Titres dans Fantômes

Hank Varney’s the name. Miss Clem and me, along with the two Sidewinders from Santa Fe—we’ll get the sharp-toothed vermin cleared out. Now, some people say I’m lucky, but I don’t know if it’ll do me any good, what with the army of trouble me and the crew are facin’. If we don’t live through it, well, there goes Deadwood. Maybe even the whole of the Black Hills.

When ghostwriter Maz Amani inherits a house from an uncle he’s never heard of, he offers heartfelt thanks to the universe, packs up his car, his cat, and his skepticism about mysterious uncles leaving all their worldly goods to unknown nephews, and high-tails it to a small town halfway to the Oregon coast. Anything would be better than week after week of couch surfing his way around Portland. Even if the alleged house is a rundown shack ridden with termites, spiders, and—shudder—rats, he’ll deal. Because hey, he owns a house!

When Elspeth Noblin dies of cancer, she leaves her London apartment to her twin nieces, Julia and Valentina. These two American girls never met their English aunt; they only knew that their mother, too, was a twin, and Elspeth her sister. Julia and Valentina are semi-normal American teenagers - with seemingly little interest in college, finding jobs, or anything outside their cozy home in the suburbs of Chicago, and with an abnormally intense attachment to one another.

When a local heiress goes missing, Danielle discovers it's not always possible to distinguish the living from the dead. To complicate matters, it seems Danielle is not the only one who communicates with spirits. Her new guest claims to hear Walt. But, something's not quite right with Marlow House's newest medium. Danielle must move quickly before her best friend joins the spirit world.

Scuttler's Cove is a working village, nestling in dramatic coastal scenery in Cornwall, where life has gone on uninterrupted for centuries... until this seaside idyll was discovered by the rich. Now the quaint harbour-front cottages have been snapped up by second-homers and rental companies, and the locals can barely afford to live in their own town. It is a very different place for Merrin Moon, who left for university at the age of eighteen and never looked back. Now in her thirties, she returns to the Cove for the first time since, after the death of her mother.

Odessa Hardwicke's life is derailed when she's forced to turn her gun on her partner, Walt Leppo, a decorated FBI agent who turns suddenly, inexplicably violent while apprehending a rampaging murderer. The shooting, justified by self-defense, shakes the young FBI agent to her core. Devastated, Odessa is placed on desk leave pending a full investigation. But what most troubles Odessa isn't the tragedy itself - it's the shadowy presence she thought she saw fleeing the deceased agent's body after his death.

Tourists visit to see the legendary falls along with the blazing colors of the Appalachian forests in autumn. The rustic, antiquated Highwater Inn welcomes them, but specters from the past haunt the halls and terrify the guests and staff. Paranormal investigator Ellie Jordan arrives to help the owners, who are desperate to clear away the evil influences before they're forced to close down and abandon the struggling hotel.

For more than 30 years, Ellen Datlow has been at the center of horror. Bringing you the most frightening and terrifying stories, Datlow always has her finger on the pulse of what horror fans crave. Now, with the 11th volume of the series, Daltow's back again to bring you the stories that will keep you up at night. With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. This light creates its own shadows. The Best Horror of the Year chronicles these shifting shadows.

In the wake of a scandal, the Montrose family and their three daughters - Catherine, Lydia and Emeline - flee Boston for their new country home, Willow Hall. The estate seems sleepy and idyllic. But a subtle menace creeps into the atmosphere, remnants of a dark history that call to Lydia, and to the youngest, Emeline. All three daughters will be irrevocably changed by what follows, but none more than Lydia, who must draw on a power she never knew she possessed if she wants to protect those she loves. For Willow Hall’s secrets will rise, in the end....

When I first realized that I could see the dead, I never imagined that it would allow me to help save the lives of others, or pull me into Detective Maddox Booker’s path. Through my ability, ghosts have become some of my greatest friends and allies. But now, someone’s dead, and his ghost is gone. Ghosts have sought my help for my entire life, wanting to be heard. Now, something is keeping them quiet, almost hostile. as our search for the ghost of the dead man leads us to a small village. Everything looks normal on the outside, but I wonder what’s happening on the inside.

