boardinghouse. In her fellow lodgers, she finds a friendly company of strangers: the frail Alice, cared for by a married couple with a heartbreaking story of their own; LuAnn, the eccentric and lovable owner of the inn; and Dominic, an unsettlingly handsome man inked from head to toe in mesmerizing tattoos. But in this inviting refuge, a mystery begins to swirl. Alice knows things about Brynn, about all of them, that she shouldn’t.

After the tragic death of Bridget’s parents, her grandmother took her in. Vera Bitter raised her from behind a closed door—cold and uncaring from the moment she arrived at Bitter House. After Bridget’s high school graduation, Vera kicked her out without so much as a goodbye, and Bridget never heard from her again. Which is why, when she receives word of Vera’s passing and discovers she’s inherited the family manor, she’s immediately filled with dread. Those worries are amplified when she arrives at Bitter House after years away to find an enigmatic piece of her past waiting for her.

On December 19th, 1851, a crime took place in the center of London. One of the few who knows what truly happened is Countess Alina Bronskaya. But she will never speak of it. The crime is her curse and her salvation.

Weapons are not born, they're made. And a weapon, I have become. I am the scythe that will cleave the Gods' traitorous heads from their not-so-Divine bodies. Forced to the dangerous Ortus Island and the very first Mortal Gods Academy, I know that time is running out for both me and the Darkhavens. If we can't figure out what the Gods are planning and how to stop them, it's no longer just our lives on the line. It's the lives of every Mortal God in existence.

A dark, riveting, beautifully written book—by “a brilliant novelist,” according to Richard Bausch—that combines noir and the gothic in a story about two families entwined in their own unhappiness, with, at its heart, a gruesome and unsolved murder Late one winter afternoon in upstate...

I chased after a monster, and now I’m not sure I’ll survive his wrath. Gavril Nitkin is renowned for his dark and depraved ways. After years of crushing on the hot, sadistic, and intimidating professor, I finally try to reel him in. Big mistake. The man isn’t human, he’s a beast. And now I’ve got his attention, he won’t leave me alone. He’s mean, tortured, wicked, and possibly insane. There’s a change in the way he looks at me. He looks at me with a simmering inferno burning in those unique hazel eyes.

"The Castle of Otranto" is a novel by Horace Walpole. First published in 1764, it is generally regarded as the first gothic novel. In the second edition, Walpole applied the word "Gothic" to the novel in the subtitle - A Gothic Story. Set in a haunted castle, the novel merged medievalism and terror in a style that has endured ever since. The aesthetic of the book has shaped modern-day gothic books, films, art, music and the goth subculture.

Inez Urso is beginning to have her doubts. Her business associate Thomas Argeneau has some interesting traits, like an allergic reaction to the sun, excellent night vision, and not much of an appetite for food. And to top it all off, he just tried to bite her neck . . . but maybe that was a sign...

After the Great War, American heiress Ruby Vaughn made a life for herself running a rare bookstore alongside her octogenarian employer and house mate in Exeter. She’s always avoided dwelling on the past, even before the war, but it always has a way of finding her. When Ruby is forced to deliver a box of books to a folk healer living deep in the Cornish countryside, she is brought back to the one place she swore she’d never return. A more sensible soul would have delivered the package and left without rehashing old wounds. But no one has ever accused Ruby of being sensible.

Hong Kong, 1953: In a remote mansion, witnesses insist a massacre took place. The police see nothing but pristine rooms and declare it a collective hallucination. Until decades later, when one witness returns…from the Edgar-nominated author of The Last Russian Doll. In 1950s Hong Kong, Mei...

"Steeped in Gothic eeriness."--Nicola Cornick, USA Today bestselling author In Salem, they burned. Now, they will rise. New Oldbury, 1821 The house holds its breath, trying to outlast me… Something has awakened in Willow Hall. Eighteen-year-old Lydia Montrose can feel it. But she has no idea...

Christine Daaé arrives penniless and hopeless at the steps of the great Paris Opera House, in search of an angel. What finds her instead is a man in a mask named Erik, a tortured soul masquerading as a ghost. Fascinated by Christine, Erik dons a new mask to be close to her: that of the Angel of Music. This strange patron awakens Christine's voice and soul...as well as desires she cannot understand. Their adoration growing, Erik and Christine remain separated by deception and darkness, tangled in a web of lust and lies.

Après un périple éprouvant en Europe centrale, Jonathan Harker, un jeune homme de loi anglais parvient au château du comte Dracula, une bâtisse isolée dans les montagnes de Transylvanie. Il s'y rend à la demande de l'inquiétant aristocrate qui souhaite l'assistance de son cabinet pour s'installer à Londres. Durant son séjour, des évènements effarants font bientôt comprendre à Jonathan Harker qu'il est probablement perdu pour sa fiancée Mina Murray qui attend son retour à Londres.