Résultats Éditeur "Audible Studios" dans Anthologies et nouvelles

The Cthulhu Mythos is one of the 20th century's most singularly recognizable literary creations. Initially created by H. P. Lovecraft and a group of his amorphous contemporaries (the so-called "Lovecraft Circle"), The Cthulhu Mythos story cycle has taken on a convoluted, cyclopean life of its own. Some of the most prodigious writers of the 20th century, and some of the most astounding writers of the 21st century have planted their seeds in this fertile soil. The Book of Cthulhu harvests the weirdest and most corpulent crop of these modern mythos tales.

For over three decades, Ellen Datlow has been at the center of horror. Bringing you the most frightening and terrifying stories, Datlow always has her finger on the pulse of what horror listeners crave. Now, with the eighth volume of the series, Datlow is back again to bring you the stories that will keep you up at night. Encompassed in the audio of The Best Horror of the Year have been such illustrious writers as: Neil Gaiman; Kelley Armstrong; Stephen King; Linda Nagata; Laird Barron; Margo Lanagan; and many others.

From the UK best-selling author of Abbot's Keep comes a new dimension in terror. Spanning four decades, the dark history of Church Farm House is explored within four interlinking horror stories. Welcome to the nightmare... Benedict Ashforth is the author of the UK best-selling Kindle ghost story, Abbot's Keep.

Five haunting tales from Benedict Ashforth, the best-selling author of Abbot's Keep.

Pitting ordinary men and women against a carnivorous, chaotic cosmos, Occultation's eight tales of terror (two never before published) include the Theodore Sturgeon and Shirley Jackson Award-nominated story "The Forest" and Shirley Jackson Award nominee "The Lagerstatte."

The title story of this collection - a devilishly ironic riff on H. P. Lovecraft's "Pickman's Model" - was nominated for a World Fantasy Award, while "Probiscus" was nominated for an International Horror Guild award and reprinted in The Year's Best Fantasy and Horror 19. In addition to his previously published work, this collection contains an original story.

Who would suspect that the same mind that created the most famous literary detective of all time also took on the eternally popular genre of vampires? Sir Arthur Conan Doyle, a contemporary of Bram Stoker, gave us some fascinating works of vampire fiction. From the bloodsucking plant in "The American's Tale" to the bloodsucking wife in "The Adventure of the Sussex Vampire," he reveled in the horror created by creatures who survived on the blood of men and women.

Last year, Night Shade Books unleashed The Book of Cthulhu onto an unsuspecting world. Critically acclaimed as the ultimate Cthulhu anthology” and a must read’ for fans of Lovecraft’s Cthulhu mythos,” The Book of Cthulhu went where no collection of mythos tales had gone before: to the very edge of madness and beyond. For nearly a century, H. P. Lovecraft’s tales of malevolent Great Old Ones existing beyond the dimensions of this world, beyond the borders of sanity, have captured and held the imaginations of writers and aficionados of the dark, the macabre, the fantastic, and the horrible. Now, because you demanded more, anthologist Ross E. Lockhart has risked all to dive back into the Cthulhu canon, combing through mind-shattering manuscripts and moldering tomes to bring you The Book of Cthulhu 2, with even more tales of tentacles, terror, and madness.

A newborn’s absent face appears on the back of someone else’s head, a filmmaker goes to gruesome lengths to achieve the silence he’s after for his final scene, and a therapist begins, impossibly, to appear in a troubled patient's room late at night. In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses—whether we know it or not.

A big, brilliant, spooky collection of classic and contemporary ghost stories that will make you hesitate before turning off that light.

Long lost to the public in out-of-print pulp magazines, dusty Victorian anthologies, and the pages of now defunct newspapers, these vintage vampire stories have truly proved immortal. Resurrected now for the year 2011, this is a stunning collection of nineteenth-century vampire stories by heavyweights such as Sabine Baring-Gould and Bram Stoker. These rare stories are arranged in chronological order from 1846 to 1913 and are compiled by two of the world's leading vampire anthologists and experts.

Andrew Sachs reads these four classic stories of suspense - "The Signalman" by Charles Dickens, "The Haunted Doll's House" by M. R. James, "The Room in the Tower" by E. F. Benson, and "The Bus-Conductor" by E. F. Benson. These spine-tingling tales, from the golden age of the ghost story, are sure to leave you with a creeping sense of dread.

Over the course of two award-winning collections and a critically acclaimed novel, The Croning, Laird Barron has arisen as one of the strongest and most original literary voices in modern horror and the dark fantastic. Melding supernatural horror with hardboiled noir, espionage, and a scientific backbone, Barron's stories have garnered critical acclaim and have been reprinted in numerous year's best anthologies and nominated for multiple awards, including the Crawford, International Horror Guild, Shirley Jackson, Theodore Sturgeon, and World Fantasy awards.

A collection of classic works by Edgar Allan Poe, American author, poet, editor, and literary critic. Best known for his tales of mystery and the macabre, Poe was one of the earliest American practitioners of the short story and is considered the inventor of the detective fiction genre. He is further credited with contributing to the emerging genre of science fiction. He was the first well-known American writer to try to earn a living through writing alone, resulting in a financially difficult life and career.

Owls Hoot in the Daytime & Other Omens is the 5th and final volume of Night Shade Books' five volume "Selected Stories of Manly Wade Wellman." This volume contains all of the John the Balladeer stories (sometimes better known as Silver John), Manly's most famous character.

A short ghost story from the best-selling author of Abbot's Keep. A photographer reluctantly agrees to take images of an abandoned manor house on the Dorset clifftops only to find the building is not completely empty.

A tourist becomes prey in this surprising journey into the secrets of a small town.

This statement was true when H. P. Lovecraft first wrote it at the beginning of the twentieth century, and it remains true at the beginning of the twenty-first century. The only thing that has changed is what is unknown. With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this light creates its own shadows. The Best Horror of the Year, edited by Ellen Datlow, chronicles these shifting shadows.

A collection of classic works by Edgar Allan Poe, American author, poet, editor and literary critic. Best known for his tales of mystery and the macabre, Poe was one of the earliest American practitioners of the short story and is considered the inventor of the detective fiction genre. He is further credited with contributing to the emerging genre of science fiction. He was the first well-known American writer to try to earn a living through writing alone, resulting in a financially difficult life and career.

Gather 'round for ominous tales of the paranormal that’ll have you looking over your shoulder to make sure you’re actually alone. The World’s Favorite Ghost Stories is a carefully curated collection of hair-raising ghost stories from around the world meant to thrill and ensnare you. Listen to this audiobook for unsettling ghost stories that’ll get under your skin. These peculiar tales from different corners of the world (including the United Kingdom, India, and the United States) are so vivid that they almost feel real. But they couldn’t be - could they?