This best-selling debut by an award-winning writer is both an eerie contemporary ghost story and a dread-inducing psychological thriller. Maggie is a successful young artist who has had bad luck with men. Her last put her in the hospital and, after she’s healed physically, left her needing to get out of London to heal mentally and find a place of quiet that will restore her creative spirit. On the rugged west coast of Ireland, perched on a wild cliff side, she spies the shell of a cottage that dates back to Great Famine and decides to buy it.

This macabre anthology gathers seven of H. P. Lovecraft’s most chilling tales of revenants, reanimation, and spectral horrors. From lonely crypts to decaying ancestral mansions, each story unearths a world where the dead do not rest—and where the curious may find themselves entombed alongside ancient secrets. With gothic elegance and mounting dread, Lovecraft explores the boundary between life and death, and the madness that lies in attempting to cross it.

As a boy, William Bellman commits one small, cruel act: killing a bird with his slingshot. Little does he know the unforeseen and terrible consequences of the deed, which is soon forgotten amidst the riot of boyhood games. By the time he is grown, with a wife and children of his own, William seems to be a man blessed by fortune - until tragedy strikes and the stranger in black comes. Desperate to save the one precious thing he has left, William enters into a rather strange bargain, with an even stranger partner, to found a decidedly macabre business.

Hollywood descends on Marlow House in preproduction for the movie adaptation of Walt's best-selling novel, Moon Runners. Hoping for inspiration, they found death instead. There's a murderer loose, and as the body count increases, secrets are revealed - and it starts to get a little crowded with all these new ghosts hanging around.

Walking through his own house at night, a young boy thinks he sees another person stepping through a doorway. The figure reminds him of his long-dead father, who drowned mysteriously before his family left the reservation. When he follows, it he discovers his house is bigger and deeper than he ever knew. The house is the kind of wrong place where you can lose yourself and find things you'd rather not have.

On a dark, lonely road, it stands - a quiet, unassuming motel with a blinking neon sign. But for author Patrick Lahm, this is no ordinary night's lodging. Something lurks within the motel's dingy halls and threadbare rooms. Something evil. And once it infests your mind, there is no escape. Scare Street presents the complete terrifying Sin series in one volume.

Max Maurey should be on top of the world. He's a famous horror director. Actors love him. Hollywood needs him. He's making money hand over fist. But it's the 80s, and he's directing cheap slashers for audiences who only crave more blood, not real art. Not real horror. And Max's slimy producer refuses to fund any of his new ideas. But when Max discovers an old camera that filmed a very real Hollywood horror, he knows that he has to use this camera for his next movie. The only problem is that it came with a cryptic warning and sometimes wails.

As the age of the photograph dawns in Victorian Bath, silhouette artist Agnes is struggling to keep her business afloat. Still recovering from a serious illness herself, making enough money to support her elderly mother and her orphaned nephew Cedric has never been easy, but then one of her clients is murdered shortly after sitting for Agnes, and then another, and another. Why is the killer seemingly targeting her business?

When social worker Jax receives nine missed calls from her older sister, Lexie, she assumes that it’s just another one of her sister’s episodes. Manic and increasingly out of touch with reality, Lexie’s mental state has pushed Jax away for over a year. But the next day, Lexie is dead: drowned in the pool at their grandmother’s estate. When Jax returns to the house, she learns that Lexie was researching their family’s and the house’s history. And as Jax dives deeper into that research, she discovers that the land holds a far darker history than she could have ever imagined.

In Edwardian Suffolk, a manor house stands alone in a lost corner of the Fens: a glinting wilderness of water whose whispering reeds guard ancient secrets. Maud is a lonely child growing up without a mother, ruled by her repressive father. When he finds a painted medieval devil in a graveyard, unhallowed forces are awakened. Maud's battle has begun. She must survive a world haunted by witchcraft, the age-old legends of her beloved fen - and the even more nightmarish demons of her father's past.